If you’ve just wandered in off the internet, hi and welcome. 🙂 I do these posts every month, so if this post isn’t dated in the same month you’re in, click here to make sure you’re seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I’ve found (as opposed to the two months’ worth I post here) a week early, you can support my Patreon.
Markets with specific deadlines are listed first, with “Always Open” and “Until Filled” markets (if any) at the bottom.
Markets open only to writers in a limited demographic are marked with a [NOTE:] from me, in italics, right after the main header.
There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.
NOTE: I’ve seen reports from various places that Future Visions has been unresponsive or mostly so for a while. Current mean average waiting time for pending submissions on Duotrope is 213 days, and the median is 240, with over 50% of submissions in the last 12 months reported as either “Never Responded” or “Withdrawn.” (“Withdrawn” usually means the writer got tired of waiting.) This was always kind of experimental, so I’m removing it from the listing. It’s closed to submissions right now anyway; if they can clear out their backlog and improve their processes, I’ll consider including it again. Until then, it’s just dead space, so it’s gone.
3 June 19 — Recognize Fascism! — Crossed Genres
Submissions are now open for our second micro-anthology, Recognize Fascism!
There will be a short crowdfunding project, and assuming itâ€™s successful, we will publish Recognize Fascism! in fall of 2019.
FICTION SUBMISSION GUIDELINES
Weâ€™re looking for personal stories of the moment when people see the fascism in front of them for what it is, accept it as real, and make the choice to fight it. Who are the canaries in the coal mine? When can the long-hidden voice no longer be ignored?
== Word Count: 250-5000 (FIRM)
== .doc, .docx or .rtf files only
== Times New Roman or Arial font preferred
== Name, contact information and submission word count on the first page
== No simultaneous submissions. No reprints.
PAY RATE & RIGHTS
Pay will be $0.08 per word (possibly more, depending on crowdfunded stretch goals). Authors will also receive a gratis print and ebook copy of the anthology.
Crossed Genres takes first worldwide English-language ebook and print rights, exclusively for one (1) year, and non-exclusively for an additional four (4) years. There will be an option to extend the non-exclusive rights for additional compensation.
[NOTE: Click through to submit; the submissions form is at the bottom of the guidelines page.]
14 June 19 — Across the Universe — ed. Michael A. Ventrella and Randee Dawn
The anthology I am co-editing, Across the Universe, is now open for submissions!
Through a Kickstarter campaign, we were able to raise enough to go ahead with this project, and we have confirmations from authors Spider Robinson, David Gerrold, Jonathan Maberry, Alan Goldsher, Cat Rambo, Keith DeCandido, Jody Lynn Nye, Lawrence Watt-Evans and Gail Z. Martin with notes by Janis Ian and Nancy Holder.
We should have room for a few extra stories as well. But only a few.
The theme of the anthology is “The Beatles â€“ What if?” What if Brian Epstein hadn’t managed the band? What if George Harrison hated sitar music? What if Ringo had been the true star of the band all along? What if the Beatles had been aliens? Or magic users? Or zombies? Or American?
Story Concepts: What to Avoid
The confirmed authors have already begun their stories, so please avoid the following ideas:
== Beatles as zombies
== Beatles as super heroes
== Beatles as time travelers
== Beatles as “the Scooby Doo gang”
== Beatles as medieval fantasy adventurers
== Beatles as Tetrad wizards representing the elements
== Beatles as animatronic robots
== Beatles as paranormal investigators
This is not to say that you cannot do a variation on these, but keep in mind that if we get more than one story with the same theme, your chance of having your story accepted is reduced. That said, do not contact us with your idea first. After all, two authors can take the same basic idea and produce completely different stories.
The story should be no more than 4,000 words. This should be sufficient for what should most likely be a somewhat humorous tale. A ‘short story’ should be defined as not less than 1,000 words for the purpose of this book; we want you to write the story at the length it most makes sense, but we are not publishing drabbles or flash fiction, and prefer stories in the 2,000 â€“ 4,000 range. This is not a strict cut-off, though.
Payment is $200 a story, so there is no advantage to padding your story. Take as many words as you need to make a great story, but if it is too long, it had better be so great that we can’t refuse it. A good but padded story may get rejected over a concise, fast-moving one, because we want to fit in as many stories as possible.
No reprints. And only one submission. If you have two stories, send your best.
Iâ€™m Unpublished. Can I submit?
Yes! We encourage that. But you will still face the same standards for submissions as the published authors. (Pro tip: Check your spelling and grammar.)
Submit your story in 12-point, Times New Roman/Times Roman font, double-spaced.
If you have questions about other formatting (like setting up the storyâ€™s first page, and page numbering), refer to Shunnâ€™s manuscript formatting guide.
The file should be RTF, not Word or DocX or anything else. The first page should be your cover letter â€“ keep it brief â€“ which will include your contact information and a 50-75 word bio. List previous publications or relevant experience in the bio.
Send your complete story/cover letter to WhatIfBeatlesAnthology@gmail.com â€“ do not send to Michael or Randee personally. Your bio and story should be in the same document. We will accept submissions until June 14. Please continue to check this space for any updates. We will do our best to contact everyone who submits, but if you have not heard from us by August 1, you can safely assume that your story was not accepted.
[NOTE: Click through to the original guidelines page for a lengthy discussion of copyright issues.]
30 June 19 — SNAFU: Last Stand — ed. Amanda J Spedding, Matthew Summers, and Geoff Brown; Cohesion Press
WHAT WE WANT:
Military action-based last-stand horror, and lots of it.
Think 300, the Alamo, the Battle of Mirbat, the First Battle of Mogadishu, the Battle of Hel, or Custerâ€™s Last Stand (but with unnatural monsters)â€¦ anything that can be called a high-action potentially-last stand monster story. For level of unnatural creature we will give priority to, think Dog Soldiers or Aliens. We want lots of monster goodness.
We will also be looking for soldiers, mercs, police, private security/paramilitary. Hell, even a group of bodyguards protecting some arsehole druglord on his jungle property.
Just ensure the last stand aspect is both overt and unique, and donâ€™t forget monsters!
This volume is like the previous volumes squared. All action.
We want extreme action, and it has to be military or paramilitary action.
And to say it again, full action. Nothing less. Hoo-rah!
Introduction by Tim Miller (Deadpool, Terminator, Love, Death & Robots)
Payment: AUD5c/word and one contributor copy in each format released.
Wordcount range: 2,000 â€“ 10,000 words (query for shorter or longer)
Submissions open April 1 2019.
Closing date is June 30th 2019
Anything submitted outside this period will be deleted without being read or replied to.
No selections will be made until after the period closes.
Projected publication date: Late 2019
Please follow these guidelines when submitting to us:
Please put your full contact details and word count top left of the first page of the manuscript.
Standard submission format, with minimal document formatting.
Courier, Palatino Linotype, or Times New Roman set at 12pt.
Italics as they will appear. No underlining. Double spaced.
Please donâ€™t use TAB or space bar to indent lines. Use â€˜stylesâ€™ only.
If unsure or using a program that has no styles, DO NOT indent at all. Thatâ€™s still cool.
NO SPACE between paragraphs unless a line-break is required. ONE SPACE after full stops.
Please put full contact details on the first page of the manuscript (yes, I said this twiceâ€¦ itâ€™s important).
Send your submission to Geoff Brown at firstname.lastname@example.org as an attachment (.doc/.rtf only)
In the subject line of your email, please put Last Stand: [STORY TITLE] (Replace [STORY TITLE] with your actual story title. Yes, unfortunately I do need to say this)
NO MULTIPLE SUBMISSIONS
NO SIMULTANEOUS SUBMISSIONS
Please include a brief â€˜hello, this is who I amâ€™ in your email body as a cover letter.
Blank emails with attachments will be deleted.
For a guide to standard submission format, see: http://www.shunn.net/format/story.html
The only variations to this format are that italics MUST appear as they will be used â€“ no underlining â€“ and again, only one space after a full stop.
Anyone that fails to follow these guidelines will likely see their story used to line kitty litter trays by Deadpool.
30 June 19 — Illicit — Bronzeville Books
Youâ€™ve heard of illicit affairs, illicit sex, and illicit pictures. Bronzeville Books asks why our culture considers so many types of love, sex, and bodies illicit while we don’t blink at the truly forbidden â€“ theft, murder, fraud. In Illicit, the first erotic anthology from Bronzeville Books, weâ€™re looking for stories that showcase the beauty of love once considered forbidden alongside actual crimes and criminal behavior. If you’ve got a kinky bank robber, a queer hitman looking for more than one way to score, or a disabled private eye looking to solve a case and get some lovin’ along the way, we want your story. We want people, sex, and bodies not usually seen in mainstream ideas of sex and sexy, and we want tight, fun crime plots. Pro pay. 3,500 words or less.
Simultaneous submissions are accepted but we will not consider multiple submissions under the same name or a pseudonym.
Sex in stories must be consensual, no minors, no animals, no exceptions.
Send submissions to email@example.com with the subject line: ILLICIT SUBMISSION.
See https://www.shunn.net/format/novel.html for formatting instructions.
30 June 19 — Chew on This! — ed. Robert Essig; Blood Bound Books
Everything that is living EATS! Plants, animals, humans, aliens, monsters, sea creatures, they all eat in one form or another.
For the Chew on This! anthology we are looking for food-related stories, but we need you to dig deeper and get creative when it comes to the substances that keep us alive. Food should be integral to the story in some way, but not the entire focus. The plots can revolve around a wide range of cultures and belief systems, science and superstition, settings in the future or past. Above all we want stories that are macabre, scary, unsettling, and even gross. There’s room for every subgenre of horror from quiet and unsettling physiological tales to extreme and bizarro. Well written, imaginative, frightening, and unique perspectives that make readers afraid to visit restaurants, try cuisine in a foreign lands, attempt new cooking recipes, etc.
== Cannibal stories- Sure theyâ€™re good enough to eat but not for this anthology.
== No zombies, werewolves, vampires, or other well-tread tropes. If itâ€™s off the dollar menu we wonâ€™t be ordering.
== Pizza stories. We love a good pie but donâ€™t want past anthology leftovers.
== Predator and prey without any substance. Reasoning is the seasoning!
== Fan fiction. Give us a fresh recipe!
== Email: firstname.lastname@example.org
== Subject: Chew on this: Story Title by Author Name
== Length: 3k – 7K
== Multiple Submissions: No
== Simultaneous Submissions: No
== Reprints: No
== Format: Doc or Docx
== Payment: 3 cents per word
30 June 19 — Funny Queer — Qommunicate Publishing
Seeking humorous original work by and/or about LGBTQ+ people and lives. This is a positive publication celebrating the LGBTQ+ community through the lens of humor. Only pieces supporting this mission will be considered. No homophobic, transphobic or hateful material will be considered.
[NOTE: That “and/or” in the paragraph above is ambiguous. It sounds like they’ll consider work from straight/cis writers so long as it’s about LGBTQ+ characters. But maybe not. If you’re straight/cis, you might query before submitting.]
This premiere edition of our first LGBTQ+ humor anthology will be published in print & ebook. It will be made available in paperback on Amazon, the Barnes & Noble website, QommunicatePublishing.com and wherever books are sold (available to booksellers and libraries through Ingram.) Ebook versions will be compatible with the Amazon Kindle, Barnes & Noble Nook, Kobo, iOS, Android, MacOS, and Windows devices in addition to PDF and other downloadable formats and web-viewable formats.
Please read the following submission guidelines carefully before submitting your work to Funny Queer. If you have any questions not answered below, please write us at email@example.com and we will be happy to answer.
Humor by and/or about LGBTQ+ people. The only criteria is it makes us laugh!
Anything meeting the theme, including:
== Comics/graphic shorts (black and white only).
== Short scripts.
We will NOT consider:
== Work written for children
== Prose: up to 3,500 words
== Poetry: Up to 3 pages
== Comics & Scripts: up to 10 pages
These length recommendations are flexible.
== All submissions must be typed. No handwritten submissions will be accepted.
== If you send your submission in, please do NOT mail us your only copy of your work. We can not be responsible for returning submissions.
== Multiple submissions (submissions of more than one work) are fine. Send us what youâ€™ve got!
== Simultaneous submissions (submitting work youâ€™ve already submittedâ€“or are planning on submittingâ€“elsewhere) are fine too.
== Please just be sure that if your submission gets accepted elsewhere, you contact us at firstname.lastname@example.org to withdraw it from consideration for More Queer Families: A LGBTQ+ True Stories Anthology.
== Reprints will NOT be considered.
== We are seeking First English Anthology Rights and First World Anthology Rights in print and ebook formats.
== NOTE: These rights only allow the material to be used in the anthology and its reprints, and the writer retains all rights to their work not specified here (i.e. in the contract), including copyright to their work.
== We are also seeking, for all material, Non-exclusive Excerpt Rights (for the purposes of promoting the Anthology on the website).
== Contributors will receive, as a humble token of our appreciation, $5 per printed page.
[NOTE: There’s no way to tell exactly how many cents/word they’ll be paying; it depends on the size of the pages, the size of the typeface, and the density of the writing on any given page. (A page with many short lines of dialogue will have a lot fewer words than a page full of long paragraphs of description or narration.) A standard manuscript page is counted as approximately 250 words, which works out to about 2 cents per word. I’m assuming a “printed” page will be less than twice that, which means this market squeaks in just past my guidelines, to give them the benefit of the doubt. Keep this in mind, though, when you decide whether to sub here.]
What to Submit:
== Your submission
== A brief bio telling us something about you and (if applicable) any publishing experience
== At least one form of contact information (phone number, email, or mailing address. Please do not give a social media account handle as your only form of contact information.
== IMPORTANT: Pen names are acceptable. However, for contractual purposes, all submissions must also include the authorâ€™s legal name.
Where to Submit:
Submissions may be emailed to us at: email@example.com
or mailed to us at:
201 Lancelot Lane
Becket, MA 01223
AGAIN, MAILED SUBMISSIONS WILL NOT BE RETURNED
== We do our best to respond to all submissions within 3 months of receiving them. If you havenâ€™t heard from us in that time, please feel free to reach out.
30 July 19 — Not Far From Roswell — ed. Kelly A. Harmon and Vonnie Winslow Crist; Pole to Pole Publishing
[NOTE: The deadline for this book is 30 July OR WHEN FILLED. If you want to submit, don’t wait till the last minute.]
Pole to Pole Publishing is seeking short, original fiction for its upcoming anthology, Not Far from Roswell, to be published October 2019.
Not Far From Roswell will contain dark stories of aliens, alien abduction, alien experimentation, cows, paranormal investigation and more — let your imagination be your guide. We may also include one or two humorous pieces as long as the material is dark.
Update: We’re looking for more stories that take place on Earth and have a strong connection to Roswell.
Stories should be 3,000-5,000 words (firm).
Profane and vulgar language. Because we market to both adult and YA readers, if you use an F-Bomb, and we accept your story, weâ€™ll probably ask you to change it.
First person and Present Tense. Weâ€™ve published both: when the stories were very, very good. We want to let you know up front that weâ€™re going to reject this most of the time. Itâ€™s just not our preference.
Excessive Gore and/or violence. Blood and guts are fineâ€”as long as theyâ€™re part of the story and not the story itself.
Sex. See above about marketing to a wider audience.
Edition and Rights:
Not Far From Roswell will be published in electronic and trade paperback in English. We are asking for exclusive, worldwide rights to your work for both electronic and print for six months only, and a non-exclusive right to keep your story in the anthology after that. The anthology may be included with other “Dark Stories Anthologies” in bundles.
Payment: Payment is 2Â¢ per word, paid at publication, via PayPal only.
If you do not have a PayPal account, please do not submit your work.
Authors will also receive one copy of both the electronic and paperback versions of the anthology. (Authors can buy additional books at a discount.)
What We Donâ€™t Want:
No rape, torture, etc. of children. No animal abuse. No stories with characters from a copyrighted world that belongs to someone else. No reprints. No Poetry. Only one story from each author will be considered.
No tabs. Please format the document with a first line indent.
Curly quotes, pleaseâ€”no straight quotes.
If youâ€™re not sure if your story is suitable, donâ€™t query; just go ahead and submit, and let our editors decide. (Word count is firm, however.)
Deadline: July 30, 2019, or until filled. Be aware that all of our anthologies have filled before the deadline, so donâ€™t wait until the last minute to submit.
31 July 19 — Blasphemous Rumors — ed. David Barnett and Regina Garza Mitchell; Necro Publications
Blasphemous Rumors is a themed anthology of religious horror stories edited by David Barnett and Regina Garza Mitchell. We are seeking dark short stories that focus on religion or spirituality, stories that may be considered blasphemous by the standards of your religion of choice. We are looking for quality dark fiction, not hate-filled rants against religion.
Technical Details: Stories should be formatted in standard manuscript submission format. Stories should be no longer than 5000 words and should be original. Reprints are not accepted. We will not accept simultaneous or multiple submissions.
PAYMENT: $.03 per word up to 5000 words plus two copies of the trade paperback.
Stories should be submitted as an attachment to: firstname.lastname@example.org
Examples of Blasphemy: The term blasphemy refers to saying something about God that is disrespectful. It can also refer to degrading religious concepts or literature. Blasphemy can be included in speech, an act, writing, music, or art.
Blasphemy in Everyday Life:
== Some consider rapper Kanye West’s album name “Yeezus” and his consideration of himself as equal to Jesus to be blasphemous.
== Burning a religious document such as the Bible or the Qu’ran is considered blasphemy.
== Vandalizing a church is a form of blasphemy.
== Worshipping Satan is blasphemous.
== Committing suicide is a form of blasphemy.
== To state that God is unkind, unjust or cruel is a blasphemous.
== Artist Andres Serrano created what he called artwork by submerging a plastic replica of the crucified Jesus Christ in a container of his own urine and photographing it as a means, he stated, of exposing the ills of religion. However, this 1987 piece of work was considered highly blasphemous and was destroyed in 2011 during protests in France. The name of the work was Piss Christ.
== In the popular television show, Sex and the City, one episode featured what some considered to be blasphemous artwork. The episode revolved largely around a painting of a woman, crucified as Jesus Christ was, featured in a New York gallery.
== Pastor Terry Jones is the head of a church in Florida who, in 2010, is considered blasphemous of Islamic religion due to his suggestion to hold a “Burn the Qu’ran Day,” his publication of a book entitled Islam Is of the Devil, and his purveyorship of shirts and cups that spread the same message.
== The animated American television show, The Simpsons, has been taken to task for blasphemy after broadcasting episodes in which the devil purportedly was bullying God, amongst various other perceived blasphemies.
== Also under fire for broadcasting blasphemous language is the American animated comedy, Family Guy. Known for its offbeat humor, Family Guy featured Jesus in one particular episode that painted Him in a perverted manner, causing a firestorm of protest.
== Islam’s Prophet Mohammad is often the source of blasphemy. His image, according to Islamic law, is not to be printed yet many cartoonists and others around the world have been considered blasphemous for doing so. In 2006, Norwegian and Danish newspapers faced serious backlash and threats of retribution from Islamic nations for printing cartoons that featured Prophet Mohammad. While the act of printing the cartoons, themselves, would have been considered blasphemy unto itself, the cartoons also featured the Prophet in poses that were considered “unflattering,” particularly one in which the Prophet’s image was made to look like a terrorist.
== In 2010, American animated comedy South Park, also produced images of the Prophet Mohammad in an episode that featured the Prophet as a bear mascot. Angered by the perceived blasphemy, one Islamic website threatened the producers of the show for what they deemed as a high level of disrespect for the Prophet.
Now you have seen many different examples of blasphemy.
31 July 19 — Monsters in Spaaaace! — The Dragon’s Roost Press
[NOTE: The deadline for this book is 31 July OR UNTIL FILLED. If you have a great idea for a story, don’t procrastinate in writing and subbing, or you might find that they’ve closed the book early, or that they’ve already accepted too many stories about the monster you’ve chosen.]
2019 marks the 40th anniversary of one of the greatest horror movies of all time: Alien. Yes, it is a horror movie, but set in space. There are also plans for a new branch of the military — in space.
Weâ€™ve explored loneliness, isolation, and solitude in our first anthology. We Put the Love Back in Lovecraft in our second anthology. We explored the creatures of cryptozoology in our recent pair of anthologies. Now we will go where all good series eventually goâ€¦
What We Want:
Finely crafted works of Dark Speculative fiction which feature one (or more) classic monsters. Vampires, mummies, creatures built from dead body parts, lycanthropes, mad scientists, and zombies — yes, even zombies — but we want to see them in space.
We want to see these creatures floating around in zero g, attacking astronauts and colonists, and generally menacing those brave enough to go beyond the confines of our pale blue dot.
Each story must take place somewhere other than the Earth. It can happen on a spaceship, on a colony, on a new terraformed planet. There should be humans involved, but they do not have to be the protagonists.
Each story must also feature (at least) one classic monster. We are looking for new takes on the old classics. Feel free to explore, but they should still be recognizable to the average reader.
What We Donâ€™t Want:
Actual characters from other books or films. As much as we love the idea of Dracula in Space, we are pretty sure that Universal owns the rights to that particular vampire. The vampire doesnâ€™t have to be Dracula in particular (for example: Bubba Ho-Tep has a great mummy, but not THE mummy).
We donâ€™t like being sued.
Retreads of Alien/Aliens/etc. We love the Xenomorph, but we are looking for new interpretations of old monsters. The Xeno is only 40. Thatâ€™s not old.
On a related note, stories where small bands of humans have to fend off a horde of creatures are going to be a hard sell. We love Aliens, but itâ€™s really more of a sci-fi action movie. Weâ€™re looking for horror. We want you to evoke that sense of fear that will make us want to turn on a light and pull the covers up.
Important Note: We are looking for monsterial diversity. In other words, we donâ€™t want a whole anthology filled with the same creatures. Two of the same may work, but not more than that. The earlier you submit, the earlier you can nail down that monster.
The Specifics: We are looking for short fiction up to 6,000 words. While we prefer original material, we will consider reprints. Please query before submitting reprints (email@example.com). Naturally, we will only consider stories which you retain the rights to. Please provide original publication information for all reprints. Fan Fiction, Slash Fiction, and any other material containing characters or setting which you did not create, are not acceptable. Submissions should follow standard format. For an example of what we are looking for in terms of formatting, please visit link. The only addendum to this is that the editor prefers Times New Roman.
Please edit your material carefully. Common spelling errors (theyâ€™re/their/there, your/youâ€™re) may be acceptable in social media posts, but not in works submitted for publication.
Word (.doc/.docx) format is preferred, but we will also accept submissions in Open Office (.odt), Pages (pages), and Rich Text Format (.rtf). Send your stories to firstname.lastname@example.org. In the subject line of your e-mail list “Monster in Space,” the title of your story, and your last name. For example:
Monsters in Space / Really Awesome Story / I. M. N. Alien
E-mails which do not follow this format will be deleted unread.
Provide a short (500 words or less) biography in the body of your e-mail. Also, feel free to describe why you chose the particular monster that you did.
We are looking for North American Print and Digital Rights. Rights revert back to the author upon publication. Submissions accepted until 31 July 2019 or until filled. Our previous anthologies have each closed to submissions a month or more before the deadline. For this book, we are only looking for 13 – 15 stories. Donâ€™t delay, start writing today!
Please wait four weeks before querying.
Multiple submissions are OK, but please wait until you have received a response on your first piece before submitting your second. Simultaneous submissions: no.
Estimated publication date Fall 2019 via POD (KDP) and on various digital formats.
At this time payment is three cents per word ($0.03/word) plus one contributorâ€™s copy and one digital version in the format of the authorâ€™s choosing. We will be running a crowd sourcing campaign with the goal of providing higher monetary recompense to our authors. As with our previous anthologies, this is a charity anthology to raise money for the canine rescue organization Last Day Dog Rescue.
Note to New Authors: Most publications seek First North American Rights. While you may be able to sell your story again as a reprint, publication in this anthology may limit your storyâ€™s future marketability and may affect the amount of money you will be able to receive from other markets. Please take this into consideration before submitting.
If you’ve found this listing useful, and especially if you’ve sold a story to a market you found here (score!) I’d love to hear about it. You can e-mail me at angiepen at gmail dot com.
If you’d like to support these listings in a more concrete way, here are a couple of ways to do it: