Anthology Markets

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Markets with specific deadlines are listed first, with “Always Open” and “Until Filled” markets (if any) at the bottom.

Markets open only to writers in a limited demographic are marked with a [NOTE:] from me, in italics, right after the main header.

There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.

NOTE that Rigor Morbid 2 and Happy Hellidays are closed to submissions.


30 June 20 — And Lately, The Sun — Calyx

Bushland is burning. Forecasts say the Arctic will be ice-free in the summers to come. Oceans are swelling with the run-off, and heaving with plastics and endocrine disruptors. Coral is dying, and the knock-on effects have barely begun.

Climate change is here. Now what are we going to do about it?

Do we need to help the environment change as fast as the climate? Release chemical mutagens into the ecosystem to drive natural selection at a hundred miles an hour so we can see what survives on the other side?

Is it time to reinvent our social, political, and economic systems from the top down – or the bottom up? Our current lifestyles could become as alien to the next generation as the Aztec civilisation now is to us. In a world of guerrilla-style eco warriors, or digitised barter economies, or robot socialism, or ageographical nation states, what will we preserve? Which threads will we weave forward?

Or could it be that a more gradual transformation of our destructive policies is the way to safety, taking each set of problems one box at a time? Our future could look much like our present, but with supercharged carbon sequestration, genetically modified bacteria safely breaking down plastics, and next-generation smart phones. How does it start? What drives it onward?

Or do we need to move backwards? Our answers may not lie in the new, but in the old. Perhaps our best future is a radical rebuilding of history, and all we need to decide on is whose.

And Lately, The Sun explores such ideas in a short story anthology slated for publication in November 2020. We are currently calling for submissions until midnight (GMT) on the 30th of June, 2020.

Word count: 2000-8000 words per story. Stories with word counts falling outside these limits will be considered, if exceptionally crafted.

Stories should be for readers of the English language. We are flexible in our use of English and invite a broad range of vernaculars. Be considerate of your audience but stay true to your world.

We encourage a diversity of authors, characters, and settings. We want to hear from and about all cultures, locations, genders, orientations and abilities.

Simultaneous submissions and multiple submissions are accepted, but please submit each story separately (one story per submission), and let us know immediately if your story is accepted elsewhere. We accept previously unpublished works only (please do not submit material which has been published on personal websites).

What we’re looking for:

We want to see stories which thoughtfully investigate potential futures under our changing climate.

Give us substantial characters, vivid worlds, shiny (and not-so-shiny) wonders. Let us see not only new technology, but how society works with it – how we think, how we relate, how we live under its influence. Show us how we’ll obtain or produce our material needs. How we’re born, how we’ll grow, what will ail us, how we’ll die.

Show us how we’ll play and work. Who we are, and who we could be.

Please submit completed, polished work.

What we’re not looking for:

Stories designed to alarm people into taking notice of climate change. Your story must explore functional solutions, and not simply highlight problems. Show us a future with future in it.

Violence, sex, or gore, if present, must be integral to the story, and must not be the main point of the story.

Pitches are not accepted. Unedited work, or work littered with errors of spelling, punctuation, or grammar will not be accepted.

Stories should not rely on footnotes or glossaries. To a reasonable degree, please guide your reader by using context and structure. For everything else there’s search engines.

We are not looking for essays. Please send us fiction only.

Formatting guidelines:

Standard manuscript format. Please remove all author information from the manuscript, including headers and footers.

Payment and rights:

We pay AUD$80 per accepted story as our standard rate. One story will receive an “editor’s pick” payment of AUD$500. All authors will receive a contributor copy of the e-book. This buys us first world electronic rights, including HTML, PDF, plain text, and MP3 (audio) formats, and non-exclusive anthology rights. Payment is made within 30 days of publication via PayPal.

Bear in mind that most publications will not publish pieces that have been published in print, eBook, or on the web, so for all intents and purposes after your work is published by us it can only be marketed as a reprint. It is up to you, the author, to decide if publishing your work according to the conditions offered is what you want to do.

The collection will be published in eco-friendly e-book format.

How to submit:

Submissions are accepted via email at

Please send your story as an email attachment. Make sure all author information is removed from the attachment. Attachments may be in .txt or .doc format.

The subject of the email should contain the title of your story and your name. The body of the email should contain your name and contact details, plus any relevant information about yourself, your previous publications, or experience or qualifications relating to the story.

You will receive an email confirming that your submission has been received.

Open for submissions until midnight (GMT) on 30th of June, 2020. Responses will be sent within one calendar month from the submission deadline.

We regret that we cannot give personal feedback on submissions.


1 July 20 — The Binge Watching Cure: Science Fiction Edition — ed. Bill Adler Jr. and Sarah Doebereiner; Binge Watching Cure

[NOTE: It’s not obvious unless you read carefully, but this market DOES take reprints, which makes the flat-rate payment much more acceptable.]

The first edition of The Binge Watching Cure encompassed a huge variety of genres. The second edition centered on horrific themes that kept us up at night. For the third volume, we are abandoning earthly conventions entirely in favor of the weird, wild worlds of science fiction.

So what is science fiction? SF features stories based on imagined future scientific or technological advances and major social, environmental, and evolutionary changes. That is just a textbook definition.

Science fiction has a huge range of subgenres, and I’d love to see them all. Alien races, apocalyptic and post-apocalyptic futures, colonization, cyberpunk, etc. Remember, first and foremost, this is a science fiction anthology. It’s okay if your story has some genre crossover, but we are less likely to accept an alien invasion that reads like zombie novella.

For the SF volume, we are offering a one-time payment of $100 for each story. We will be licensing the non-exclusive print and electronic book rights, including foreign-language rights (but not audio, film rights, or magazine rights). Your name and bio will be included along with your story.

Use “Last name – SF – word length category” as the subject line of your email.

Questions? Visit our FAQ page. Our FAQ page has more detail about the kind of stories we’re looking for as well as details on formatting and publication details.

Please email us your story at in DOC, DOCX, RTF, or PDF format, double spaced with human being-readable margins, and in a sensible font such as Times New Roman, Arial, or Courier. Don’t put your story in the body of the email.

Include the exact word count, along with your contact information at the top of the manuscript. (Click here for a good guide on how to format your story.)

Our FAQ has more information on what kind of stories we’re looking for and what kind of stories are not a match for The Binge-Watching Cure.

Please include a brief bio in your cover letter, as well as your contact information in both the manuscript and cover letter. Briefly summarize the plot or provide a synopsis of your story and let us know what genre or subgenre, if any, your story is. If your story has been published elsewhere, let us know where and when. (Previously published stories are perfectly okay, but stories that are currently online are not okay.) Content is more important than format, so don’t sweat things like line breaks.

Please submit only one story at a time and read our FAQ about multiple submissions.

If you have a query about your submission, please use our contact page. If you write to us at the submissions address we might not see your message for a long while.

We are looking for stories within 15 percent of the following word counts, and within 20 percent for stories 10,000 words and longer. If a number has been crossed out, that story length has been filled.

15,000 — Groomers by Andrew Thompson

[NOTE: Make sure you click through to the publisher’s page to make sure they haven’t filled the wordcount slot you want since this post went up; I won’t be updating in realtime.]

Be sure to include the following in your cover letter. We can’t consider your story without:

1. A short synopsis or summary– a sentence to a paragraph is fine. It’s okay to include spoilers in your synopsis.

2. What genres or sub-genres your story fits into.

3. Your bio. If you have a website, Twitter handle, Facebook page or other internet presence, include that, too.

4. If your story has been previously published, let us know where and when.


5 July 20 — Gothic Blue Book VOL 6: A Krampus Carol — Burial Day Books

Gothic Blue Books were short fictions popular in the 18th and 19th century. They were descendants of the chap book trade and are now a thing of the past. Burial Day Books is now open for submissions for Gothic Blue Book Vol. 6 to be available October 31st 2020.

What was a Gothic Blue Book?

Gothic Blue Books were abridgements of full-length Gothic novels. The subjects of these books fell into one of two categories; the first being set in a monastery or convent and the second being set in a castle.

In terms of the physicality of the book, they were three and a half to four inches in width and six to seven inches in height, with a page count of thirty-six to seventy-two pages.

These little pieces of terror were popular at the time because they were affordable, a sixpence or a shilling each. Their cost affordability led them to be nicknamed Shilling Shockers or Sixpenny Shockers.

What are we looking for?

Original Gothic Blue Books typically took place in either a monastery, convent or castle. In years past we have asked for short stories that take place in one of these locations, or a modern day location such as a morgue, haunted house or cemetery. This year, we have added a new theme – Krampus, Christmas, and ghosts/lore from the globe revolving around a major celebration. Christmas ghost tales have a history stretching back that includes Charles Dickens’ A Christmas Carol and more.

Please submit a short story or poem no longer than 3,500 words that follows one of the following:

A single mention or setting in one of the original Gothic Blue Book settings:

a) Monastery
b) Convent
c) Castle

OR –

A single mention or setting that includes one of 2020’s Gothic Blue Book theme:

a) Krampus
b) Christmas
c) And more – see below ‘2020 Addition’

2020 Addition:

a) A story or poem about Krampus, Christmas, Winter, Winter Solstice, Christmas ghosts or Christmas demons, New Year’s Eve, New Year’s Day, Epiphany, Three Kings Day, or any folklore, legend or myth surrounding winter, etc. For inspiration think of Charles Dickens’ A Christmas Carol and give us cold, darkness, maybe even a demonic Ebenezer Scrooge, a tortured ghost of Christmas Past, Present, or Future, etc. We are also excited to read haunted tales about any other major celebrations from various backgrounds and belief systems; Djinn, Ghosts of Diwali, Chinese Winter Festival and so on. We hope that A Krampus Carol can take the old tradition of Christmas ghost tales, mixed with the spirit of Blue Books, and give readers something terrifying and new.

In addition to the above, the story or poem must instill fear using a supernatural element – ghosts, ghouls, monsters, myth, folklore or legend.

Extreme violence, sexual violence, derogatory language, hateful and harmful language of groups, people, or belief systems will not be considered.

For inspiration look to Ann Radcliffe, Edgar Allan Poe, Mary Shelley, Helen Oyeyemi, Jorge Luis Borges, Shirley Jackson, Emily Brontë, Daphne Du Maurier, Victor LaValle, Angela Carter, Neil Gaiman, Tananarive Due, Charles Dickens and more.

The collection will be published October 31st 2020 in eBook and traditional book format.


If accepted you are giving Burial Day Books:

A. The exclusive first right to publish your story.

B. The right to republish the story in or in connection with Burial Day, including electronic or hard copy form, including in promotional material or compilations – provided that authorial credit is given in every instance of reproduction.

After your story appears on Burial Day and in the Gothic Blue Book you are free to republish your piece elsewhere as long as you communicate to potential buyers that they are buying your story as a non-exclusive piece.

Payment details:

$50.00 (USD)

One (1) Contributor copy of the anthology

You can submit here at Submittable.


15 July 20 — Reclaim the Stars — ed. Zoraida Córdova; Wednesday Books

[NOTE: submissions are open to Afro-Latinx writers only.]

RECLAIM THE STARS is a YA science fiction and fantasy anthology that will be published by Wednesday Books an imprint of St. Martin’s Press and be edited by Zoraida Córdova (Labyrinth Lost). The collection features YA speculative fiction exploring the Latinx diaspora through the lens of SFF, with stories likely included by Elizabeth Acevedo, Vita Ayala, David Bowles, Zoraida Córdova, Sara Faring, Romina Garber, Isabel Ibañez, Anna-Marie McLemore, Yamile Saied Méndez, Nina Moreno, Maya Motayne, Daniel José Older, Claribel Ortega, Mark Oshiro, and Lilliam Rivera. Publication is expected for winter 2022.

The collection is one of the first of its kind, bringing much needed representation to the world of science fiction & fantasy! Along with the anthology, we are launching a submission call in search of an Afro-Latinx author writing speculative fiction. The anthology editor will review submissions for potential publication and inclusion in the anthology.


The Latinx diaspora is vast, but certain kinds of stories overwhelm the narrative, often leading to stereotypes and caricatures about. Afro-Latinx storytellers are disproportionately marginalized or erased in the Latinx communities. According to the Pew Research Center, 24% of polled U.S. Hispanic adults identified as Afro-Latino. In no way do we believe there is a single definition of who gets to be Afro-Latinx.

We recognize Afro-Latinx as Latin-American people of African descent living in a diaspora or Latin-America.


== Open to Afro-Latinx writers 18 years of age or older (as defined above). Applicants must include this information in their bio.
== Open to Afro-Latinx writers published and unpublished, so long as the short story entry has never been previously commercially published.
== Open to Afro-Latinx authors of all genders.
== Open to to Afro-Latinx authors eligible to work in the United States.


== Submissions Call will open on April 15th, 2020 at 9:00AM EST and will close on July 15th, 2020 at 11:59PM EST. Any submission made prior to or after the submissions period may not be considered.
== Making a submission is free.
== All submissions must include three separate attachments to be considered. The attachments include:

==== A short story of 4,000 words or less, attached as a .doc, .docx, or .txt file.
==== A 150 words or less bio that tells us a about you, and includes an explanation of how the applicant is Afro-Latinx (as described above), attached as a .doc, .docx, or .txt file.
==== A photo/headshot, attached as a .jpg or .png file.

== Submissions will not be returned. There is no guarantee that your submission will be published. Comments will not be provided on your submission. If there are a large volume of submissions, submissions may not be read in full, and not every submission may be read. The anthology editor has no obligation to applicants whose submissions are not selected.
== If your submission is selected for potential inclusion in the anthology, then you agree upon request to cooperate with the anthology editor and publisher in the editing process and any legal review requested by the publisher. You further understand that you will be asked to sign a contributor agreement in a standard form acceptable to the anthology editor and publisher, and your submission may not be published if you elect not to sign. You further agree that the submission may be edited for length, format or otherwise by the anthology editor or publisher.
== If your submission is selected for potential inclusion in the anthology and then actually published as a short story in the anthology, the anthology editor will pay you a contributor a fee of $1600 USD, and you will receive credit as an author in the publication.


== All submissions must be an original work of speculative fiction written in English by the applicant and never before published in any commercial medium, print or digital, audio, or translated from a foreign language.
== The submission must not have been previously submitted for commercial publication or in connection with any sweepstakes or contest.
== Submissions must be no longer than 4000 words.
== All submissions must be electronic and sent to the following email address as a .doc, .docx, or .txt file attachment:
== All submissions must also be appropriate for a young adult audience, ages 12 to 18.
== The submission must not contain any material that violates or infringes upon the rights of any third party, including without limitation any copyright, trademark or right of privacy or publicity, or that is unlawful, in violation of or contrary to any applicable law or regulation, or the use of which as described in this call for submissions by the anthology editor or publisher would require a license or permission from or payment to any third party; and the submission must not contain any material that is defamatory.
== By submitting a submission, the applicant represents and warrants that the applicant owns the copyright in the submission, has complied with all of the requirements and has obtained all permissions, licenses and consents that are necessary for the submitting of the submission and to the use of the submission by the anthology editor and publisher and their licensees. The anthology editor reserves the right in the editor’s sole discretion to disqualify any submission that the editor determines does not comply with these requirements, or to require the applicant to make such changes to any submission as are necessary to make it compliant.

Click through and scroll down for a FAQ.


1 August 2020 — Violent Vixens — Dark Peninsula Press

Our second fiction anthology, Violent Vixens, will focus on Grindhouse horror films, made famous by movies such as Night of the Living Dead, Death Proof, and Suspiria. Since this genre encompasses so many different styles and mashups, we have decided to focus solely on Grindhouse horror stories featuring a strong female lead. The lead may be the protagonist or the antagonist.

In 2007, Quentin Tarantino and Robert Rodriguez set out to revitalize this genre with their excellent double-feature, Grindhouse. Although it was met with critical success, it ultimately failed at the box office. However, in recent years, the genre has gone through a resuscitation of sorts, and a new era of filmmakers are now creating homage-style exploitation films using the borrowed aesthetics of the 70s and 80s–successful films like House of the Devil, Turbo Kid, and Mandy. This is exactly what we are looking for in your stories; we want to see your particular homage to this style of storytelling in narrative form.

We are looking to publish twelve pieces of original fiction for this anthology. Overall, we tend to lean more toward fun, action-oriented stories like Army of Darkness, Planet Terror, and Blood Drive over anything too serious and brooding. Genre mashups are HIGHLY encouraged. All stories and characters must be original works.

Fiction Submissions: Giallo/Slasher, Sci-fi Horror, 80’s Splatter, Japanese Body Horror, 50’s B-Movie Creature Feature, Southern Gothic, Satanic Cult, Lost World, Lost Tribe. Other sub-genres could apply as well, but must have a strong horror connection, including: Carsploitation, Blacksploitation, Spaghetti Western, Women in Prison, Vigilante, etc.

Word Count: 2,000 – 8,000 words.

Payment: $50.00 + digital copy.

Rights: We are seeking first time rights for 1 year after publication. After that time all rights revert back to the author. The publication will appear in both print and digital formats.

Reprints: None. Previously unpublished only.

Multiple Submissions: None.

Simultaneous Submissions: None. Please wait until you hear back from us before submitting your piece to another market.

File Format: Include your story as an attachment in MS Word (DOC or DOCX), LibreOffice, or Rich Text Format.

Manuscript Format: Use the Shunn Format, but use Times New Roman font. Italics should be italicized instead of underlined. Include a short bio in the body of your email. Your subject line should read VV Submission: (“Title”) by (Author’s Name). For instance, VV Submission: “The Black Phone” by Joe Hill. Attach the story as a separate document.

Response Time: 4-6 weeks after submissions close. A confirmation email will be sent within one week of receiving your submission.

Submission Period: All submissions must be received between May 1, 2020 and August 1, 2020 EST. Any story sent before or after will be deleted unread.

Send Submissions to: darkpenpress (at) gmail (dot) com

Influential Horror Movies: Night of the Living Dead, Dawn of the Dead, Black Christmas, Halloween, Texas Chainsaw Massacre, Suspiria, Evil Dead 1 & 2, Bad Taste, Tremors, Cemetery Man, Lifeforce, Motel Hell, Rubber, The Hills Have Eyes, Cannibal Holocaust, An American Werewolf in London.

Influential Grindhouse Movies (homage/tribute): Turbo Kid, Planet Terror, Death Proof, Sin City, Mandy, Doomsday, Kill Bill 1 & 2, Blood Drive (TV Series), Ash vs Evil Dead (TV Series), Drive Angry, Tokyo Gore Police, Crimson Peak, Army of Darkness, Sharknado, Slither, Cabin in the Woods, House of the Devil.

Influential Video Games: Wet, Shadows of the Damned, Lollipop Chainsaw.

Influential Books/Comics: Grindhouse: Doors Open at Midnight (comic series) by Dark Horse Comics (more books to be listed soon…)

Read more about the Grindhouse genre HERE.


1 August 20 — Third Flatiron: Brain Games: Stories to Astonish — Third Flatiron

The right side of the brain is associated with logical and analytical characteristics, while the left brain with creativity. We’d welcome stories from both sides of the brain. Stories could feature puzzle solving and ingenuity, inverted tv tropes, inventions (clockwork, practical, or Rube Goldberg), masterful creations (like JS Bach’s Goldberg Variations), and social commentary

Reading period: July 1 – August 1, 2020
Writer deadline: August 1, 2020
Publication date: October 15, 2020

Third Flatiron Publishing is based in Boulder, Colorado, and Ayr, Scotland. We are looking for submissions to our (approximately) quarterly themed anthologies. Our focus is on science fiction and fantasy and anthropological fiction. We want tightly plotted tales in out-of-the-ordinary scenarios. Light horror is acceptable, provided it fits the theme.

Please send us short stories that revolve around age-old questions and have something illuminating to tell us as human beings. Fantastical situations and creatures, exciting dialog, irony, mild horror, and wry humor are all welcome. Stories should be between 1,500 and 3,000 words. Inquire if longer.

Role models for the type of fiction we want include Kurt Vonnegut, Arthur C. Clarke, Dan Simmons, Connie Willis, Vernor Vinge, Iain Banks, Alastair Gray, and Ken Kesey. We want to showcase some of the best new shorts available today.

For each anthology, we will also accept a few very short humor pieces on the order of the “Shouts and Murmurs” feature in The New Yorker Magazine (600 words or so). These can be written from a first-person perspective or can be mini-essays that tell people what they ought to do, how to do something better, or explain why something is like it is, humorously. An SF/Fantasy bent is preferred.

Stories should be submitted in either Microsoft Word (using double spacing), RTF, or plain text. They should be between 1,500 and 3,000 words. Be sure they are the final version (any Review comments removed). Flash humor pieces (Grins and Gurgles) should be short, around 600-1,000 words.

Please don’t send simultaneous or multiple submissions. If a story has been rejected, you can then send another (limit 2 per reading period).

Submit by email to

either as an attachment (Word, RTF) or in the body of the mail (text).

In the Subject: line of the email, please put


to avoid being deemed a canned meat product based on ham.

If the work is for the humor section, please note that in the body of your email. A brief bio and a one- or two-sentence synopsis in the body of your email would also be helpful to us.

Use the following template (basically, follow William Shunn’s Standard Manuscript Format):

Your Name

Address (mailing)

Email address

Word count

[10 blank lines]



Body of story


Our response time is expected to be about 8 weeks (or less if the writer deadline is coming up soon).


Your story must be original work, with the digital rights unencumbered. Accepted stories will be paid at the flat rate of 8 cents per word (U.S./SFWA professional rate), in return for the first publication rights to the story for six months after publication. All other rights will remain with the author. We no longer offer royalties. If your story is selected as the lead story, we request permission to podcast the story as a free sample portion of the anthology. We welcome new writers.

Third Flatiron will price and market your story as part of an anthology. We will format the story for the most popular electronic readers and platforms. You agree that we may distribute a sample (portion of the story) to potential customers.

For non-U.S. submissions, we prefer to pay via PayPal, if you have such an account.

Most books (except “year’s best” collections) will be available for sale in trade paperback.

Authors selected for publication will also be entitled to one free online copy of the anthology.


1 August 2020 [OR UNTIL FILLED] — [Local Lore Anthology] — ed. Joe Sullivan; Cemetery Gates Media

We’re currently looking for previously unpublished horror stories, 3-6k words, for a themed anthology to be released September 2020.

The theme is: your personal local lore/oddities. Write something dark into a setting you’ve experienced — it could be a place you’ve lived, or even just somewhere you’ve visited on a vacation. Is there a landmark in your town that you can write a nightmare into? Have you ever legend tripped somewhere and thought, well, that cave, mausoleum, torture tree was neat, but I wish there was more to the story?

If so, you’re welcome to send us (1) submission at in DOC or RTF form. Deadline August 1, 2020. However, we’ll begin reading and accepting stories well before August, so the window may close earlier.

Paying .05/word per accepted submission for First Rights Publishing, and asking that you don’t republish your story until August 1, 2021.

In our fifth year of publishing we’re looking to expand our reach into 21st Century folklore, urban legends, and the space between creepypasta and literary horror. For examples of what we’re looking for, see Other Voices, Other Tombs; At the Cemetery Gates: Year One and Volume 2; or Corpse Cold: New American Folklore.


UNTIL FILLED — Burly Tales — ed. Steve Berman; Lethe Press [First posted in July ’19]

This anthology, to be edited by Steve Berman, seeks short stories and novellettes that adapt classic fairy tales. But we want them populated with Bears! Strapping heroes are fine as long as they are stout. All the stories should have a measure of whimsy and/or wonder.

Before submitting your story, please consult this page – we would rather not double-up on any original fairy tale idea (we fear we’d end up with a book that was mostly about a gang of male Goldilocks roaming the woods and asking one another “Too hot? Too cold? More please!”) – so I will be listing any fairy tale that we no longer are interested in reading. Yes, rather than wait a year to hear from us, the entire open period will have “rolling acceptances.”

………please no stories based on Little Red Riding Hood

All stories should be romantic (HEA or HFN). Erotic content is not a necessity but our burly men should be sex-positive about their lives.

Specs: Please submit Word docs only, standard formatting, 12 pt Times Roman to me at, using the title of the anthology as the subject line. No stories below 5k and none greater than 15. Reading period begins August 1st, 2019. Payment is 5 cents a word for original fiction, considerably less for reprints.


UNTIL FILLED — Going Viral — Impulsive Walrus Books [First posted in May ’20]

The COVID-19 quarantine has us all shut up in our homes. Businesses have ground to a halt, the economy is slowed to a snail’s pace, and nobody is entirely certain how long it is going to last.

In the middle of all of this, black market businesses have begun to operate: underground hair salons, photography studios, businesses once completely legitimate and now illegal simply for operating.

If I’d written this call a year ago, it would stop there–but that’s no longer speculative fiction. That’s happening. So instead, Impulsive Walrus is asking for stories about the long haul. What does our world look like if the quarantine just…stays? We’re looking for near-future science fiction stories exploring the comedy, horror, and human drama of a life spent six feet away from each other, and a world where our interaction is done digitally, lest we be ravaged by disease.

Impulsive Walrus Books will be paying a semi-pro rate of two cents per word. Reading period will begin on May 5, 2020, and will end when the anthology has hit its goal of 80,000 words. Looking for stories of between 2,000 and 8,000 words. Please submit by e-mailing a .doc or .rtf file to with the subject line GOING VIRAL SUBMISSION.


If you’ve found this listing useful, and especially if you’ve sold a story to a market you found here (score!) I’d love to hear about it. You can e-mail me at angiepen at gmail dot com.

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Angela Benedetti lives in Seattle with her husband and a few thousand books. She loves romance for the happy endings, for the affirmation that everyone who's willing to fight for love deserves to get it and be happy with someone. She's best known for her Sentinel series of novels, the most recent of which is Captive Magic.