Archive for the ‘Writing’ Category

October Stuff and Cetera

Monday, November 1st, 2010

I hope everyone had a great Halloween? This was our first Halloween in the new place, so we had no clue how many kids we’d get. There’s a school right next to our little group of buildings, though, and an apartment complex on the other side, so we figured we’d probably get quite a few.

None. Nada. Zip. Not a single kid rang our doorbell, and we had good candy, which the husband and I will just have to eat ourselves. [heavy, theatrical sigh] Seriously, though, that’s really sad. Trick-or-treating is one of the best rituals of childhood, and the idea that it might be dying out sucks massive quantities of swamp water. :(

Writing-wise, I actually did pretty well in October — 9 points in McKoala’s challenge, which is a great improvement over any of the last few months.

Writing 8250 — 3 pts.
Editing 17,102 — 3 pts
Synopsis — 1 pt
Submissions — 2 pts
TOTAL = 9 pts

Koala Challenge 9

One of the submissions was accepted, yay! And one of the stories accepted earlier was published on the 30th, also yay! :)

Most of the writing was in the last couple of days. I’ve been working on a fanfic novel that I started just over two years ago. I was originally thinking it’d be a long short story, or maybe a novelette, but it just kept growing. O_O Eventually, in early ‘09, I just had to set it aside to get back to work on my commercial writing. My readers have been saintly in their patience, but I’ve felt this hanging over my head, and sort of cringed inside whenever I thought about it. I finally broke through a difficult scene toward the end, though, and from there it just flowed. Gotta love when that happens. [beam] I don’t usually mind half-done projects — I have more partial stories than I want to think about on my hard drive — but something I’ve started posting, that has readers waiting for the next chunk, is a different story. Finally getting it done feels like the classic huge weight fallen off my shoulders.

And… just in time for NaNo. :) I’m doing NaNoWriMo this year, after having skipped last year. If anyone else who’s NaNoing wants to buddy with me, I’m at AngiePen on the NaNo site. (Which is currently not responding — I’m sure Chris Baty is howling in pain over the demolition of his bandwidth, as happens every year at this time. [grin])

Speaking of which, I have an awesome NaNo icon I got from someone on LiveJournal. The credit was “Lesley.” I have no idea who Lesley is, but the person who gave it to me assured me it was okay to share, so feel free to grab it if you like it. :D

Animated NaNo

Enjoy! And best of luck to everyone else NaNoing this month!

Angie

September Stuff

Friday, October 1st, 2010

Still in the writing rut. :/

2 submissions = 2 pts.
3654 words written = 0 pts. [hides under keyboard]
12,800 words edited = 2 pts.
TOTAL = 4 pts. which is extremely disappointing

If one of the subbed stories had been 2200 words longer, I’d have gotten another point for the pre-sub clean-up edit — I need to write longer. :P Of course if I’d written more, I’d have gotten some writing points too, so….

Koala Challenge 4

I got an acceptance on one of the stories I subbed in August, though, so that’s cool. It was for Torquere’s Halloween Sip Blitz (short Halloween stories released in a bunch, sort of like an anthology only not all in one book). It’s another Cal-and-Aubrey story, the characters who starred in “Unfinished Business” and were supporting characters in A Hidden Magic. They’re great guys and their character dynamic together is a hoot; I love writing about them. :)

Earlier in September, my husband and I went on a late-anniversary trip (the rates were better a couple of weeks after the actual anniversary, and I’m not sentimental enough to insist on spending more money for the same trip just because of the date) to San Francisco. I’d planned on blogging about it at the time, or shortly after getting home, like I did last year, but the first four or five days were a total disaster. My, umm, natural cycles hit about ten minutes after we checked into our room, and it was a killer. I haven’t had that bad a time since I was on the depakote, which messed with me something awful — known possible side effect, and I hit the side effect jackpot with that particular prescription. Then just as that was slowing down to the point where I could consider maybe leaving the hotel the next day, my husband (who’d been going out by himself, bringing food back periodically, and generally leaving me alone to cuss and wish for menopause) came back with some wrap sandwiches from this little Mediterranean place. He got me a chicken wrap, and the chicken was a bit dry, but I didn’t think much of it. About five hours later I had a case of raging food poisoning. :(

That took another couple of days of vacation time.

Once I was a few minutes’ walk from death’s door, we went out and had a some fun. We went to the same dim sum place we went to last year, and the food was just as good. Then we walked up to the Museum of the African Diaspora, which is small but has some cool exhibits. We watched a film about Celia Cruz, the Cuban salsa singer. I’m not really into music much, so I’d never heard of her, but the film was very good, interesting even if it’s not one’s style of music. They had some computerized displays with touch-screen monitors in the walls, about different kinds of foods from Africa, and another set about personal adornment, showing native styles of clothing, jewelry, makeup, hairdos, piercings, pretty much anything, and each style morphed into a style you see today in the modern West, to show descent. I hadn’t thought about that, specifically, matching up modern American styles with traditional African influences, so that was interesting too.

We rode the trolley up to Castro and went to A Different Light. I got a bunch of books, and a couple were even on sale — half off, yay! I like e-books, but I really miss being able to just look and browse. Some of the e-book vendors have done a fair job duplicating the experience (and others need to put a lot more work into it) but there’s nothing like browsing actual books on shelves, you know? I’m not one for buying a lot of gew-gaws or souvenirs on vacation — I don’t hit all the fashion boutiques or the big department stores either — but I’ll usually drop some serious cash in bookstores, so I guess that makes up for it.

After the bookstore, we walked up a few blocks to a little cafe Jim had found online. The food was wonderful — I had a really excellent macaroni and cheese — but the chairs were horrible. They were the kind with the bars coming down from the back, diagonally to attach about a third of the way up either side of the seat. I’m sure that’s a fine style if you’re skinny, but if you’re fat it’s torture, and I’m not even kidding. It’s amazing how many restaurants have chairs like this; for places that sell food, and that make more money if their customers eat more, you’d think they’d want to encourage people to come and eat, and people who eat a lot to come often. Sorry, I was in serious pain well before we were finished, and I’m not going back there no matter how great the food was. :(

We took a formal tour on our second-to-last day there; the brochure advertised a bus tour of the city, lunch in Sausalito, and then a trip up to Muir Woods where we could walk around for a while. My Great-Aunt Angie took me on what sounded like almost the exact same bus tour (no Sausalito lunch stop) thirty-some years ago, and the woods had been beautiful, so I was enthusiastic about going again. Jim agreed, so we went. Turned out this one was different. On the tour I took with Aunty, we just drove around the city while the guide did his patter, which was interesting and enjoyable, and then we went to the woods. This time there were nine stops on the tour, seven of them in SF, and it seemed sometimes like we were stopping to get out every three blocks or so. Which would’ve been fine except it started early in the morning and it was cool and dewy (as San Francisco is) and the first stop let us out in a neighborhood street a few blocks from the top of Lombard Street, where we were going to walk down. Getting there, I brushed against some shrubs or something hanging out into the narrow sidewalks, and my leather sandal got wet. So, wet leather strap, swells a bit and roughens, then a long walk down a steep hill with the skin at the top of my foot rubbing against the edge of the wet, rough leather strap with every step. :( By the time we got to the bottom of the hill, I was way past blister — I had an open sore with a couple shreds of skin hanging off, and of course my sandal rubbed on it every time I took a step.

I really wanted to be able to walk around the woods, though, so I skipped about half the remaining stops — just stayed on the bus. It actually wasn’t bad; some of the stops, like Chinatown, were in places I’d been through just a year ago. And as a bonus, once we found a place to park, the driver — who’d been basically silent the whole trip so far — chatted with us and told us a bunch of stuff about Chinatown, which was where he’d grown up. That was pretty cool.

The Palace of Fine Arts is gorgeous, but you mostly go look at it for the outside architecture, and I could see that fine through the bus window. I got out at Grace Cathedral, because it’s beautiful and I haven’t been there since I was in college (I went with a couple of classmates for an art history project), and I looked at the sculpture garden outside the new DeYoung Museum, which was very, umm, modern, and I probably could’ve skipped that too without missing much. Lunch in Sausalito was nice, although we chose a place the tour guide recommended primarily for its speedy service, because you do not want to miss the bus on these tours. :) Then most of the tour folks caught the ferry back to San Francisco with our original guide, while the dozen or so of us going on to Muir Woods got into a smaller bus with a new guide.

If you’ve never been to Muir Woods, I highly recommend it if you ever get the chance because it’s gorgeous. Quiet and dim, huge redwoods, laurels, a little creek running down the middle of the valley… and we saw deer! :) I know that’s kind of a boring, everyday thing for some folks who read this, but it was pretty darned cool for us. The paths are fenced — low, wooden railings on either side — and you’re not supposed to go off the paths. The deer come amazingly close to the paths to feed; it seems like they’ve figured out that so long as they don’t get too close to the path, all the two-legged critters that walk up and down it won’t bother them. The first one, a large doe, was about ten yards or so away. The second, a really small deer our pamphlet said was full-grown, just small, was within about three yards of the path, perched on a big, fallen log and reaching up for leaves over its head. You couldn’t quite have bent over the railing and touched it, but it was pretty close to it. That was pretty amazing. :D

The valley is narrow, and the path runs on either side of the creek, with a series of numbered bridges. Our guide said that up to bridge three, over to the other side and back was about a mile loop. Up to bridge four and back was two miles. Usually I’d have gone for bridge four, cane and all, but with my foot still torn up I thought bridge three was the more prudent walk, and that one worked fine. We didn’t hurry, and we still got back with plenty of time to spare before leaving; we sat on the railing in the middle of bridge one and just hung out in the quiet, listening to the water for a bit.

The bus took us back to Sausalito, where we took the ferry back to SF. The tour started and ended at the Ferry Terminal building, which is like a three minute walk from the front entrance of our hotel, so that was convenient both ways. At that point I just wanted to collapse and sleep, but I’d made arrangements to see a friend that night, so I took off my sandals and just sort of dozed for a bit.

I’ve known Karen since seventh grade homeroom. She took BART from Livermore, where she lives, to the Embarcadero stop which is about thirty seconds’ walk from our hotel. (It was worth delaying the trip a bit to get back into this hotel — great location. :) ) Karen isn’t a mass transit person, so it was something new for her, but everything went well, both coming over and going home later that evening. I put on my sneakers (lucky I packed two pairs of shoes!) and we went up to the Stinking Rose — the garlic restaurant we went up to last year) taking a cab instead of walking. The prime rib is just as big, and the garlic-cream swiss chard is just as awesome. We had something yummy for dessert, I don’t even remember what, then cabbed back to the hotel. Karen stuck around a bit to talk, then went home; Jim walked her down to the BART station, not only because it was late at night, but to make sure she got on the right train okay, and that all went fine.

The next day, we came home. We got to the airport, checked our baggage, and my pants split. [facepalm] Not the classic up-the-back, luckily, but just the fabric on one side high on the inner thigh. You know, where the fabric gets worn if you’re fat? It was uncomfortable but Jim assured me it didn’t show, so I just ignored it as best I could and we went on. The flight was uneventful, but I lost my pedometer in the cab on the way home from the airport. [headdesk] It’s like Murphy needed a couple of last pokes to remind me he was still on duty after a few good days. :P

Between this and our last cruise, where I also got sick and sprained my foot, the universe owes us about a dozen completely perfect vacations, seriously, LOL! I’d have had a hard time writing about this in a story and making it sound believable, with one thing piling on top of another, on top of another, on top of another. I don’t think I’ll ever be that good a writer. :) Here’s to October being better. [crossed fingers]

Angie

Bad Girls?

Monday, September 20th, 2010

Stephanie Draven posted today asking why there aren’t more bad girls in romance. She said, “This may be because women make up the vast majority of romance readers and we can be a bit hard on our own gender.”

Umm, yeah. [wry smile]

It seems to me that women are often the hardest on other women. It might well be the patriarchal culture that created the rules, but women are often the most enthusiastic and bloodthirsty enforcers of those rules. (Mainstream, het) romance as a genre reflects the traditional gender roles and limitations more than any other genre, as demonstrated in the invisible (but very solid, penetrable by only a tiny percentage of writers) rules about female protags’ sexual behavior, for example. Once the guy and girl meet, they’re not allowed to have (real) feelings for anyone else, and certainly not have sex with anyone else, no matter how long — in terms of page-count or actual months or years in the storyline — it takes for the main characters to get together. Guys are allowed to break this rule more often than girls, and the occasional girls who do are much more likely to draw howls of “Slut!” from infuriated readers.

And it’s kind of entertaining to compare the proportion of 25- and 30-year-old virgins in romance novels with the actual population. [eyeroll] To say nothing of the complex and painful contortions the writers will bend their characters into in order to justify it. And of the ones who aren’t virgins, the vast majority had blah or downright horrific sex. Because god forbid the girl ever have a great sexual experience with anyone other than her destined mate. Only if she’s pure and chaste and innocent for a truly ludicrous amount of time does she eventually deserve the Awesome Orgasm of True Love.

Moving away from sex to other horrible, unfeminine sins, Stacia Kane was recently evicerated by a mob of readers who were outraged that her Chess Putnam was a [gasp!] drug addict! And wasn’t grovelling with shame and repentance by the end of the first book!! Unholy Ghosts isn’t even a romance — it’s urban fantasy, published by a SF/F house — but it has a female protag and sort of feels romance-ish in tone. Apparently that’s enough for the Pitchfork-Bearing Mob of Romancelandia to claim Unholy Ghosts for romance, and then punish the author for not following romance rules. Wow.

This kind of nonsense is one of the reasons I wandered away from het romance and went over to m/m. Aside from the fact that two hot guys is always better than one :) the genre is newer, and because of that there aren’t as many rules and expectations about acceptable character behavior. A guy can have a fight with his lover, go out angry to a bar and get laid with some stranger, then go home and make up — that is, behave like a perfectly valid type of real person — and the vast majority of readers don’t have a cardiac. (What a concept.)

So yeah. [cough] I would like to see more “bad” girls in romance. For that matter, I’d like to see fewer character types labelled as “bad.” Slut-shaming is one of the major tools of that patriarchal culture we’re supposedly trying to move past, so can we dump it now plskthnx? And why is it that a woman who can kick butt with the guys — a fighter and survivor — is labelled a bad girl?

It’d also be nice if characters were allowed to have real, serious flaws, like Chess’s drug addiction. And I’d like to see female characters who can be grumpy or arrogant or focused on their work or unconcerned with domestic matters or excessive grooming/preening (you know, like any number of male characters?) and who are not presented as just not having grown up into Real Women yet. There are a few around the genre, but again, not nearly as many as there are in realspace, proportionately.

As it is, though, one of the primary messages of mainstream romance is that only women who conform to a particular, narrow definition of a Good Woman deserve romance. True love and great sex come (eventually) to the good girls, or maybe to the occasional character who was a bad girl but then learned better, and changed, and did an appropriate amount of grovelling.

It’s seriously amazing how creative the really good romance writers can be within this limited range — it takes an incredible talent to write a memorable character, especially a female, within the narrow walls of genre romance characterization. I think it’d benefit the genre as a whole if the walls came down, though, and the genre were thrown open to a wider variety of character types. Giving authors more latitude encourages creativity and exploration beyond the trodden (paved, regulated, monitored by radar) path. Not all readers would care for the new character types, but that’s all right. There are still plenty of readers who prefer basic contemporary romances, but that hasn’t stopped the newer subgenres (fantasy, futuristic, paranormal frex.) from doing well and finding large audiences. Variety is always better than uniformity.

Stephanie again: But I hope that society has evolved enough that we can enjoy other fantasies too. That we can enjoy stories about women in search of their own redemption. About women who don’t coax men into conforming to social rules, but who help men break them.

Amen.

Angie

August Stuff

Wednesday, September 1st, 2010

Time to look back at my performance over the last month. (I took July as my month off per McKoala’s rules because I completely hosed it in July. :P ) August wasn’t very good either, but I’ve done worse.

3 submissions — 3 points
7533 words written — 2 points (less than 500 short of a third point, argh!)

Total = 5 points

Koala Challenge 5

I think part of what’s hitting me now is that I have a few stories that’ve been circulating, but I’ve hit all the fast turn-around markets and now I’m stuck with some of the slowpokes. I have a story at one magazine that closed to fiction submissions in July, but I sent in my story in April. So it’s been there for about four and a half months and I’m just hoping they’re working through their slush pile backlog. I suppose if they open up again and I still haven’t heard from them, that’ll be a clue that something went astray, right? :P

I still need to do more writing, though. As awful as this month was, it was still better than any other month so far this year, so that’s progress. Let’s see if I can keep it up.

I hope everyone else is doing better than I am. :)

Angie

What’s Talent Got To Do With It?

Friday, August 27th, 2010

Charles has a thought-provoking post over at Novel Spaces today, entitled “Two Kinds of Writers.” For those who don’t know him, Charles Gramlich is a psychology professor. His department had a speaker at their first faculty meeting of the school year, a social psychologist named Jeff Howard. To give you the gist:

First, Howard suggested that there are two kinds of people in the world: “Performance Oriented” and “Learning Oriented.” Performance Oriented (PO) folks come into every new situation looking to “prove” something to themselves and others. Generally, that means ‘proving’ that they are smart and capable. Thus, PO writers want to show others and themselves how smart they are in their work. PO individuals also tend to believe that writing is a “talent” rather than a learned craft, and PO folks tend to believe that if something requires a lot of “effort,” then that reveals less “talent.”

Learning Oriented (LO) folks come into new situations looking to improve themselves. Their main goal is to learn “how” to do a particular thing, and they don’t doubt their ability to learn that material. LO folks believe that “effort” controls outcome and is the key to success. They don’t equate less effort with a sign of greater talent.

There’s more, but that’s enough for my own jumping off point. I recommend clicking through and reading Charles’s whole post, though.

I left a brief comment, but I didn’t want to spend however many hundred words talking about my own experiences on someone else’s blog. The PO vs. LO dichotomy resonated with me, though.

I’m really smart, for whatever good it’s done me. I have a low-genius level IQ, and I was in enrichment programs for gifted children ever since I was tested, during the summer between first and second grades. I was in the highest level groups for things like math and reading, and I’m usually pretty quick on the uptake in general. Despite all this, though, I didn’t learn all my multiplication tables until seventh grade. For reference, when I was a kid — and possibly still today, although I don’t know for sure — multiplication was introduced (if the class or group got that far in the book) toward the end of second grade. Kids were expected to learn the multiplication tables up through twelves in third grade. After that, they just assume you knew it and moved on. So it took me an extra four or five years to cram this stuff into my head.

My childhood was all about how smart I was. I was so intelligent, so gifted! School would be so easy for me if I’d only try! Which leads to the next conclusion — if you’re smart (or talented) and you try something and fail, then obviously you’re lazy. You’re not really trying. Why don’t you want to do this? Why aren’t you trying?

When I was in fourth grade, my mom tried to “help” me learn my multiplication tables. She made me a set of flashcards and said that I’d study them — doing nothing else with my free time — until I had them down. I had to learn 1-3 the first day, 4-6 the second day, etc. Anything I failed to learn one day would be tacked on to the next day. She was convinced that if I’d just buckle down and concentrate, this would be quick and easy and I’d have all the tables learned within four days. There you go, problem solved.

What actually happened was that I got good at hiding from my mom, until she finally gave up. I did work with the cards for the first two or three days, but results were neither quick nor easy, and by the third day I had so much piled up it was ridiculous. Aside from the fact that long, drawn-out memorization sessions don’t work, this really wasn’t the way to convince a frustrated nine-year-old that school was supposed to be fun. I eventually realized, some time in seventh grade, that I hadn’t had to look up or work out a multiplication fact in a while, probably a couple of months. I’d finally learned them through mental osmosis, just by using them in math classes over and over for years; use and repetition finally did what deliberate effort had failed to do.

I had more and more trouble in school as time went on. I got a 1420 on my SAT (well before they made the test easier) but graduated high school with a 2.65 GPA, which was pretty disgraceful for someone with my IQ and test scores.

I finally figured out many years later, about five years into a two-year associate degree, that I have a learning disability. I realized what all the hard stuff had in common, and what was different about the easy stuff, and realized the difference was rote memorization. If the point of a lesson is concepts — what happened and why and what the results were, how something came about, how things hang together, what’s related and what’s different and why — I can listen to a lecture or read a book, and that’s it, I know it, hand me the exam. Information on a conceptual level, where everything hangs together in a logical framework, makes instinctive sense to me, and sticks easily in my brain. If the point is memorization, though — names and dates and figures, mathematical and scientific formulas, foreign language vocabulary, all the little bits and pieces you have to Just Memorize — then forget it, no more than a tiny fraction is going to stick.

As an example, I was taking Analytical Geometry in college, and we were doing a chapter on conic sections. I’d studied conic sections at least five or six times before, in other math classes, but except for the line and the parabola (which were introduced the earliest, in 7th and 8th grade in my case) I’d never managed to memorize the formulas. I knew the definitions, though. So I was sitting there staring at an exam where we were given certain data — say, the center of a circle and the slope of a line tangent to it — and had to figure out certain other data — say, the circumference of the circle. If you know the formulas, it’s easy; you plug the givens in and the answers come out. If you don’t know the formulas, you either give up or you do it the hard way. I did it the hard way. I didn’t remember the formulas, but I did remember the definitions of the sections. A circle is defined by its center and radius. Stick a pin in your paper at the center. Tie a string to the pin. Tie a pencil to the string such that the length between the pin and the pencil is the length of the radius. Everywhere the pencil can touch (while held vertically) is your circle. A line tangent to the circle is always going to be perpendicular to the radius between the center and that point on the circle, so knowing that tangent line and the center gives you the point on the circle. With the center and that point, the you have the length of the radius. The circumference is 2*pi*r. I did basically that for all the problems about circles, ellipses and hyperbolas, essentially re-deriving all the equations on my scratch paper, based on the definitions of the sections. I got a hundred percent on the exam, but I was also the last person to turn in my paper.

I had horrible study habits because of my memory issues, although I didn’t know why I was developing them while it happened. If something made sense to me, though, then listening to the teacher explain it was enough. I got it right then, and doing homework, working exercises, whatever, was a pointless waste of time. But if I didn’t get it, if I needed to memorize things, including formulas or a sequence of problem solving steps which didn’t fall into logical place in my head, then doing the homework wouldn’t help. I’d be just as clueless after I finished the exercises as I’d been before, so again, it was a pointless waste of time.

It took until I was in my twenties, though, to figure this out. I’d never thought about it before; I’d bought into the idea that there was something wrong with me, that I was lazy. I knew I was trying hard, but I still didn’t get the results my mom and my teachers expected. I was frustrated and angry; there was something wrong but I didn’t know what. It wasn’t until I took a mental step back and sorted out classes I got easy As in from classes where I barely passed, that I saw it.

No one else did. No one, not my mother nor any of my teachers — one of whom had me in both third and fifth grade — figured out what the problem was, where the dividing line ran. Everyone was so caught up in “Angela is so smart!” “It’d be so easy if she’d only try!” that it never occurred to them to look for an actual problem. My third/fifth grade teacher actually called me “the absent-minded professor” but it still didn’t click for her. They were so invested in the talent idea that an actual learning issue was unthinkable. The test scores said I had the talent to do well in school, therefore I should, and if I didn’t it was my own fault. The concept that I might have a high IQ and a learning disability never occurred to any of them. Nope, much easier to just assume the whole problem was me being lazy.

Charles again:

A key difference between PO and LO folks shows up when a “failure” occurs. Say the writer approaches a major magazine publisher with a story and gets rejected out of hand. PO individuals take the failure as a sign of lack of talent, and often develop a sense of helplessness, which leads them to either quit writing or to lower their sights.

Yep, that’s me. My entire identity when I was young centered on being a smart kid. It was essentially the only thing I was ever praised for, so that’s what I focused on. And as a smart person, obviously things should be easy. If I tried something and failed, I turned away from it and tried something else, because failure is particularly shameful when you’re supposed to be smart. Anything I couldn’t get right off, I just didn’t do. Except for school, because I was told over and over and over that I should be good at it, that I should love it, that it should be easy for me. It was always assumed that I’d go to college and do something intellectual because that’s where my talent was, so I kept beating my head against that particular wall, long after I’d have given up on anything else. It was all just supposed to click for me, and I kept trying, and waiting for that click.

I’ve always been interested in writing, and I’ve scribbled stories (or more often, fragments of stories) since I was six or seven. When I was fifteen I submitted a story to Family Circle magazine. It was a horrible, treacly piece of garbage, and the editors quite rightly rejected it with a fifth-generation xeroxed form. It was seventeen years before I submitted anything else.

I had the drive to write and didn’t quit, although I had long periods of hiatus when I was doing other things — things I was more successful at right off. I’ve always come back to writing, but it took a very long time before I finally realized and accepted that I wasn’t very good at it yet (there being a huge difference between being better than most of my peers and being good), but that I could study and learn and get better. It seems obvious now, and I’m sure any number of readers are eyerolling and thinking what an idiot I was, but if you’re raised on the theory of talent, the idea of needing to work and study and learn and do a lot of failing while you slowly improve isn’t at all obvious.

We’ve all heard about the “overnight sensations” who actually worked for ten or twenty years to get there, about the bestselling “first novels” that were actually tenth novels with the previous nine unsold in the trunk, but we still praise people for their talent. Maybe it’s ego protection, the thought that if someone who’s successful is talented — and therefore their success came easily to them — if we’re not similarly successful then it’s because we don’t have that talent, that advantage. And that’s not our fault, right? In that situation, talent almost feels like a cheat, something to resent as much as envy.

Whatever it is, our culture idolizes talent, assuming it trumps everything else, including work, study, perseverance and even luck. “You’re so talented!” is thought to be praise, even if it comes with a bit of envy or resentment. Emphasizing talent denies the work, though, the determination and study and slow improvement everyone needs in order to succeed, no matter how talented they might be. Assuming “talent” actually exists. In my case, the emphasis on talent when I was young was certainly damaging, more than cancelling out any advantage that talent — the “smart kid” factor — might have given me.

Angie

The Most Awesome Settings

Monday, July 12th, 2010

…are right here on Earth. Check this out:

Pamukkale, Turkey

Calcium carbonate spills coming from thermal springs under the mountain have formed a series of spectacular and beautiful pools.

Most science fiction and fantasy writers can’t come up with anything anywhere near as awesome or creative as this for their settings. I know I never have, and I can’t think of anything I’ve read that came even close, leaving out the spectacular-engineering type SF books, such as Ringworld. For natural wonders, though, whether set here on Earth or on an alien planet or in a magic-filled fantasy world, nothing can match mundane Nature.

Which isn’t to say we shouldn’t be trying. :)

Angie

Great Comic About the Creative Process

Friday, July 9th, 2010

Thanks to Nagasvoice over on LJ for linking to THIS COMIC. You’ll probably want to blow up your browser window to take up your whole screen; I did and still had to scroll a bit, but it’s worth it.

I have to admit I recognize far too much of this. [wry smile] The tangled loops of overthinking, for example. And I wish there were a handly station for filling up on motivation and ambition. I think I have enough pride, thanks anyway; the trick is producing enough output to be proud of. [laugh/flail]

Where do you get stuck along the route…?

Angie

June Stuff

Thursday, July 1st, 2010

Another awful writing month. This feels like 2008, which is very depressing. :/ I didn’t manage to pull that year out of the bucket until October; hopefully I’ll get it together sooner than that this time around. [crossed fingers]

On the good side, I did a lot of other stuff, so at least something is progressing:

5 story submissions = 5
21K words editing = 4
story synopsis = 1

10 pts, yay!

Koala Challenge 9

Everything You Always Wanted To Know About Publishers (But were Afraid to Ask)

Tuesday, June 29th, 2010

Josh Lanyon did a guest post on Jessewave’s blog as part of her “Ins and Outs of M/M Romance” series, Everything You Always Wanted To Know About Publishers (But were Afraid to Ask). Josh Lanyon is one of the best known voices of m/m fiction, for the Adrien English series among other great books, as well as the author of Man, Oh Man! Writing M/M Fiction for Kinks and Cash, which I have and which has a lot of great info.

As Josh says right off, Before we delve into what to look for in a publishing partner — and what to avoid — I want to point out that this post relates to niche publishing with small and indie presses. Much of what I’m discussing here is a non-issue in mainstream publishing. Running Press and Carina aside, m/m is still dominated by small presses and niche publishers, so that’s where the focus of the article is. That said, most of what Josh talks about is something even folks aiming at New York should at least be aware of.

Lots of good stuff here, and I’m not just saying that because she quoted me. [duck] Seriously, check it out.

Angie

Sale and Misc.

Sunday, June 13th, 2010

Torquere’s Having a Sale — use the code beach2010 to get 15% off on any purchase between now and Midnight (EST) on Tuesday. Torquere is here, or go here for my page on the site.

Vampire Bunnies — what is it with vampire writers in the last however many years deciding that a vampire’s fangs are his or her incisors? o_O Whenever I read about a vampire’s sharpened incisors extending, or whatever, I have to laugh — I get this mental image of a psychotic Bugs Bunny or an undead beaver something. Definitely not the image most writers seem to be going for. [snicker]

How to Keep Someone With You Forever — gakked through Nagasvoice over on LiveJournal, Issendai posted this piece on how to keep people from leaving you, whether “you” is an individual in a personal relationship, or a company trying to hold on to its employees. A good subtitle would be “How to Create a Sick System.” This is important reading for anyone who might be caught up in a sick system, or who has a loved one who’s stuck in a sick system. But it’s also fascinating as a writer who might want to put a character into an emotionally poisonous situation some time. This is fascinatingly awful, and the fact that it’s real just makes it moreso.

Angie