Anthology Markets

If you’ve just wandered in off the internet, hi and welcome. 🙂 I do these posts every month, so if this post isn’t dated in the same month you’re in, click here to make sure you’re seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I’ve found (as opposed to the two months’ worth I post here) a week early, you can support my Patreon.

Markets with specific deadlines are listed first, “Until Filled” markets (if any) are at the bottom. And starting this month, there’s a new category, because I found an anthology series that’s “Always Open.” Find it right above the “Until Filled” listings.

There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

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1 July 2018 — Baby, It’s Cold Outside — ed. Robert Bose; Coffin Hop Press

Dark, deadly and noirish tales of holiday havoc and yuletide woe.

Projected launch date is November 2018. We will be accepting open submissions for 2-3 stories (of up to 5,000 words) to be featured alongside the invited authors.

We are looking for holiday (I.E. Christmas, Hannukah, Kwanzaa, etc.) themed CRIME stories ONLY. No Sci-Fi, no Fantasy

Payment currently listed at $150.00 CAD/story.

Please send in .doc or .docx format, in standard formatting.

See our STYLE GUIDE for more information.

***ANY SUBMISSIONS NOT FOLLOWING THE PRESCRIBED FORMATTING MAY BE SUMMARILY DISMISSED WITHOUT REPLY***

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1 July 2018 — Knucklehead Noir — ed. Robert Bose; Coffin Hop Press

Tales of dimwitted criminals and unlucky twits on the wrong side of the law. Nimrods, numbskulls and rejects. Bumbling sidekicks and idiots-gone-wrong.

Elmore Leonard and Charles Willeford ain’t got nothin’ on these dipshits.

Projected launch date is November 2018. We will be accepting open submissions for 3-5 stories (of up to 5,000 words) to be featured alongside 6-8 stories from some well-known and extremely talented authors.

We are specifically looking for darkly humorous CRIME stories.

No Sci-fi, no Fantasy.

Payment currently listed at $0.03/word CAD.

Please send in .doc or .docx format, in standard formatting.

See our STYLE GUIDE for more information.

***ANY SUBMISSIONS NOT FOLLOWING THE PRESCRIBED FORMATTING MAY BE SUMMARILY DISMISSED WITHOUT REPLY***

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10 July 2018 — Monsters of Any Kind — ed. Alessandro Manzetti and Daniele Bonfanti; Independent Legions Publishing

Independent Legions Publishing is seeking original horror stories in English for the new anthology Monsters of Any Kind, edited by Alessandro Manzetti and Daniele Bonfanti, to be published in October 2018 in print and digital editions. Cover art by Wendy Saber Core.

We’re looking for horror stories containing at least one non-human monster/creature (and not vampires, ghosts, werewolves, zombies). Unusual creatures will be particularly appreciated. All subgenres and forms of speculative fiction are welcome.

Word Count: We are open to stories of 3,500-5,000 words.

Pay Rate: We pay $100 for each original story.

We buy first exclusive English-language rights for three years.

We do not accept multiple or simultaneous submissions, nor do we accept unsolicited reprints.

Submissions should follow standard manuscript format (12 pt Times New Roman or Courier fonts, 1″ margins all around, line spacing 1½ or 2 spaces). It must be in .doc or .docx format or it will not be considered. Your name and contact information must be at the top of the first page of the story. Page numbers with author’s last name and/or partial story name on subsequent pages would be appreciated.

Cover letter is optional, but if you do include one, please add a short bio (up to 200 words).

Response time is currently within four weeks. After that, if you haven’t heard from us, please query. We will not be sending confirmations of receipt.

Stories must be submitted as email attachments; to submit, put “SUBMISSION – MONSTERS OF ANY KIND” in the subject line and send to: independent.legions@aol.com

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15 July 2018 — Terra! Tara! Terror! — Third Flatiron

Terra! Tara! Terror! — SF, Fantasy, Horror. Whether the setting is a cabin in the woods (Terra), Fae (Tara), or spaceship Nostromo (Terror), take us there and spin your adventure. For a bit of mood whiplash, we’d like a mixture of dark and bright stories. Examples: Obsession with odd artifacts (like Roadside Picnic’s golden sphere?), alternate histories, paranormal romance (no erotica, please, we’re PG-13).

Reading Period: June 15 – July 15, 2018. DO NOT SUBMIT before 15 June.
Publication Date: September 20, 2018.

Stories should be submitted in either Microsoft Word (using double spacing), RTF, or plain text. They should be between 1,500 and 3,000 words. Flash humor pieces (Grins and Gurgles) should be short, around 600 words.

Please don’t send simultaneous or multiple submissions. If a story has been rejected, you can then send another (limit 2 per reading period).

Submit by email to:

flatsubmit@thirdflatiron.com

either as an attachment (Word, RTF) or in the body of the mail (text).

In the Subject: line of the email, please put:

flatsubmit:Title_of_Your_Work

to avoid being deemed a canned meat product based on ham.

If the work is for the humor section, please note that in the body of your email. A brief bio and a one- or two-sentence synopsis in the body of your email would also be helpful to us.

Use the following template (basically, follow William Shunn’s Standard Manuscript Format):

Your Name

Address (mailing)

Email address

Word count

[10 blank lines]

Title

Byline

Body of story

——–

Our response time is expected to be about 8 weeks (or less if the writer deadline is coming up soon).

REMUNERATION

As of: November 1, 2016

Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 6 cents per word (U.S./SFWA professional rate), in return for the first publication rights to the story for six months after publication. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, we request permission to podcast the story as a free sample portion of the anthology. We welcome new writers.

Third Flatiron will price and market your story to various e-publishing venues. We will format the story for the most popular electronic readers and platforms. You agree that we may distribute a sample (portion of the story) to potential customers.

For non-U.S. submissions, we prefer to pay via PayPal, if you have such an account.

Most books (except “year’s best” collections) will be available for sale in trade paperback.

Authors selected for publication will also be entitled to one free online copy of the anthology.

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15 July 2018 — Alternative Truths: Endgame — ed. Jess Faraday and Bob Brown; B Cubed Press

The Premise

How will the current political nightmare end? The “Endgame” referenced in the title may be that it doesn’t end. It may be that it transitions, or it there may be a paroxysm of indictments (or a spaceship landing on the lawn, or a zombie apocalypse, or we wake from a dream).

What We Want

The third and likely final book in the best selling Alternative Truths series is looking for stories, poems, and essays. We welcome both serious works and works of humor, light and dark. In addition, we would love to see stories that cover the entire spectrum of race, sexual orientation, politics, etc. We’ll even publish Canadians!

Your vision is what we want — just no assassination fantasies, please.

As always, a share of the proceeds from sales of the book goes to the ACLU of Washington.

How to Submit

Send submissions in standard manuscript format to Kionadad@aol.com. Files can be .doc, .docx, or .rtf format. Be sure to include the words “Alternative Truths Endgame Submission” in the email subject line.

Word Count: 300 to 5000 words

Payment: Poems and flash fiction are paid by the piece. Everything else will be paid at $0.02 cent/word, paid on publication, plus shared royalties.

Queries encouraged.

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31 July 2018 — Innsmouthbreathers — Martian Migraine Press

There are folks for whom the question of whether Cthulhu has two eyes or six is a vitally important one. Individuals that believe, somehow, that a dinner of tinned spaghetti and ice cream with a reanimated H. P. Lovecraft would be the height of both culinary and intellectual pleasure. Scholars who feel that The Horror at Red Hook is a timely warning about, well, you know… those other people. Esteemed biographers of weird fiction luminaries who reveal their foaming insecurity at the changing of the guard, or the form of a literary award. Entities who dissolve with glee at the slapping of some tentacles on a meme, thus rendering it “Lovecraftian”.

Yes, they’re out there, in their seeming thousands, trolling social media, fawning over the dead, podcasting their paranoia. Yes, they are slouching roughly towards Arkham and Providence and fabled Y’ha-nthlei, to dwell in fossilized canon and geeky glory, forever.

INNSMOUTHBREATHERS.

Martian Migraine Press announces an open call for submissions to our latest anthology project, INNSMOUTHBREATHERS: Cautionary Fables of Mythos Fandom! We are looking for humourous stories of a certain kind of Cthulhu Mythos fan: the rabid Lovecraft worshipper, the defender of the outmoded and outclassed, the pulp reader for whom Weird Fiction peaked somewhere in the middle of the last century. (The 20th, for those keeping track of such things!) We’re looking for tales that pit Innsmouthbreathers against all manner of real and imagined horrors: shoggoths with Social Justice agendas, politically active Deep Ones, enlightened Mi-Go, and Nick Mamatas*. Make them lovable, make them loathsome, make us feel their triumphs and defeats! Put us in their basements, their garrets, their comic shops and conventions and pop-culture covens, and put us in their Cthulhu parody t-shirts while you’re at it. Mmm, is that a cotton/poly blend? Only in black, you say? SOLD.

INNSMOUTHBREATHERS will be a mostly funny book. We’re going for light-hearted ribbing here, a send-up, a roast. Stories that are outright mean and nasty won’t play well within these pages. Remember, let they who have not geeked out over Lovecraft, even a little, even once, throw the first Shining Trapezohedron into the bay! And sure, we’re asking for yuks, but please don’t feel you need to dial back the weird horror. Mix it up, thrill us, chill us, make us laugh at ourselves.

Submission period closes 31 JULY 2018. The anthology will be released in early October 2018.

SUBMITTING

Please use Standard Manuscript format when submitting. That’s double spaced, left justified, Times New Roman or Courier or something at least readable, a header on the first page (at least) with your author info and word count and… well, you know the drill. RTF or DOC files preferred, but DOCx and text files also accepted. Obviously, you could send us something that’s not in Standard Manuscript format, but it will lower your chances of it being looked at seriously.

We will look at both original work and REPRINTS.

To submit a story to INNSMOUTHBREATHERS send an e-mail (with the story file attached, not in the body of the email) to: submissions@martianmigrainepress.com, with subject line: INNSMOUTH, title of your story, and your name.

LENGTH

For short fiction, we’d like to see anything from 1,500 to 5,000 words. If your story goes over 5k, please inquire first. Honestly, we’d prefer to see shorter, punchier stories.

FLASH FICTION: got something under 1500 words? Send it in. However, the following still applies…

NO POETRY.

PAYMENT

All accepted submissions will be paid .03CAD per word, via Paypal, as well as a contributor copy (paperback) of the anthology, and copies in all electronic formats (mobi, EPUB, and PDF). Authors are also entitled to complete access to all titles in the MMP ebook catalogue.

REPLIES AND QUERIES

We will try to acknowledge receipt of your submission within a week of its arrival in our inbox. The submission period itself will close on 31 JULY 2018 and we should be responding to all submissions, yay or nay, by early August 2018. If you haven’t heard from us by 15 September 2018, please query.

* We use Mr Mamatas here as a stand-in for any writer who dares to push weird and horror fiction into new, interesting places. Sorry, Nick, but you made your bed, sir.

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31 July 2018 — Life After All — Less Than Three Press

Life After All — an apocalyptic/post-apocalyptic/pastoral apocalyptic LGBTQIA+ romance anthology — The end of the world is a dark, bleak place. Life is full of grit, misery, and barely scraping by. But if humans excel at anything, it’s making the best of a bad situation, and the end of the world would be no different.

Less Than Three Press invites you to submit stories about life after the end of the world being far from bleak and hopeless. We want to see stories of hardened apocalypse survivors building new lives and homes with their found families; gentle robots terraforming the ruined remains of the Earth; your post-Earth space settlers slice-of-life.

THE DETAILS:

== Put SUBMISSIONS: TITLE (where TITLE is your title) in the subject line.
== Stories should be at least 8000 words and should not exceed approx 15000 words in length.
== Stories must be about a post-apocalyptic society.
== Stories must have a happily ever after (HEA) or happy for now (HFN) end.
== Any sub-genre is gladly accepted: sci-fi, mystery, contemporary, steampunk, etc.
== LT3 always welcomes representation of all genders and nonbinary or agender characters.
== All usual LT3 submission guidelines apply.

Life After All is a general release anthology, which means authors will receive a flat payment of $150.00 once LT3 has a signed contract. Authors will receive one copy each of the ebook formats LT3 produces and two copies of the paperback compilation.

Stories should be complete before submitting, and as edited as possible — do not submit a first draft. They can be submitted in any format (doc, docx, rtf, odt, etc) preferably single spaced in an easy to read font (Times, Calibri, Arial) with no special formatting (no elaborate section separation, special fonts, etc). Additional formatting guidelines can be found here.

Questions should be directed to the anthology editor, J., at jhong.writes@gmail.com (or you can ping them on twitter @heykaunlay).

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15 August 2018 — A Punk Rock Future — Zsenon Publishing

Welcome to A Punk Rock Future. Get ready for an anthology from Zsenon Publishing that will feature flash fiction as fast as a punk rock song as well as longer stories, all with a gut punch and revealing a punk rock future.

You may ask yourself: Are we already in this punk rock future or did it die in the late 1970s? Or is it still coming?

We’ll find out soon in this anthology…

So you may have thought Punk Rock was going to change the world. That Punk RULES.

Or are we still here with [pic of a The Clash album cover].

Either way, we’re looking for stories from you that will explore this future, whether it’s near or far away. We’d like to see dystopias, utopias, or something in-between; anything with a punk rock sensibility/ethos; alternative history; the promise of punk; the failure of punk; music-inspired stories; science fiction; fantasy; or horror. No matter the genre label, stories must have a speculative element. This isn’t an anthology of steampunk, solarpunk, silkpunk, ecopunk (those are all fine genres), or whatever punk. We won’t rule out stories that touch on those niches but be warned: Stories should be the real deal, punk punk.

Surprise and amaze us. A punk strain runs through SFFH so we know that great stories are out there. Want a recent fantastic example? The Big So-So by Erica Satifka. Unfortunately, you can’t get Satifka’s short story online but you might pick up this issue of Interzone to see what we like. Or read Sarah Pinsker’s 2015 Nebula Award winner Our Lady of the Open Road, published in Asimov’s. It, too, has the vibe we want.

In A Punk Rock Future, the shortest of these stories will be confined to the 350-500 word range, which would span about three minutes if the story is read aloud. We want stories that howl like Exene Cervenka, charge ahead like Death’s drums, and roar out on a quick, high note like a Clash solo. After all, the Ramones rarely wrote songs over three minutes—although the seminal punk band penned a couple songs over four minutes long, so we might stretch it some. These flash fictions still must be stories though, which is indeed possible to do well in 500 words. Short stories, which will make up the bulk of the anthology, will top out at 6,000 words.

Almost all of the stories will come straight outta the garage, the slush pile, which seems like the punk thing to do. A few stories may be solicited from the punkiest of punk writers.

We want diverse fiction from any and all demographics of people and about any and all demographics of people.

Some sorta kickstarter-y thing is in the plans to help pay the writers, or maybe pay ‘em more. We will pay pro rates of at least 6 cents a word.

Hey, ho. What are you waiting for? Get writing and submit starting now until the August 15, 2018 deadline. Let’s go.

IN SHORT

Genres: science fiction, fantasy, horror (all stories must have a speculative element, even the horror).

Word count: 350-6000 words.

Pay rate: 6 cents per word, professional rate as deemed by Science Fiction & Fantasy Writers of America (SFWA).

Multiple submissions: No.

Simultaneous submissions: No.

Reprint submissions: Don’t submit reprints. In rare cases maybe, but query first and only if it’s an exceptional story.

Estimated Response Time: Fast as possible.

Estimated Publication Date: Summer 2019.

BIG NO-NO’s:

No torture, porn or tortureporn.

Stay away from the well-trodden, so:
1. No Vampires
2.No Zombies

Slush piles are overrun by zombies and vampires. Don’t submit those stories. They’ll be rejected instantaneously.

HOW WILL IT BE PUBLISHED?

The anthology will be published as a book, both paper and ebook.

We’ll be buying first worldwide print and electronic rights in English, with an exclusivity period of six months. Payment on publication.

HOW DO I SUBMIT?

Submissions to: zsenonpublishing@gmail.com.

Standard Manuscript Format please. Doc, docx or rtf.

Subject line of email should read: SUBMISSION – Your Name – Your Story Title

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1 September 2018 — Burnt Fur — Ken Macgregor; Blood Bound Books

Furry: ‘noun informal 1. an enthusiast for animal characters with human characteristics, in particular a person who dresses up in costume as such a character or uses one as an avatar online.’

Furry can also mean actual anthropomorphic animal characters. Real animals acting like people (ie. Watership Down) or half-human/half-animal hybrids (ie. The Teenage Mutant Ninja Turtles).

We’re looking for stories from the dark underbelly of Furry life. The Pooka who is not only invisible to everyone but Elwood Dowd (“Harvey”), but who is also slaughtering the neighborhood pets. The talking porcupine who uses an ancient form of acupuncture to mind-control the humans into a sex/blood cult. The couple who dress up as wolves, go to Furry cons, and actually eat people dressed as prey animals. You get the idea.

Show us the corruption of innocence. Give us fur matted with blood and semen. Make us squirm as we read. But, please, make sure you have a story to go with your gory. Please include a plot with your cum shot. If it’s all shock and no substance, we’ll likely pass.

What we’re looking for:

Genres: All sub-genres of horror accepted—extreme, bizzaro, erotic, new weird, splatterpunk—if it’s dark and it’s furry, we want it!

Stories must be previously unpublished in any form

Email: burntfursubmissions@gmail.com

Length: 1,500 words up to 7K

Multiple Submissions: No

Simultaneous Submissions: No

Payment: 3 cents/word

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ALWAYS OPEN — Future Visions Anthology Series — Brian J Walton; Camton House Publishing

The Future Visions Anthologies is a science fiction anthology series, aiming to deliver excellent and diverse short story collections on a quarterly basis. In the tradition of great television anthology series such as The Twilight Zone, and Black Mirror, the Future Visions Anthologies will broadly explore all genres and traditions of science fiction and speculative fiction, seeking in each story to explore deeply themes that are relevant to a modern audience.

Themes:

What do you hope the future will bring? What are you afraid we may become? How do our visions of the future inform and give shape to the hopes and fears that we have today?

These questions are what defines anthology series like The Twilight Zone and Black Mirror. Rather than mandating a theme for each publication, (one publication for cyborgs, one for time travelers, etc…) I want authors to feel free to explore these larger questions using any and all of the popular science fiction tropes: new technology, exploration, nightmarish dystopians, alien species, baffling utopias, the list goes on…

Diversity:

The Future Visions Anthologies seeks to bring diversity to all aspects of their publications, from the stories and authors we publish, to the themes and genres we explore. All authors may apply regardless of age, race, gender, sexual orientation, religion, or political affiliation.

Terms:

The Future Visions Anthologies seeks to engage authors with fair and equitable terms through participation in the anthologies. The anthologies will be enrolled in Kindle Unlimited for an initial six-month term, during which stories will be exclusive to the anthology. After this, anthologies will continue be available as an ebook (not in KU) for an additional six-month term. During this term, partial publication rights will return to the author to publish as an ebook, except for in KU. After one year, the ebook will be unpublished, returning all rights to the author.

Payment will be based on a profit-share model with a guaranteed minimum payment of $150. Authors will receive royalties during the first six months of membership. At the end of the royalty period, if the author’s royalties do not meet the minimum payment of $150 then the remaining amount will be paid. There is no cap to the amount of royalties that may be earned. Earning reports for the anthology will be provided to all participating authors to ensure complete transparency. Specific terms will be available after initial acceptance of the author’s story.

Submission Guidelines:

== Authors must read and be in agreement with the above before submitting.
== There is no fee to submit.
== Submissions must be original, never before published works.
== Submissions may be set in a larger universe, but should be a complete story; do not send excerpts, parts, or volumes.
== Word Count is 2k-7k words (exceptions for up to one story per anthology can be made).
== Submissions should be written to the best of the author’s ability. Professional editing is not required but may help in the consideration of your piece. Camton House Publishing will provide professional editing and proofreading, approved by the author, and a final, edited version will be submitted to the author upon publication.
== Adult language and sexual situations are permitted, but no hate speech, erotica or “X-rated” material.
== Formatting: 12pt Times New Roman font with 1.5-line spacing; 1-inch margins on all sides; no extra spaces between paragraphs; leading indentations, but no tabs.
== Include “Future Visions Short Story Submission” in the header and the following information in the body of the email:
o Author Name
o Story Title
o Word Count
o Brief Bio, written in the third person. 100-300 words.
== Submissions should be submitted in docx format as an attachment.
== Submissions should be emailed to futurevisionssubmissions@gmail.com

Submissions that do not follow the above guidelines will not be considered.

Deadlines:

Submissions are always open. Authors who have submitted will be notified within 4-6 weeks of submission regarding whether their story has been selected.

[Okay, this is different. I’ll be treating this one like an “Until Filled” market, in that I’ll be checking every month to make sure they’re still alive. Unlike a UF, I’ll keep posting this so long as it’s still alive. (Unless it turns morbid or skeevy, the usual.) Note that this is a royalty split with a guaranteed minimum, which works out to pro rates up to 2500 words, and semi-pro after that. Best practice IMO is to assume that the minimum is all you’ll ever get from this market; that way, so long as you do get paid, all your surprises will happy ones.

Interesting business model; it’s basically a magazine that’s being treated like an antho series, more or less. I’ll be keeping an eye on this one, and may revisit the listing in the future.]

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UNTIL FILLED — Black Superheroes Do It Too! — Black Books Publishing — First Listed January 2018

We are currently accepting submissions for our Black Erotica/Superhero Anthology (Working Title: Black Superheroes Do It Too!). Submissions should be full stories, not just sex scenes and between 3500 and 10,000 words. Writers, feel free to query to ensure your story idea hasn’t already been submitted.

This anthology pays $100US. The submission period will remain open until our goal of a 225+ page anthology has been reached.

Thoroughly edited material has the best chance of acceptance. You don’t need to pay someone to edit your material, but if you’re serious about your writing, we do recommend it. At a minimum, we suggest you have others read over your work for typos and grammatical errors.

All manuscripts should be in Microsoft Word and should be double spaced with an extra space between each paragraph. THIS EXTRA SPACE SHOULD BE DONE IN MICROSOFT WORD, THROUGH YOUR PARAGRAPH SETTINGS, NOT BY YOU ACTUALLY HITTING “ENTER” TWICE. There should be no indention at the start of each paragraph.

Send to: submissions@blackbookspublishing.com with “Superhero Erotica” in the subject heading.

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If you’ve found this listing useful, and especially if you’ve sold a story to a market you found here (score!) I’d love to hear about it. You can e-mail me at angiepen at gmail dot com.

If you’d like to support these listings in a more concrete way, here are a couple of ways to do it:

Become a Patron!

Fiction… Thing

Okay, this isn’t an anthology (or a magazine or a webzine or anything like that), but it’s someone offering very decent money for fiction, so I’m posting it by itself.

The Machine Intelligence Research Institute (MIRI) wants to pay you to publish a story of yours, that they choose. No, really, they want to pay you to publish it, as in you publish it, on your web site or blog, and they’ll link to it from their blog and newsletter, and send (potentially a whole lot of) readers your way. (That’s not quite what their guidelines say; I had to e-mail for clarification.)

I’m posting this because they’re offering eight cents per word. As they do point out, posting a story in public on your blog or web site means first rights are gone; you can only sell the story to a third-party editor as a reprint afterwards, therefore the pro-plus rate they’re offering. Which is pretty cool of them.

It seems to me that an ideal situation would be that you’d have a story you planned to indie publish anyway, you subbed it to MIRI, they chose it, paid you eight cents per word to post it on your blog, and then you indie published it after — same thing you were going to do anyway, but with a nice wad of cash to start things off. And in any case, eight cents per word might well be worth giving up a chance at a sale to Analog.

Here’s what they have to say about it:

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Deadline: 15 July 2017 — Intelligence in Fiction — MIRI

This call is intended to reward people who write thoughtful and compelling stories about artificial general intelligence, intelligence amplification [broken link], or the AI alignment problem. We’re looking to appreciate and publicize authors who help readers understand intelligence in the sense of general problem-solving ability, as opposed to thinking of intelligence as a parlor trick for memorizing digits of pi, and who help readers intuit that non-human minds can have all sorts of different non-human preferences [PDF link] while still possessing instrumental intelligence.

The winning stories are intended to show (rather than tell) these ideas to an intellectually curious audience. Conscious attempts to signal that the ideas are weird, wonky, exotic, or of merely academic interest are minuses. We’re looking for stories that just take these ideas as reality in the setting of the story and run with them. In all cases, the most important evaluation criterion will just be submissions’ quality as works of fiction; accurately conveying important ideas is no excuse for bad art!

To get a good sense of what we’re looking for, we recommend you read some or all of the following:

== Superintelligence
== Smarter Than Us
== Waitbutwhy post 1, Waitbutwhy post 2 (with caveats)

[I read the two Waitbutwhy posts when they first went up, and can say that they’re long but fascinating, and absolutely worth a read, especially if you’re an SF writer.]

Submission Details

== Purchasing First Publication Rights
== Pay Rate: 8c/word, up to 5000 words
== Multiple Submissions ok
== Simultaneous Submissions ok
== Submissions window: Open until July 15

Withdrawal policy:

After you submit a story, we prefer you don’t withdraw it. If you withdraw a story, we won’t consider any version of that story in the future. However, if you do need to withdraw a story (because, for example, you have sold exclusive rights elsewhere), please send an e-mail telling us that you need to withdraw ASAP.

Important Notes:

MIRI is neither a publishing house nor a science fiction magazine and cannot directly publish you. However, MIRI will help link a large number of readers to your story.

We frankly do not know whether being selected by MIRI will qualify as a Professional Sale for purposes of membership in the SFWA. We suspect, through readership numbers and payscale, that it will, but we have not spoken to the SFWA to clarify this.

If you have a work of hypertext fiction you think might be a good fit for this call, please query us to discuss how to submit it.

To submit a work, send your submissions as .DOC or .DOCX email attachments to intelligenceprize@gmail.com, with your cover letter in the email body, and a subject line of SUBMISSION: (Title).

How to Contact Us:

To contact us for any reason, write to intelligenceprize@gmail.com with the word QUERY: at the beginning of your subject line. Add a few words to the subject line to indicate what you’re querying about.

SF Anthology

Procyon Press is doing an SF anthology that recently upgraded its pay rate, so it now qualifies to go onto the listing. But it has a deadline of 31 March, so next month’s listing would come out kind of late for anyone who wanted to write a story for it, so I’m slipping this in, between times.

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Tayen Lane is currently reading submissions for our first annual Procyon Science Fiction Anthology. This collection will feature the works of writers from across the world and will span multiple sub-genres within the science fiction genre.

Send us your best and most memorable stories. We want work that fascinates, provokes, intrigues.

Writer guidelines:

Submissions are open to writers from all countries; however, the submissions must be in English. The maximum word length of a submission is 7,000 words. Submissions must be unpublished. Please submit short stories as a Microsoft Word document (or PDF), double-spaced and in 12-pt font to scifi2016@tayenlane.com.

Submissions will remain open until 11:59pm PST, Thursday, March 31, 2016. The anthology is edited by Jeanne Thornton and will be published in hardcover in FALL 2016 with subsequent softcover and eBook editions to follow. All chosen contributors will receive $100, two hardcovers, two softcovers, and an eBook. Writers will maintain ownership of all copyrighted material.

Anthology Acceptance

I got a note from Corie Weaver, editor of The Young Explorer’s Adventure Guide, saying they want the story I subbed to them. This is pretty awesome — it’s my first pro sale to someone I haven’t met face-to-face, fourth all together.

The publisher, Dreaming Robot, is going to be running a crowdfunding campaign starting on 1 August to raise the money to pay their writers the pro rates they’re offering. Normally this would be a red flag for me — not a scammer-type red flag, but an “Is this worth the time and hassle for something that might not work out?” kind of red flag. But their web site says:

If the crowd-funding fails, please note that we are still committed to this anthology, and will find other ways to fund the project. However, there may be delays. If authors feel the need to withdraw their submission due to delays, we understand.

And the sample contract sent with the acceptance letter states:

In the event that The Anthology has not been published within twelve (12) months of signing of this agreement, all rights revert to The Author, and The Author has the right to sell or arrange for publication of The Work in any manner.

So the editorial team plans to be cool about people withdrawing because of delays, and if they get hit by a bus and their sociopathic cousin takes over ownership of the project and its contracted works, the contract still protects us from unreasonable delay. I’m satisfied with the situation.

They’re taking subs through 31 August, if you’re into YA SF. It’d be cool to be in an antho with some of my blog buds. 🙂

Angie

PS — I had to dig the original acceptance letter out of my spam folder. :/ Always-always check before you delete!

More Info on Women Destroy Fantasy

Cat was at the workshop with me this last week and a half, and posted a follow-up to what she is and isn’t looking for in her special issue of Lightspeed, using some of the concepts the editors at the workshop used while going over 250 stories subbed for 6 anthologies.

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I was just at a Kristine Rusch and Dean Wesley Smith workshop where people were using the idea of reader “cookies” and “anti-cookies”, things that delight or turn-off a specific editor, increasing or decreasing the appeal of a story when they’re considering it.

So I’ll be open to submissions from March 15 through March 31 for the Women Destroying Fantasy issue. Here are some of my wants and a couple of things that will turn me off.

== I want fantasy that showcases the amazing emotional range of the genre and the spectrum of forms it can take.

== I’ll want at least one tearjerker and one humorous piece.

== I’ll want something that draws on fairytale or myth, but which does so in an amazing, interesting, and fresh way, and I’m hoping to find something that feels urban fantasy-ish as well, also in a fresh and interesting way.

== Fantasy that often hits well with me: superheroes, non-cutesy talking animals, linguistic-related, the weird.

== I like language: make yours wonderful, but never at the cost of the story.

== Your character should make me care about their fate (and for this issue, probably a female protagonist is, quite frankly, probably going to be a better fit).

== I’ll want at least one piece with an utterly amazing landscape, that immerses me in a fantasy world that delights my heart.

== Diversity does matter to me. It doesn’t trump quality, but when you’re going to be up against the very best, score your points where you can.

I don’t want retellings of D&D adventures. Or pirates. I really don’t like pirates (got exposed to an awful lot of fantasy pirate stories while at Fantasy Magazine) and I’m not particularly fond of zombies. Typos are another big turn-off: proofread your work.

This is not a time to go for the low-hanging fruit or play it safe. I have four, count ‘em, four slots. Send me something — but make it the very best you have, something that is unique to your voice, something that you and only you could write.

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This is going ot be a great issue — best of luck to all the women who read my blog and choose to sub for it. 🙂

Angie

Women Destroy Fantasy!

Hey, all! This one can’t wait for next month’s anthology post because the submission window is tight.

Cat Rambo is guest editing a special Women Destroy Fantasy issue of Lightspeed Magazine.

WOMEN DESTROY FANTASY! will be a special one-off, guest-edited by former Fantasy Magazine editor Cat Rambo. The issue will contain 8 pieces of fiction (twice the size of a regular issue of an issue of Fantasy back before it was merged into Lightspeed), consisting of 4 original stories and 4 reprints. Cat Rambo will select all 4 of the original stories, and long-time editor of the fantasy half of The Year’s Best Fantasy & Horror, Terri Windling, will select the 4 fantasy reprints. Everything submitted to the Women Destroy Fantasy! issue will also be considered for publication in Lightspeed.

== Who can submit stories for consideration for the special issue? Women.

== How do you define “woman”? A woman is any human being who identifies as one, to whatever degree that they do so.

== What can women submit? Fantasy short stories, 1500-7500 words. Dark fantasy (which normally would be OK to submit to Nightmare, should go here instead for this issue).

== When is the submissions period? Submissions open March 15, 2014, and will close at 11:59:59 p.m. Eastern on March 31, 2014.

== What rights will you be buying? Please see the Lightspeed standard contract templates (Originals | Reprints) for details; this issue will use that same contract template.

== Pay rate? 8 cents/word.

== Response time? Up to 45 days

== Note: Stories submitted to the Women Destroy Fantasy! special issue will also be considered regular issues of Lightspeed as well, if they are not selected for the special issue.

== When will the issue be published? October 2014.

== How do I submit? Submit via the following submissions portal: Women Destroy Fantasy submissions

== What the heck is this about? What do you mean by “destroy”? Read this and just substitute “fantasy” any time it says “science fiction” (more or less).

Sounds like a fun issue.

Angie