Anthology Markets

February 10th, 2010

I’ve been getting a lot of hits on these posts, so if you’ve just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn’t dated in the same month you’re in, click here to make sure you’re seeing the most recent one.

Markets with specific deadlines are listed first, “Until Filled” markets are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple antho guildelines on one page, so after you click through you might have to scroll a bit.

Note that Drollerie has reorganized its submission pages. I found while re-checking entries that the links from last month now take you to a general “All Our Antho Submissions” page, from which you have to click on the separate line links to the left; links from here this month go to the correct pages. Also, the Ghost Stories deadline is 31 March, where I had it as 5 March before. I don’t know whether the deadline was pushed back or whether I misread it the first time, but since the new deadline is later than the old one, no harm no foul either way. :)

The Baconology antho has been filled. [sad sigh]

Non-erotica/romance writers: again, half the anthos here are neither erotic nor romantic, so definitely browse.

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28 February 2010 — Quest for Atlantis — Pill Hill Press

Email submissions to: atlantis@pillhillpress.com

Please put SUBMISSION, followed by the title of the story, in the subject line of your email. Thanks!

We are looking for a good variety of unique short stories that celebrate the legend of The Lost Continent of Atlantis. Most genres, including, but not limited to, fantasy, science fiction, horror, suspense, mystery, romance, humor, etc., are welcome as long as they fit the theme of the anthology (Atlantis).

Stories can take place at any time (past, present, future, alternate), and should be written in the third person.

Stories should be approximately 1,000-10,000 words in length.

Payment is 1 cent per word (up to 5,000 words or a $50.00 cap), plus 1 contributor’s copy upon publication.

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28 February 2010 (Extended Deadline) — Greek Myth/Urban Fantasy — Drollerie Press

Drollerie Press is seeking short stories for an anthology retelling Greek myth re-set as urban fantasy. The stories should be between 5 and 20k in length, and should be YA friendly, that is, appropriate to a sophisticated YA reader and to adults as well. The protagonist(s), therefore, should be wrestling with issues of young adulthood, and should be between the ages of 17 and 25. This is a general fantasy anthology, so stories may contain cross-genre elements, such as love, science, or horror, but should not be specifically written to that genre. In particular, however, the stories should be creative and intelligent, and show knowledge of the source material and skill at reweaving it for a new audience. How veiled the original story remains up to the author.

Submissions for this anthology should be uploaded on our submissions page, and should contain “GREEK” in the file name.

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28 February 2010 (Extended Deadline) — Trafficking in Magic/Magicking in Traffic — Drollerie Press

Trafficking in Magic deals with the sale and transport of magical goods and services, including magical beings, artifacts, fortune telling, communing with the dead, and other spells for hire, or the sale of magical energy itself;

Magicking in Traffic deals with magic in the flow of traffic–which could be street traffic, commerce, the flow of energies, or something else entirely–whether to aid, block, or manipulate the flow of traffic, or simply to play in it.

Creative interpretations of the title(s) are also encouraged.

Contributors are encouraged to send 1 short story per anthology or up to 3 poems total. Query first if sending fiction over 12,000 words or poetry over 100 lines. Compensation is an equitable distribution of royalties based on word count. Publication will be in ebook, with trade paperback to follow if warranted by sales.

Send submissions for this anthology only to magic@drolleriepress.com.

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15 March 2010 — Barbed Wire and Bootheels — Torquere Press

Cowboys, drovers, rodeo riders, ranchhands. Three-story mini-anthology of short, sexy stories on the theme, 3-8K words, 35%/25% of cover price from publisher’s site/vendors, divided among the three authors.

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15 March 2010 — Knives — Torquere Press

Three-story mini-anthology of short, sexy stories on the theme, 3-8K words, 35%/25% of cover price from publisher’s site/vendors, divided among the three authors.

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31 March 2010 — The Way of the Wizard — Prime Books

(a) The story should be about a wizard, witch, sorcerer, sorceress, of some kind (basically, any sort of user of magic).

(b) The fact that the story has wizards in it should be vital to the story, i.e., magic should be an important factor in the resolution of the plot.

(c) The wizards should be literal, in that they do actual magic, not like a pinball wizard or something like that.

(d) I’m interested in all types of wizard tales, but am especially interested in seeing some stories that explore the idea of wizardry from a non-traditional viewpoint–i.e., something based on the Chilean Kalku or on the supernatural practices of other cultures.

(e) The story may be set in a secondary world, the real world, the present, or in a historical time period…let your imagination run wild.
Genres: Fantasy/Science Fiction/Horror. Obviously wizard stories tend to be fantasy, but some sort of SFnal take on the theme would be acceptable.

Payment: 5 cents per word ($250 max), plus a pro-rata share of 50% of the anthology’s earnings and 1 contributor copy.

Word limit: 5000 words. (Stories may exceed 5000 words, but $250 is the maximum payment per story, and stories 5000 words or less are strongly preferred.)

Rights: First world English rights, non-exclusive world anthology rights, and non-exclusive audio anthology rights. See my boilerplate author-anthologist contract, which spells out the rights in detail.

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31 March 2010 — Ghost Stories — Drollerie Press

Who doesn’t love a good ghost? Drollerie Press is seeking short stories and poetry for an anthology of ghost stories. They may be set in any location and at any time. The stories should be between 5 and 20k in length, but longer or shorter may be considered. Poetry should not be longer than three pages, double-spaced.

Your story may contain cross-genre elements, such as romance, or science, but should definitely include strong horror elements. This is an anthology intended for an adult audience, but each work will be chosen based on its own merit and how well it will fit with the rest. In other words, avoid extremely violent and/or erotic or gentle and/or sweetly romantic tales.

Each author may submit up to 3 stories, but only one will be accepted per author. In this anthology, as in all Drollerie Press works, inclusive representation is important to us. Authors may be from, and stories may be set, anywhere in the world. Characters of any race, creed, or sexual orientation are encouraged.

Compensation is an equitable distribution of royalties based on word count. Publication will be in ebook, with trade paperback to follow if warranted by sales.

Submissions for this anthology may be sent by email to submissions @ drolleriepress.com and should contain “GHOST” in the subject line. Review and response will occur after submissions are closed.

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31 March 2010 — Triangulation: End of the Rainbow — PARSEC Ink

We define “short fiction” as “up to about 5,000 words or so.” If you have an awesome story that exceeds 5K then by all means send it; but be warned that we have yet to accept anything for publication much longer than 5000 words.

We dig flash; there is no minimum word count.

We have no interest in getting more specific about the term “speculative fiction.” Science fiction, horror, fantasy, magic realism, alternate history, whatever — if there’s a speculative element vital to your story, we’ll gladly give it a read.

We love creative interpretations of our theme, “End of the Rainbow”. Don’t ask us what it means — tell us what it means with a story that convinces us you’re right.

We will run mature content if we like the story. So make sure there’s an actual story in that mature content.

We will gladly consider reprints. If the story ran someplace obscure, then it’s probably new to our readers; and if it ran someplace high-profile, it’s probably really good. Either way, we win!

Compensation: We pay two cents per word (USA funds, rounded to the nearest 100 words, US$10 minimum payment) on publication and one contributor’s copy. The anthology will be published in late July of 2010. We purchase North American Serial Rights, and Electronic Rights for the PDF downloadable version; since we’re cool with reprints, we really don’t care whether we have firsties. All subsidiary rights released upon publication. Contributors will also have the option of purchasing additional copies of the anthology at-cost, exact price TBD.

How To Submit: Electronic submissions make our lives easier. Please send your story to editor@parsecink.org. Please put your subject line in the format of “SUBMISSION: Story Title” so we can tell you apart from the spam.

We’ll consider stories ONLY in the following formats:

* .odt (OpenDocument Text — format used by the OpenOffice.org suite) — preferred format
* .rtf (Rich Text Format — generic document format that most word processors can create)
* .doc or .docx (MS Word — we’re not crazy about it, but let’s face it, it’s the one most people actually use)

[This has been ruthlessly edited for space, but there's a lot more; definitely check their web page for more details.]

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1 April 2010 — Not My First Rodeo — Torquere Press
[No link -- this was announced on the Yahoo list, but isn't posted on the web site yet.]

Two guys, one girl, and a western theme. Cowgirls, cowboys, ranches and rodeos and maybe a little history. That’s the idea behind Not My First Rodeo. We want loving relationships and happy endings, though all sensual heat levels are welcome. Preferred length is 8,000 to 12,000 words. Payment is a flat fee of $75.00 for first time print and electronic rights. Deadline for submission is April 1, 2010. Please submit the story, along with a synopsis, your contact information, and author biography to submissions@torquerepress.com with “Not My First Rodeo” in the subject line.

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15 April 2010 — Cock Cage — Torquere Press

Three-story mini-anthology of short, sexy stories on the theme, 3-8K words, 35%/25% of cover price from publisher’s site/vendors, divided among the three authors.

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30 April 2010 — Steampunk Romance Anthology — Samhain Press

Welcome to the world of clockwork pendants and steam locomotives, corsets and lace, dirigibles and difference engines. Yes, we’re talking about steampunk, where fantasy, history, technology and romance mix to create a glorious genre that looks at Victorian and Edwardian Era England and the American wild west through brass goggles.

I’m open to M/F, M/M, or multiples thereof, any sexual heat level, and the romance must end happily ever after or happy for now.

The novellas must range between 25,000 to 30,000 words in length, no more, no less—please note, only manuscripts that fall in this word count will be considered for this anthology—and will be released individually as ebooks in November 2010.

To submit a manuscript for consideration, please include:

The full manuscript (of 25,000 to 30,000 words) with a comprehensive 2-5 page synopsis. Please include a letter of introduction/query letter. Full manuscripts are required for this as it is a special project.

As well, when you send your manuscript, please be sure to use the naming convention Steampunk_Title_MS and Steampunk_Title_Synopsis. This will ensure that your submission doesn’t get missed in the many submissions we receive, and makes it easy for me to find in my ebook reader.

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30 April 2010 — Music for Another World — Mark Harding

I’m looking for Fantasy and Science Fiction Stories. I am quite broad with definitions, but a fantasy story must have an element of fantasy, and a science fiction story must contain an element of science/technology and speculation about science. I like merged-genre stories, but be warned that I don’t want the anthology dominated by ’slipstream’ stories.

Story length is ideally between 2000 and 6000 words. However, I will consider stories outside of this range.

The unique points:
Music must be integral to the story: for example, the story might be about music, or the life of musicians, or the effect of a musical instrument, or perhaps a piece of music — or anything else that I haven’t thought of!

This next requirement is equally important. I’m not only looking for great characters, great plot, great entertainment and great prose, but I’m also looking for stories that are intellectually exciting. This is something Science Fiction and Fantasy is best equipped to deliver, so I am going to be explicit about wanting this in the anthology.

What I’m NOT looking for:
A story where the author has changed the lead character from a schoolteacher to a musician, or where the magical object has been changed from a cursed handbag to a cursed violin. Music MUST be integral to the story. If the musical element can obviously be exchanged for something or someone else — brilliant though the story may be — it won’t fit my anthology.

I’m also NOT looking for:
Gore-fests
Sword and Sorcery
Fan fiction
Mozart fighting zombies

Electronic submissions only. In RTF format. Email to mark.musicanthology’@'gmail.com

Payment: One free copy of the paperback plus £80 per author selected. Payment by Paypal only.

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UNTIL FILLED — MM and Menage Steampunk Antho — Phaze

Call: M/M and Menage Steampunk Anthology, Title TBA
Edited by: Leigh Ellwood
Projected release date: late 2010
Format: eBook (with possible print release)
Publisher: Phaze Books
Payment: $50 for one-time electronic and print rights, plus copies

Hey, all you steampunk enthusiasts, grab your goggles and get to writing! Phaze Books is planning an M/M (and bi-M menage) steampunk collection for eBook publication in 2010. If you have a yen for 19th century history with a touch of good humor and technological innovation (and a whole lot of manlove!), we hope you’ll send us your hottest steampunk erotic romance of 10K – 20K words. If you’re not sure about the genre, check out this Wikipedia entry for steampunk (http://en.wikipedia.org/wiki/Steampunk) to get an idea of the style of stories we’re looking for. Think H.G. Wells or Wild Wild West, then turn up the steam factor with an incredible M/M or MMF/MMM match-up!

This call is open indefinitely until the spots are filled. Contributors will offer one-time electronic and print rights to their works and receive a one-time payment of $50 and contributors copies (eBook and/or print, if the book goes to print).

To submit to this anthology, please follow the Phaze Books structural guidelines at http://www.phaze.com/submissions.html and attach your RTF submission to Leigh Ellwood, c/o Phaze Books at submissions @ phaze (dot) com. Please use STEAMPUNK ANTHOLOGY is your subject header.

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UNTIL FILLED — Panverse Three — Ed. Dario Ciriello, Panverse Publishing

The anthology will be open to submissions until we have enough good stories.

Looking for pro-level novellas of between 15,000 and 40,000 words. Stories should be Science Fiction (except Military) or Fantasy (except Heroic/High/Superhero/S&S). We’ll also look at Magic Realism, Alternate History, and Slipstream (whatever that is). The story should be original and unpublished in any medium (this includes web publication).

Depth of characterization will count for a lot – however clever the idea, if we don’t care for the protagonist, we’ll bounce it. We like stories that instill wonder. Subject matter is pretty wide open. If we care, can’t put the story down, and find no big holes in the plot or worldbuilding, you’ve got a good shot.

What we don’t want:

Military SF, High Fantasy, Sword and Sorcery, Horror, RPG, superhero, or shared-universe stuff, etc. Vampires and Cthulhu-mythos stories are strongly discouraged unless you’ve done something absolutely original with either theme. No gratuitous or wildly excessive sex or violence: what this means is that sex or violence which serves the plot is okay, within limits; the same goes for language. Think R-rated rather than XXX-rated.

NOTE: there are some unusual bits in their formatting and cover letter requirements. Nothing ridiculous, but definitely click the link and read the full guidelines before submitting.

Geeking Out

February 8th, 2010

You know you’re a geek when you’re living out of suitcases for possibly a couple of months, and have ONE box of books and stuff that you shipped up to your hotel, and in that one really-too-small box of books you included a Latin dictionary.

Bonus points if you used it within the first week of receiving the box. [cough]

Angie

A Funny

February 5th, 2010

St. Stephen of Jobs introduces the iCodex. :D

Angie

Moving Update

February 4th, 2010

We got word that the builder from whom we’re in the process of buying a townhouse is having some legal/financial problems. Apparently he owes a number of people money and they’ve decided patience isn’t working anymore; they’re activating the liens on his property, and that includes the townhouse we want.

At first we were hoping that the creditors might let the sale go through, on the grounds that letting the builder come into a nice pile of cash would mean he’s more likely to be able to pay them at least something, rather than taking the property, having to go through the seizure procedure for however many months, and then sell it themselves. But our realty guy found out that the builder owes the bank too, and that the sale of the townhouse will only pay them off; he wasn’t going to make any actual profit on the townhouse sale. If that’s accurate, then the creditors have every reason to want the townhouse itself, and no motivation at all to let him sell it. :/

Our finance guy is still looking into things; he knows some people at the builder’s bank and is trying to see if there’s a way through the mess. I’m not holding my breath, though, and we pretty much expect to activate the recision (a document which basically says, “Sorry, not interested in diving into your mess,” and lets us get our earnest money back) by Monday latest.

Jim’s been looking through the real estate listings for the last couple of days, and our real estate guy’s been running around screening properties for us. We went and looked at a couple today. One’s a big house (almost 2500 square feet) just a block and a half from that cool shopping center near the townhouse; it’s not quite as convenient as the townhouse would’ve been, but it’s still a great location. It’s also a lot larger, and has a big backyard, which pleases me very much. The downside is that it’s almost sixty years old. The wiring is ancient — only five circuits for the whole house, and none of the outlets are grounded. We’d have to upgrade the wiring to handle computers and associated gear, plus the usual living room and kitchen electronics a 21st century family has these days. The finished basement also needs work; it doesn’t suck, and we’ve seen a lot worse, but it needs insulation and new wallboard at least, and the whole place could use new windows to help keep the weather out and our energy bills down. There are some issues with the siding, and something weird about the downspout drains, plus if we want a dog we’d need to refence the yard.

The wiring and insulation/walls downstairs will be the big ticket items, though, unless a home inspector trips over something major. Depending on how much it’d realistically cost to upgrade the place, we might or might not be able to afford it.

We also looked at another townhouse. It’s nice, about 100 square feet smaller than the other townhouse, but with a little fenced yardlet like the other one. The grounds aren’t as nice — the builder packed as many units as physically possible on to the lot, with most of them very skinny and one model four stories to get a reasonable amount of space onto the footprint, and standing outside one gets the impression of an asphalt canyon. There’s no open ground, not a bush or a blade of grass to be seen. It’s kind of depressing. The units are nice on the inside, but the environment leaves a bit to be desired. It’s also at least a mile to the nearest shopping.

We have a few other places we want to look at this weekend, and our real estate guy’s hunting for more. I’m sure we’ll find something that’ll work for us, even if the house we saw today turns out to be unworkable. It’s just a bummer to have to start over at this point. :/

Angie

Moving and Writing and Stuff

February 2nd, 2010

Hey, all! [wave] We’re up in Seattle, at the same hotel we were at in December for the house-hunting trip. It’s been interesting, in the ancient Chinese sense.

Southern California had record rainfall the week we were packing and moving, and our garage flooded again, twice, once really bad and the second time just enough to send us into a panic of wondering how high the water would come that time. We actually came out of it relatively well; there were streets that were flooded above the wheelwells on parked cars, and I saw a few minutes of TV coverage of people being evacuated from their houses, so just losing some stuff wasn’t too bad on that scale. Still, it’s something I could’ve done without.

So we’re back at the Alexis, and Jim had his first day of work at the new office yesterday. The bosses were gone and it took a while to find someone who knew what to do with him. His job title includes the word “officer” this time, for whatever reason; he gets a badge and will be getting fitted for body armor — in case the viruses start shooting back, I guess. [wry smile] I was actually thinking they might be taking him along on search warrants, which was something he did occasionally before the big reorganization when they set up Homeland Security (although he didn’t have body armor back then; they just kept him a couple of miles back from the site until it was secured) but apparently not. The guy who was getting him settled in yesterday has been there for however many years and said they all have body armor but they’ve never used it; his is stashed behind a door or something. Your tax dollars at work again. At least Jim’s enjoying the two-block commute. :D

I’ve been very pleased that it hasn’t been as cold as it was in December! Seattle did a bit of record-setting itself that week, for which I’m grateful. Jim likes the cold, but I’m cursed with a very narrow comfort zone, temperature-wise, and am just as happy it doesn’t get below freezing in the daytime here all winter, or even every winter. [shiver]

Let’s see, what else? I heard from the person assigned as my editor for A Hidden Magic and at this point the book’s scheduled for release on 25 May, whee! I should get edits by early March, which is fine; hopefully we’ll be moved in and reasonably settled by then so I can focus on work. If not, I’ll manage.

January was pretty much a loss, writing-wise. :/ I signed up for McKoala’s 2010 Challenge (thanks to Writtenwyrdd for the link last month) and barely scraped out two points, one for that antho submission I did in early January, and one for managing to write a whole 5K words and change last month. Almost enough for a second wordcount point, but not quite. [hides under keyboard] I think the upheaval of moving is a semi-acceptable reason for falling off on the verbage, but only semi. I’m determined to do better this month.

Angie, hiding from the Koala :D

Koala Challenge 2

Mostly Away

January 19th, 2010

The packers are coming tomorrow, so for some unspecified while my presence online is going to be kind of spotty-ish. Being me I’ll still be around some — have laptop, will surf — but I won’t be spending all day online the way I usually do.

I have more sorting, stashing and tossing to do; everything has to be ready for strangers to start grabbing and boxing by 8am tomorrow, and I probably won’t get much sleep. We’re moving into a hotel tomorrow night, and the main computers will be packed up well before then.

I’m just hoping we don’t lose too much between here and Seattle. :/

We’ll be in a hotel for eight or nine days (during the packing and moving out of our stuff, then supervising a good cleaning [flamethrower, firehose, backhoe] and whatever last-minute repairs need doing), then flying up to Seattle and moving into temporary quarters, still not quite settled where. It all depends on how the deals go — the guy who wants to buy our condo has been dragging his feet for the last week or more, and we’re counting on that for a down payment on the townhouse. If that ends up falling through for some reason, we’ll have to scramble for a quick refinance (which was our original plan before this buyer popped out of the woodwork) to get our down payment; it won’t be enough for a full twenty percent, which will impact our interest rate and monthly payment, plus the time it takes will cause us to incur a substantial penalty ($85/day) for failing to close on the townhouse by the deadline. I’m really hoping our buyer down here gets his act together RSN. :/

If it all comes together, we could end up staying at a hotel in Seattle for as little as a week or two. If it all goes pear-shaped and we have to go back to house-hunting from scratch, we could end up in an apartment for two months, then moving to a smaller apartment when our per-diem runs out. More likely it’ll be somewhere in the middle. Oh, then at the end, moving again to wherever we end up for the next few years, hopefully the townhouse we made an offer on. [crossed fingers] Most of our stuff (everything the packers will be packing tomorrow and Thursday) will be in storage until we’re in permanent housing, so we get to live out of suitcases until that happens, joy.

I’m just looking forward to all this being over. You ever wish you could go to sleep and wake up a month or two later…? [wry smile]

Anyway, later all. [wave] Keep the internets warm for me. :)

Angie

Spammers — Stomping Roaches

January 18th, 2010

As Travis mentioned recently, the spammers have gotten more active lately, and some of them are also subtler. At this point, though, I’ve had it up to here with spam, and my tolerance for anything which seems even vaguely spammish is at an all-time low.

So. What this means is that I’m going to assume that anything which might be spam is actually spam. On the borderline, that means anything in a foreign language I can’t read will be deleted. (For a while I copied these and ran them through Babelfish just in case, but I never found any which weren’t spam and eventually gave up.) Anything which talks about an unrelated subject (”Hey, interesting discussion here, reminds me of my new plumbing business I’m eager to tell you about…”) without any specific commentary on the actual topic of the post will be deleted. Any vague praise which could apply to literally any blog (”I wanted to let you know how much I appreciate the hard work you put into your articles and that I’ve bookmarked your blog and will visit daily!”) will be deleted.

If that means I end up deleting a comment by the occasional sincere reader, I’m truly sorry for that. But I’m not willing to leave someone’s vague, spammish comment (and their link) up long enough to be spidered if I can help it. All roaches, and anything which has more than four legs and therefore might be a roach, will be stomped immediately, no exceptions.

Note that I don’t object to links per se. Someone on my Wordpress blog posted a short comment on my Visiting San Francisco post which actually responded to something I’d said, rather than just making some vaguely general remark. I responded to the comment and left it where it was, despite the very clearly commercial link attached to it. Anyone who actually participates in the conversation is welcome to include a link to their web site. And participation doesn’t mean a dissertation-level commentary — just some proof that the commenter actually read the post and is responding to some specific bit of it is enough.

I don’t think that’s too much to ask, and anything short of that will be deleted. I really don’t want to have to set up captchas on my blogs (or comment moderation on my LJ; I’ve gotten one or two spam comments on LiveJournal, but for the most part the spammers have so far left it alone [crossed fingers]) because I want it to be as easy and un-annoying as possible for real people to leave comments. That means, though, that I need to be a hard-nose about after-the-fact moderation.

I don’t imagine this’ll affect any of my regular readers or commenters, and I hope legitimate first-time commenters won’t find it impacts them either.

Angie

Looking at Promo

January 15th, 2010

Christina Phillips asked her readers about promo, what we like and dislike, what we do, and what we think works. Since I’m me, my answer got way long, so I’m posting it here instead.

I enjoy some promo activities and dislike others. I generally don’t do the ones I dislike. :)

I like blogging, but I post only when I have something to say. I don’t appreciate it when other people post lame whatever just to fill a slot on their schedule, and I won’t blather about what I had for lunch just to get something up on a Monday. I know people who can come up with interesting, useful posts on a regular schedule — and envy them bitterly [rueful smile] — but I’m not one of them and I’m not going to waste readers’ time if I have nothing significant to say.

I have a LiveJournal under my pseud because my publisher has an LJ community and encourages us to sign up for days to play host. I’ll grab a day when I have something new coming out, but don’t try to appear regularly otherwise. I don’t have a gift for entertaining a bunch of people online all day long unless I have something specific to talk about and a relevant theme, and if I haven’t had anything new out recently, well, that sort of leaves me with tap-dancing and birdcalls, neither of which I’m good at. A lot of the other writers do stunt writing, where they call for prompt words from readers by a certain time, and commit to having one or more ficlets posted using the prompts by the end of the day. I’ve done that once or twice, but I suck at it and would usually rather do something else. [hides under keyboard]

I like doing raffles, and have found that an effective way of keeping a decent number of people showing up in comments all day is to give a ticket in the hat for each post a reader participates in. So if someone answers three trivia questions, tells me who their favorite historical pirate is, and posts a cookie recipe (or whatever I’ve asked for that day) they get five tickets in the hat. That draws much more traffic than just saying that each person who participates in some way that day will get a ticket.

And about raffles and other give-aways, if you’re giving away a copy of your new book, people who are participating won’t buy your book until after the contest is over, because they’re hoping to win a free copy. After it’s all over, disappointment can nullify the excitement and anticipation built up by your promo activities, and cause them to put the book on their wish list and maybe buy a copy whenever, rather than running right out after the contest is over. Giving away something else encourages people to sign up to win something from your backlist, or a gift certificate, or whatever swag you’re offering, and possibly also buy your new book, which you’re promoing the heck out of. :)

And giving away a gift certificate, even five dollars’ worth will let someone buy several of my stories, so it’s a nice prize but not a huge expense to me. And someone who’s a dedicated fan and already has my whole backlist can participate and use the gift cert. to buy someone else’s stories; I don’t mind at all extending the benefits to someone who supports me so much that they already have everything I’ve published, and if they buy someone else’s books with the prize, that just spreads the good fortune around.

I don’t do MySpace or FaceBook; I’ve heard too many bad things about them, and I don’t need an iffy timesink.

I don’t Twitter — major timesink.

I have an author’s topic over on The Phade, in their Manhole area, which is dedicated to m/m fiction. It’s a fun place to hang out, with people who really love the kind of stories I write, but it’s not so busy that it’s a huge timesink. A number of reviewers hang out there, and I’ve gotten several reviews from Phade people since I signed up there, which is way cool.

Being a Romancing the Blog columnist drove a surprising amount of traffic to my blog, considering that RTB is mostly het and I’m an m/m writer, but that was a nice gig, even overlooking the fact that I just love being able to blather on about whatever. ;D RTB is on hiatus right now, but I’m hoping the new owners do fire it up again soon, and decide to keep me on. [crossed fingers] Note that I have no idea how much of that traffic actually resulted in sales, but even just blog traffic is nice to see.

I have a set of GLBT Bookshelf pages and I get some blog traffic from that site. There are buy links from my story pages to my publishers’ buy pages, but I can’t tell how much purchasing traffic originates there. Building my pages also forced me to expand my HTML skills; I got a good book on the subject and did some experimenting to get my pages looking decent, and learned a few things.

I have a web site which I swear I’ll do something with some day soon. [hides under keyboard again] Doing the GLBT Bookshelf pages means I’m that much closer to being able to do something with my web site besides having a mirror blog sitting on it, in all my spare time. :P

Part of my problem, though, is that so far I’ve only published short stories (and one novelette) and I like writing different characters and even genres so I don’t have a built-up body of information for any individual set of characters or fictional setting. I don’t have any major works which lend themselves to the kind of “bonus material” people like seeing on web sites. I have free sequels available to three of my stories, but they do perfectly well as pages on my WordPress blog. There are some things I want to pull out of the blog pages and put on the web site, like my list of publications, and the freebies, probably add to my bio, that sort of thing, but mostly I want to be able to give people cool bonus material. I have a novel in process with my publisher at the moment, and some more stories in the works set in the same universe; once that’s up and running, there’s other info I’ll be able to give — character bios, info on how the magic system works, background on the fey and various other beings the boys run into, that sort of thing. At this point, though, I feel like so long as I can manage with just the WordPress and its pages, I should keep it at that level, rather than expanding to a full web site (which would be skimpy anyway) just to have a full web site.

I haven’t done any swag because I don’t have anything to put on that kind of item. Again, all I have out so far are short pieces, none of which had an individual cover. Cover art is a primary focus of swag items, especially the cheap ones like bookmarks; I’m hoping my novel will have a great cover which will lend itself to that. [crossed fingers]

And recently (just yesterday, in fact) I signed up with Goodreads as an author. Still trying to figure out how that works — if you’re there, come say hi! I’m not sure what the noticeable effect will be (any comments from other writers who actively participate there?) but there are folks on Goodreads who’ve already put my work up and have done some rating and reviewing and such, so I’ll find out whether it helps to have an active presence there, however much time I can give it.

Wow, looking at all this written down, it seems like a lot. [blinkblink] I guess it sort of creeps up on you, a bit at a time. And some things require regular tending — like being an active presence in the blogosphere — while others are very intermittent, like my RTB gig, or maintaining my GLBT Bookshelf pages. That’s another factor when deciding whether to do a certain type of promo: can you invest the time to set it up and then mostly leave it, with just periodic attention, or is it something you’ll have to carve out a regular block of time for?

Honestly, though, I think the best promo when you get down to it is good word-of-mouth, and a lot of it. If you count that in, it seems promo will eventually start feeding itself, as though there’s some critical mass of talkative fans which, if you can achieve that level, will ensure that you’re going to expand from a decent audience to a really good one. The trick is getting to that critical mass, and making sure that your fans, however many or few there might be at any point, have stuff to talk about. Which comes back to writing great fiction, and ensuring that you have a fairly steady supply of it appearing. Awesome writing is what it’s really all about; with it, you’ll have other people promoing for you once some target number have tripped over your work, and without it, all the frantic promo a single writer can do won’t help.

It’s all about how you invest your resources, whether time (to do things yourself) or money (to hire people to do things for you.) I think we can all control money spent, because it’s money and there are bills to pay and that number at the bottom of the check book. Time can get away from you, though, if you don’t watch it just as carefully. There might be all kinds of promo activities you enjoy, and they all might even be productive, but if you take up all your time doing promo at the expense of your writing time, the wheels are going to grind to a halt eventually. Finding a good balance here is key, and any uncertainty should be awarded to your writing time.

Angie, still trying to find a good balance

Slogging Through a Great Book

January 14th, 2010

Am I the only one who has trouble getting through some really good books?

I don’t mean the kind of “good” book that’s a classic, or something the critics have raved about — the kind of book you feel you should like, even when you don’t. I mean the kind of book you’re really enjoying, where you like the characters and the plot is interesting and all that, but for some reason it’s just really easy to put the book down and wander off to do something else, like, every few pages. :/

I just finished a book like that. It was m/m romance, which is a genre I enjoy. I liked the characters and their relationship arc — I particularly liked that the writer never took the easy path to shoving them together, but made them legitimately fight for it all the way through, with good reasons on both sides for doing so. The writing itself was clear, with few or no confusing or annoying bits. I finished it pleased and satisfied, and looking forward to getting the next book in the series. Which hopefully won’t take me months of on-and-off reading to get through.

About the only legitimate criticism I can think of is that the setting was kind of spotty and confusing. The book was a fantasy, set on an invented world, and the characters travelled through a number of lands, kingdoms, etc. There were different peoples, each with their own culture and language and such. All this would usually be good, but I had a hard time keeping track of who was which and where they were, so a reference to a Blah from Wherever would have me pausing to wrack my brain for a memory of when the Blahs had been mentioned before, and where Wherever was in relation to the lands 80% of the story took place in. I could tell that the writer put a lot of work into her worldbuilding, and did a good job of it; she just had a hard time communicating it to me as the reader in a coherent manner which would let me grasp her world as a whole, and see how all the pieces fit together.

If this had been a hardcopy release from a New York publisher, it probably would’ve had a map in it, and I would’ve referred to it fairly often. Having that graphic showing exactly where different places were in relation to one another, which land this town is in and where exactly the river by the protag’s village runs, would’ve helped a lot. I felt like I was expected to know exactly where the protag was going when he travelled north along the winding coast road, but the lands or towns up there had been mentioned some number of pages back, and I didn’t remember them; a map would’ve let me check quickly and easily, and then get right back to the story. I’ve never seen that kind of map in a fantasy e-book, although they’re common in hardcopy books; this is probably something e-pubs should consider.

But most of the time when I wandered away from reading, it wasn’t at a point where the writer had tossed out the name of a people or a place I should remember but didn’t, so I can’t really swear that was the reason I had such a hard time getting through the story.

I don’t know. I liked it, and I do want to read more of the series. I just had a hard time sinking into it for any length of time. Does that happen to anyone else? Any ideas why?

Angie

Anthology Markets

January 10th, 2010

I’ve been getting a lot of hits on these posts, so if you’ve just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn’t dated in the same month you’re in, click here to make sure you’re seeing the most recent one.

Markets with specific deadlines are listed first, “Until Filled” markets are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple antho guildelines on one page, so after you click through you might have to scroll a bit.

Note that Trafficking in Magic/Magicking in Traffic and Greek Myth/Urban Fantasy have extended their deadlines to 28 February, so if you were thinking of subbing, there’s still time.

Note that Panverse Two has been filled; reading for Panverse Three will begin on 1 February, and any manuscripts sent in before that time will be discarded unread.

Non-erotica/romance writers: half the anthos this time are neither erotic nor romantic, so definitely browse.

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31 January 2010 — Queer Light — Queered Fiction

Angels, fallen angels, nephilim (half human and half angel), and demons; devas of light and darkness. An urban contemporary fantasy anthology featuring queer angels of all shades and hues. Like with Queer Wolf we’ll be looking for tales set in an unnamed and location non-specific city, but this time involving queer angels, the good and the bad. (3,000 to 20,000 words)

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1 February 2010 — Red Hot Fairy Tales — Samhain Press

How did Belle tame the wild Beast? Did the carriage turn into a pumpkin….or did Cinderella? And just what was going on with Snow White and those Dwarves?

I’m very pleased to announce an open call for submissions for a new, yet-to-be titled Summer 2010 anthology. I’m open to any genre, M/F, M/M, or multiples thereof. I’m looking for your super-hot take on the fairy tales we grew up with and… there must be a Happily Ever After.

The anthology will include novellas from 20,000 to 25,000 words in length and will be released individually as ebooks in August 2010 and in print in Spring 2011.
Submissions are open to all authors, published with Samhain or aspiring to be published with Samhain. All submissions must be new material, previously published submissions will not be considered. Additionally, manuscripts previously submitted, whether individually or for past anthologies, will not be considered either. Please be aware that manuscripts submitted to this anthology cannot be resubmitted at a later date unless by invitation from an editor.

To submit a manuscript for consideration, please include:

The full manuscript (of 20,000 to 25,000 words) with a comprehensive 2-5 page synopsis. Please include a letter of introduction/query letter. Full manuscripts are required for this as it’s a special project. We are not accepting multiple submissions for this anthology, so please only send in one manuscript. If you already have a manuscript under consideration with Samhain and would also like to send in a submission to this anthology, please query editor@samhainpublishing.com first. Also, please be aware that, as a primarily romance publisher, we require all stories for this anthology to fit into the romance genre, complete with “happy ever after” or “happy for now” ending.

As well, when you send your manuscript, please be sure to use the naming convention FairyTales_Title_MS or FairyTales_Title_Synopsis. This will ensure that your submission doesn’t get missed in the many submissions we receive, and makes it easy for me to find in my ebook reader.

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15 February 2010 — Stand and Salute — Torquere Press

Military theme.

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15 February 2010 — Latex — Torquere Press

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15 February 2010 — Steampunk Reloaded: Volume 2 — ed. Ann and Jeff Vandermeer, Tachyon Publications

The sequel to the World Fantasy Award finalist anthology Steampunk will read submissions between December 15, 2009, and February 15, 2010. Any English-language story previously published in the past decade on a website or print publication is eligible for consideration. Our definition of Steampunk is fairly broad, so if in doubt, send it. Keep in mind that Steampunk has become much more diverse over the past few years, and we are very interested in non-traditional and multi-cultural points of view.

Submissions between 1,500 and 10,000 words should be sent in a Word or RTF document to steampunkII at hotmail.com. We don’t care about margins or format, but please cut-and-paste the first three paragraphs into the body of your email, include prior publication information, but do not include any biographical information about yourself. Alternatively, use snail mail by sending your work to POB 4248, Tallahassee, FL 32315. Snail mail submissions should be marked on the outside of the envelope as for Steampunk Reloaded consideration. No SASE is required if you prefer email response. You can send your email submissions before December 15, but we won’t begin reading them until December 15. All submissions will be responded to no later than February 28; please do not query about a submission prior to that date.

Payment will be on publication, at standard reprint rates of one to two cents per word, against a share of any royalties from the North American or foreign editions, as well as one contributor copy.

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28 February 2010 — Quest for Atlantis — Pill Hill Press

Email submissions to: atlantis@pillhillpress.com

Please put SUBMISSION, followed by the title of the story, in the subject line of your email. Thanks!

We are looking for a good variety of unique short stories that celebrate the legend of The Lost Continent of Atlantis. Most genres, including, but not limited to, fantasy, science fiction, horror, suspense, mystery, romance, humor, etc., are welcome as long as they fit the theme of the anthology (Atlantis).

Stories can take place at any time (past, present, future, alternate), and should be written in the third person.

Stories should be approximately 1,000-10,000 words in length.

Payment is 1 cent per word (up to 5,000 words or a $50.00 cap), plus 1 contributor’s copy upon publication.

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28 February 2010 (Extended Deadline) — Greek Myth/Urban Fantasy — Drollerie Press

Drollerie Press is seeking short stories for an anthology retelling Greek myth re-set as urban fantasy. The stories should be between 5 and 20k in length, and should be YA friendly, that is, appropriate to a sophisticated YA reader and to adults as well. The protagonist(s), therefore, should be wrestling with issues of young adulthood, and should be between the ages of 17 and 25. This is a general fantasy anthology, so stories may contain cross-genre elements, such as love, science, or horror, but should not be specifically written to that genre. In particular, however, the stories should be creative and intelligent, and show knowledge of the source material and skill at reweaving it for a new audience. How veiled the original story remains up to the author.

Submissions for this anthology should be uploaded on our submissions page, and should contain “GREEK” in the file name.

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28 February 2010 (Extended Deadline) — Trafficking in Magic/Magicking in Traffic — Drollerie Press

Trafficking in Magic deals with the sale and transport of magical goods and services, including magical beings, artifacts, fortune telling, communing with the dead, and other spells for hire, or the sale of magical energy itself;

Magicking in Traffic deals with magic in the flow of traffic–which could be street traffic, commerce, the flow of energies, or something else entirely–whether to aid, block, or manipulate the flow of traffic, or simply to play in it.

Creative interpretations of the title(s) are also encouraged.

Contributors are encouraged to send 1 short story per anthology or up to 3 poems total. Query first if sending fiction over 12,000 words or poetry over 100 lines. Compensation is an equitable distribution of royalties based on word count. Publication will be in ebook, with trade paperback to follow if warranted by sales.

Send submissions for this anthology only to magic@drolleriepress.com.

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15 March 2010 — Barbed Wire and Bootheels — Torquere Press

Cowboys, drovers, rodeo riders, ranchhands….

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15 March 2010 — Knives — Torquere Press

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31 March 2010 — The Way of the Wizard — Prime Books

(a) The story should be about a wizard, witch, sorcerer, sorceress, of some kind (basically, any sort of user of magic).

(b) The fact that the story has wizards in it should be vital to the story, i.e., magic should be an important factor in the resolution of the plot.

(c) The wizards should be literal, in that they do actual magic, not like a pinball wizard or something like that.

(d) I’m interested in all types of wizard tales, but am especially interested in seeing some stories that explore the idea of wizardry from a non-traditional viewpoint–i.e., something based on the Chilean Kalku or on the supernatural practices of other cultures.

(e) The story may be set in a secondary world, the real world, the present, or in a historical time period…let your imagination run wild.
Genres: Fantasy/Science Fiction/Horror. Obviously wizard stories tend to be fantasy, but some sort of SFnal take on the theme would be acceptable.

Payment: 5 cents per word ($250 max), plus a pro-rata share of 50% of the anthology’s earnings and 1 contributor copy.

Word limit: 5000 words. (Stories may exceed 5000 words, but $250 is the maximum payment per story, and stories 5000 words or less are strongly preferred.)

Rights: First world English rights, non-exclusive world anthology rights, and non-exclusive audio anthology rights. See my boilerplate author-anthologist contract, which spells out the rights in detail.

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31 March 2010 — Ghost Stories — Drollerie Press

Who doesn’t love a good ghost? Drollerie Press is seeking short stories and poetry for an anthology of ghost stories. They may be set in any location and at any time. The stories should be between 5 and 20k in length, but longer or shorter may be considered. Poetry should not be longer than three pages, double-spaced.

Your story may contain cross-genre elements, such as romance, or science, but should definitely include strong horror elements. This is an anthology intended for an adult audience, but each work will be chosen based on its own merit and how well it will fit with the rest. In other words, avoid extremely violent and/or erotic or gentle and/or sweetly romantic tales.

Each author may submit up to 3 stories, but only one will be accepted per author. In this anthology, as in all Drollerie Press works, inclusive representation is important to us. Authors may be from, and stories may be set, anywhere in the world. Characters of any race, creed, or sexual orientation are encouraged.

Compensation is an equitable distribution of royalties based on word count. Publication will be in ebook, with trade paperback to follow if warranted by sales.

Submissions for this anthology may be sent by email to submissions @ drolleriepress.com and should contain “GHOST” in the subject line. Review and response will occur after submissions are closed.

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31 March 2010 — Triangulation: End of the Rainbow — PARSEC Ink

We define “short fiction” as “up to about 5,000 words or so.” If you have an awesome story that exceeds 5K then by all means send it; but be warned that we have yet to accept anything for publication much longer than 5000 words.

We dig flash; there is no minimum word count.

We have no interest in getting more specific about the term “speculative fiction.” Science fiction, horror, fantasy, magic realism, alternate history, whatever — if there’s a speculative element vital to your story, we’ll gladly give it a read.

We love creative interpretations of our theme, “End of the Rainbow”. Don’t ask us what it means — tell us what it means with a story that convinces us you’re right.

We will run mature content if we like the story. So make sure there’s an actual story in that mature content.

We will gladly consider reprints. If the story ran someplace obscure, then it’s probably new to our readers; and if it ran someplace high-profile, it’s probably really good. Either way, we win!

Compensation: We pay two cents per word (USA funds, rounded to the nearest 100 words, US$10 minimum payment) on publication and one contributor’s copy. The anthology will be published in late July of 2010. We purchase North American Serial Rights, and Electronic Rights for the PDF downloadable version; since we’re cool with reprints, we really don’t care whether we have firsties. All subsidiary rights released upon publication. Contributors will also have the option of purchasing additional copies of the anthology at-cost, exact price TBD.

How To Submit: Electronic submissions make our lives easier. Please send your story to editor@parsecink.org. Please put your subject line in the format of “SUBMISSION: Story Title” so we can tell you apart from the spam.

We’ll consider stories ONLY in the following formats:

* .odt (OpenDocument Text — format used by the OpenOffice.org suite) — preferred format
* .rtf (Rich Text Format — generic document format that most word processors can create)
* .doc or .docx (MS Word — we’re not crazy about it, but let’s face it, it’s the one most people actually use)

[This has been ruthlessly edited for space, but there's a lot more; definitely check their web page for more details.]

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UNTIL FILLED — MM and Menage Steampunk Antho — Phaze

Call: M/M and Menage Steampunk Anthology, Title TBA
Edited by: Leigh Ellwood
Projected release date: late 2010
Format: eBook (with possible print release)
Publisher: Phaze Books
Payment: $50 for one-time electronic and print rights, plus copies

Hey, all you steampunk enthusiasts, grab your goggles and get to writing! Phaze Books is planning an M/M (and bi-M menage) steampunk collection for eBook publication in 2010. If you have a yen for 19th century history with a touch of good humor and technological innovation (and a whole lot of manlove!), we hope you’ll send us your hottest steampunk erotic romance of 10K – 20K words. If you’re not sure about the genre, check out this Wikipedia entry for steampunk (http://en.wikipedia.org/wiki/Steampunk) to get an idea of the style of stories we’re looking for. Think H.G. Wells or Wild Wild West, then turn up the steam factor with an incredible M/M or MMF/MMM match-up!

This call is open indefinitely until the spots are filled. Contributors will offer one-time electronic and print rights to their works and receive a one-time payment of $50 and contributors copies (eBook and/or print, if the book goes to print).

To submit to this anthology, please follow the Phaze Books structural guidelines at http://www.phaze.com/submissions.html and attach your RTF submission to Leigh Ellwood, c/o Phaze Books at submissions @ phaze (dot) com. Please use STEAMPUNK ANTHOLOGY is your subject header.

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UNTIL FILLED — Panverse Three — Ed. Dario Ciriello, Panverse Publishing

We expect to begin reading for Panverse Three on February 1st. Please note this on your calendar and check back with us at that time. Any submissions received before then will be deleted unread.

The anthology will be open to submissions until we have enough good stories.

Looking for pro-level novellas of between 15,000 and 40,000 words. Stories should be Science Fiction (except Military) or Fantasy (except Heroic/High/Superhero/S&S). We’ll also look at Magic Realism, Alternate History, and Slipstream (whatever that is). The story should be original and unpublished in any medium (this includes web publication).

Depth of characterization will count for a lot – however clever the idea, if we don’t care for the protagonist, we’ll bounce it. We like stories that instill wonder. Subject matter is pretty wide open. If we care, can’t put the story down, and find no big holes in the plot or worldbuilding, you’ve got a good shot.

What we don’t want:

Military SF, High Fantasy, Sword and Sorcery, Horror, RPG, superhero, or shared-universe stuff, etc. Vampires and Cthulhu-mythos stories are strongly discouraged unless you’ve done something absolutely original with either theme. No gratuitous or wildly excessive sex or violence: what this means is that sex or violence which serves the plot is okay, within limits; the same goes for language. Think R-rated rather than XXX-rated.

NOTE: there are some unusual bits in their formatting and cover letter requirements. Nothing ridiculous, but definitely click the link and read the full guidelines before submitting.

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UNTIL FILLEDBaconology — Library of Horror Press

Bacon has long been a staple in our breakfast diet, so it’s time bacon gets its due in literature – with a horror twist! Write a terrifying tale, from 1K-5K words, where bacon is the star of the show! Let’s not just make it fun, but a wee-bit unpredictable (no bacon kills because of the cholesterol – positive portrayals of bacon are encouraged). Remember, as a Library of Horror production there needs to be an element of horror, but good sense of humor and a dose of the surreal are appreciated. Other traditional monsters are allowed as long as bacon is a major component of the story (and yes, let’s make sure they are stories with a beginning, middle, and end).

Send all submissions to baconhorror@gmail.com

[Yes, this one's a bit sparse on details, but I had to include it. :D ]