If you’ve just wandered in off the internet, hi and welcome. 🙂 I do these posts every month, so if this post isn’t dated in the same month you’re in, click here to make sure you’re seeing the most recent one. If you want to get an e-mail notification when the listing is posted, get the list a week early, or get a full listing of everything I’ve found (as opposed to the two months’ worth I post here) a week early, you can support my Patreon.
Markets with specific deadlines are listed first, “Until Filled” markets (if any) are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.
30 June 2017 — Welcome to Miskatonic University — Broken Eye Books
Miskatonic University is still going strong in the Arkham Valley (and in various satellite campuses and research stations around the world). Resilient and forward thinking, few institutions can weather the times and adapt like good ol’ MU. It’s a strange brew of conservatively reaching into the past while progressively marching forward. And it’s a hotbed for the weird and the wonderful!
So what might a modern MU look like? What might student life be like today? These tales combine college life and the cosmic weird. Of course, there’s beer, sex, and parties; study groups and all-night cramming; campus activism and impassioned discourse; vital research and faculty struggling for tenure. But also, you know, gruesome and psychedelic cosmic weirdness.
What avenues of study has the university sanctioned either publicly or privately? Where are they getting so much funding? The university’s been around the block and are at the bleeding edge of certain realms of research. Occult studies have seeped, seemingly innocuously, into various branches of nearly all academic departments and inform everything from quantum physics to computer science, sociology to modern American literature. Library studies is hands down the best, most advanced in the world, likely one of the most well funded of sectors at the institution with ever-evolving safeguards and best practices.
But there’s bound to be lingering effects from all the occult activity, like “sensitive” people and locations with breaches to the “other side.” People disappear all the time; sometimes they even come back. Entire wings are off limits to humans indefinitely. As a whole, this anthology is about the angst and drama of college life, the promise of big occult ideas, and the terror and dread (and headfirst exploration) of the unknown, of the forbidden. And some dark humor would not be misplaced.
We want diverse stories with modern sensibilities from many different voices that show the immense and diverging possibilities ahead for the weird. We want to forge ahead and explore the new and the strange. We are actively seeking submissions from writers from underrepresented populations. (This includes, but is not limited to, writers of any race, gender, sexual orientation, religion, nationality, class, and physical or mental ability.)
== We want weird fiction set in a modern-day Miskatonic University. Stories should be set within or be inspired by the Cthulhu Mythos. We want to see the Mythos continue to grow and evolve, to expand as a shared literary world and not be tied to outdated and limiting sensibilities. We are not interested in stories with bigoted views on race and gender.
== Subversive or experimental stories are welcome.
== No pastiches of previous eras.
== Original, previously unpublished short stories (3,000-6,000 words) and flash fiction (1,000 words or less).
== Pay rate of 8 c/w for first rights to digital, audio, and print formats in English.
== Simultaneous submissions are welcome, but please, let us know as soon as possible if your submission has become unavailable before you hear back from us.
== Only one submission per author.
== We seek both rich characters and grandiose ideas. We seek diverse characters.
Submit your story in standard manuscript format as an attachment to submissions(at)brokeneyebooks(dot)com with a subject line of the following: [WTMU] “Your Story Title”.
Submission window open from April 1, 2017 to June 30, 2017. (We are working on streamlining our review process. We will start reading submissions in May after making headway into Ride the Star Wind edits. We cannot confirm receipt of your manuscript.) The published anthology will be a mix of stories both from invited authors and from slush pile submissions. Don’t self-reject. If in doubt, submit.
We’re trying to present a living, breathing setting for MU. There’s no requirement or even request for any coordination of story details. We just ask that you avoid the more world-ending (or even university-ending) plots. Sure, people will die, just as new faculty is hired and new students fill empty seats. Buildings will crumble or disappear into wormholes, but there is always new construction. Monsters will come and go, sometimes with fanfare and sometimes not; some even stick around as lab specimens, secret pets, lazing in the sewers, or disguised as faculty. But above all, Miskatonic University persists.
For this anthology, Miskatonic University is assumed to be a fully modern, multicultural hotbed of cutting edge occult and technological research. In this modern incarnation, we’re assuming that it has fully embraced modern technology and norms and has both a faculty and student body thriving with personalities from all walks of life (no matter race, religion, gender, or anything [so it’s not just a bunch of white dudes])–and it’s been that way for at least decades. Of course, the institution will have its secrets and likely everyone there has their own agendas as well. So while there could certainly be your occasional reactionary character pining for the “old days,” those characters are not the norm. Hope that helps!
Content & Style:
Rape: Avoid rape, especially that intended only to demonize villains or raise heroes to action. Avoid rape victims serving only as plot devices. And on the instances when rape is vital to a story, we need to see the victim’s reactions, their journey after, the consequences. We prefer characters to have agency, not just be plot points and set pieces. If those considerations are unattainable in the writing, no rape. Also, no bestiality or child abuse.
Sex: Sex between consenting adults is perfectly welcome, regardless of gender, including with aliens and monsters. It doesn’t need to be tasteful, just consensual (though we’re not currently shopping for stories that are solely erotica). Incest, however, should be treated with the same considerations as rape (see above).
Hate: Vile, hate-filled (such as racist or sexist) characters/speech, that which could promote such hate, should not be reflective of the entire work. Any such characters should not be portrayed as narrators; such speech should not be adopted by the narrator. Such topics would be of interest to us if well navigated, as in LaValle’s The Ballad of Black Tom.
Style & Theme: We are happy to consider subversive themes, marginalized voices, and experimental styles.
Editorial: We will edit your work in collaboration with you and “in broad daylight” in accordance with Chicago Manual of Style and our experience. We are always open to discussion.
Current Tropes to Avoid: Forced Motherhood; Chosen One.
15 July 2017 — Strange Beasties — Third Flatiron
Slipstream. Are you itching to invent your own odd literary devices or creatures? Impress us, delight us, or scare us with the diversity of your fiendish creations. Creatures of the id don’t necessarily have to be monsters, but they do need to be strange.
Third Flatiron Publishing is based in Boulder, Colorado, and Ayr, Scotland. We are looking for submissions to our quarterly themed anthologies. Our focus is on science fiction and fantasy and anthropological fiction. We want tightly plotted tales in out-of-the-ordinary scenarios. Light horror is acceptable, provided it fits the theme.
Please send us short stories that revolve around age-old questions and have something illuminating to tell us as human beings. Fantastical situations and creatures, exciting dialog, irony, mild horror, and wry humor are all welcome. Stories should be between 1,500 and 3,000 words. Inquire if longer.
Role models for the type of fiction we want include Kurt Vonnegut, Arthur C. Clarke, Dan Simmons, Connie Willis, Vernor Vinge, and Ken Kesey. We want to showcase some of the best new shorts available today.
For each anthology, we will also accept a few very short humor pieces on the order of the “Shouts and Murmurs” feature in The New Yorker Magazine (600 words or so). These can be written from a first-person perspective or can be mini-essays that tell people what they ought to do, how to do something better, or explain why something is like it is, humorously. An SF/Fantasy bent is preferred.
31 July 2017 — Chthonic: Weird Tales of Inner Earth — Martian Migraine Press
Pelucidar. The Hollow Earth. DEROS, and the Shaver Mysteries. Blue-litten K’n-yan, red Yoth, and black, lightless N’kai. The Amigara Fault. Derinkuyu. Agartha. The world (and worlds) below. Inner earth, a near infinite space of vast, echoing potential … our (possible?) birthplace, and the place where we all return, either as corpses, or something other? … the churning, chaotic underworld, and true home of all that is weird, unconscious, and forbidden. Descend with us in this anthology of weird fiction; descend to the realms CHTHONIC.
We are looking for weird fiction that explores the mystique and terror of caverns, abyssal spaces, and subterranean worlds. As with previous MMP anthologies, we will be including a seed story from H. P. Lovecraft’s oeuvre (in this case, The Rats in the Walls, though many of his stories went underground). We want to see bizarre civilizations, mind-boggling physical and biological phenomena, horrific rituals, mad science and madder sorcery. We want to feel the tunnel floors beneath our feet shake with the passage of beasts, machines, and gods that have never seen the light of the sun; sentient oils, intelligent muck, living rock, molemen, formless spawn and Efts of the Prime, worms, Dholes, and ghastlier things. But CHTHONIC won’t be just a serving of pop culture “surface” material, if you’ll pardon the pun. We like to see stories with depth (oh god, another one, sorry!); emotional and psychological explorations of the internal spaces of the human mind and soul, as well as the ground below. Write us stories that induce crushing claustrophobia or open us wide to new dimensions of thought and being. If your story can do both, so much the better.
Final story count for the anthology will be determined based on quality and number of submissions. CHTHONIC: Weird Tales of Inner Earth will be released as a softcover paperback and as an electronic book in multiple formats.
Submission period closes JULY 31, 2017. The anthology will be released in early December of 2017.
Please use Standard Manuscript format when submitting. That’s double spaced, left justified, Times New Roman or Courier or something at least readable, a header on the first page (at least) with your author info and word count and… well, you know the drill. RTF or DOC files preferred, but DOCx and text files also accepted. Obviously, you could send us something that’s not in Standard Manuscript format, but it will lower your chances of it being looked at seriously.
We will look at both original work and REPRINTS.
To submit a story to CHTHONIC: Weird Tales of Inner Earth send an e-mail (with the story file attached, not in the body of the email) to: email@example.com, with subject line: “CHTHONIC, [title of your story] [your name]”.
For short fiction, we’d like to see anything from 1,500 to 7,000 words.
FLASH FICTION: got something under 1500 words? Send it in. However, the following still applies…
All accepted submissions will be paid .03CAD per word, via Paypal, as well as two contributor copies (paperback) of the anthology, and copies in all electronic formats (mobi, EPUB, and PDF). Authors are also entitled to electronic copies of three additional Martian Migraine Press titles of their choosing.
Replies and Queries
We will try to acknowledge receipt of your submission within a week of its arrival in our inbox. The submission period itself will close on July 31, 2017 and we should be responding to all submissions, yes or no, throughout the submission period and no later than August 2017. We do our best to ensure that all submissions are contacted and kept up-to-date, but sometimes items fall through cracks, so, if you haven’t heard from us by September 15 2017, please query.
31 July 2017 — Sharp and Sugar Tooth — Upper Rubber Boot Books
Announcing an open call for submissions for Sharp & Sugar Tooth: Women Up To No Good, an anthology of dark, speculative fiction, edited by Octavia Cade and to be published by Upper Rubber Boot Books in late 2018 or early 2019.
Sharp & Sugar Tooth is looking for creepy, seductive stories about the dark side of culinary life. The emphasis should be on the preparation, or the consumption, of food—horrifying, mouth-watering stories that make us hungry despite ourselves.
Sharp & Sugar Tooth is part of Upper Rubber Boot’s in the Women Up To No Good anthology series, so subversive, diverse stories with protagonists who identify as girls/women are appreciated. We want these characters in the kitchen—and out of it—using their butcher knives and baking skills to create meals that are dark and lovely and empowering, because consumption has a dangerous and tempting taste…
Stories can be any variety of fantasy or science fiction, provided the element of horror is present. Strong language and sex is no problem, but we’re not interested in torture-porn of humans or animals (regardless of whether they end up on a plate).
== Word/page count: Up to 5,000 words/story.
== Payment: six cents per word.
== Publication history: Original stories only. Reprints may be submitted by invitation only.
== Multiple submissions: No.
== Simultaneous submissions: No.
== Deadline: 31 July 2017. All stories will be replied to by the end of August.
== To submit: Please send stories in standard manuscript format, attached in .doc or .rtf files, to firstname.lastname@example.org with the subject line SUGAR TOOTH. Be sure to provide mailing address and a short bio.
== If the work is a translation, please also provide a statement from the rightsholder that you are authorized to translate and submit it (both author and translator will receive full payment).
Authors must identify as female, non-binary, or a marginalized sex or gender identity.
We encourage and welcome stories from voices underrepresented in speculative fiction, including (but not limited to) writers of color, LGBTQ writers, writers with disabilities, and writers in translation.
31 July 2017 — The Pulp Horror Book of Phobias — ed. M.J. Sydney; Lycan Valley Press
Word count: 4,000 to 6,000
Payment: $50 per story, a digital copy of the anthology and a discount code for print copies from Lycan Valley Press
Details: Phobias are defined as an irrational and extreme fear to something. Some of the most widely known phobias include arachnophobia, claustrophobia, agoraphobia, acrophobia, etc. Anything can be a phobia if it irrationally causes an intense and debilitating fear.
What happens when these irrational fears/phobias become reality? Make the fears and the horrors associated with that fear real. Take them from irrational to rational. Pick a phobia from the list below and take that fear to the next level. Make it come to life and give us a reason to be scared. Your characters don’t have to overcome their fears, but if they do, show us how. If they don’t, why not?
We don’t want characters sitting on a sofa in the psychiatrist’s office detailing their childhood or even characters with diagnosed phobias necessarily. Focus on the object of the phobia rather than the phobia itself as much as possible. We want you to make these phobias come to life in ways that will make readers sleep with the lights on, double check the locks on their doors and question reality.
There must be a strong pulp element to the story as well, keeping in mind that pulp doesn’t mean poorly written. If you’re unfamiliar with the original pulp magazines and stories, please do some research before submitting. Check out Black Mask Magazine http://www.blackmaskmagazine.com/ and here’s a pulp archive to get you started (warning: reading on this website may be addictive).
http://www.pulpmags.org/ and also here https://archive.org/details/pulpmagazinearchive.
Although you are free to write in your own style and that which best suits the story, Lester Dent’s Pulp Paper Master Fiction Plot is here for reference should you wish to use it. http://www.paper-dragon.com/1939/dent.html Here, James Scott Bell talks about writing pulp fiction: http://www.rachellegardner.com/why-i-write-pulp-fiction/
Titles: Please do not use the name of the phobia itself in your titles.
Formatting: Please follow Shunn Short Story Manuscript formatting which can be found here: http://www.shunn.net/format/story.html. Or use the downloadable template for Word found here: http://www.shunn.net/format/templates.html
Simultaneous and Multiple Submissions: No simultaneous submissions. Multiple submissions from the same author for two different phobias will be considered but please note that only one story per author will be accepted to allow for greater variety and diversity. Previously unpublished stories only, no reprints unless requested.
Email questions to: MJSyd99@gmail.com with “PHB Question” in the subject line.
The available list of phobias as well as the submission form has moved and can now be found on the Lycan Valley Press Submittable profile at http://lycanvalleypress.submittable.com/submit under THE PULP HORROR BOOK OF PHOBIAS.
15 August 2017 — AFTERMATH: Explorations of Loss & Grief — Radix Media
The inevitable breakdown of a long-term relationship; losing your home due to gentrification; struggling with the deportation of a loved one; navigating the crumbling healthcare situation in Trump’s America.
How do you define loss and grief?
Radix Media presents AFTERMATH: Explorations of Loss & Grief, an anthology that will examine what it means to face the consequences after tragedy strikes. The theme is left intentionally open, giving contributors the freedom to tell their story as it is most relevant to their experiences.
We prefer previously unpublished pieces (though previously published pieces will b considered on a case-by-case basis), and they can be fiction, personal essays, or poetry, between 500 and 3,000 words. We will also accept comics, illustration, and photography that will retain its integrity in black and white. Accepted works will be collected into either a zine or paperback book, depending on the volume and length of accepted works. Visual submissions should be able to fit a print size of 5″ x 8″.
CONTRIBUTORS & PAYMENT
Contributed pieces will be paid for at the following rates:
Fiction & Non-Fiction: $0.06 per word
Poetry: $35 per work
Comics, Photos, & Illustration: $10 per page or $50 per work, whichever is greater
We strongly encourage typically underrepresented voices to submit. If you are a person of color, queer, trans, disabled, or any combination of these, we would especially love to hear from you.
Pieces should be submitted via e-mail to email@example.com by August 15, 2017. Please include your name, e-mail address, and telephone number. Also let us know if the work has been previously published or not, or whether it is currently being considered for publication by another publisher.
For written works, please paste the text directly into the body of the e-mail. For visual pieces, low-resolution versions are preferred (we will contact you for a hi-res version upon acceptance). For this call, we will accept multiple submissions, but please limit to 3.
Accepted contributors will be notified within 3-4 weeks after this deadline, and payment will be issued upon receipt of your signed publication contract.
31 August 2017 — Hidden Animals: A Collection of Cryptids — The Dragon’s Roost Press
CRYPTOZOOLOGY: the study of and search for animals and especially legendary animals (such as Sasquatch) usually in order to evaluate the possibility of their existence
CRYPTID: an animal whose existence or survival to the present day is disputed or unsubstantiated; any animal of interest to a cryptozoologist
We’ve explored loneliness, isolation, and solitude in our first anthology. We Put the Love Back in Lovecraft in our second anthology. Now we are looking for stories involving the creatures which hide in the shadows — the monsters of cryptozoology.
Bigfoot, Nessie, el Chupacabra, The Jersey Devil — cryptids so well known that they have become part of the cultural zeitgeist.
For our new anthology, tentatively entitled Hidden Animals: A Collection of Cryptids, we are looking for lesser known cryptids, creatures of the dark corners of cryptozoology. They can be the antagonist, the protagonist, the creeping dread which drives the story, but they must be present.
What We Want:
Finely crafted works of Dark Speculative fiction which feature one (or more) of the lesser known, but established cryptids. Authors are encouraged to put their own spin on the classic creature. Make them terrifying. Make them sympathetic. Make them humorous. Above all, make them feel real.
What We Don’t Want:
Non-fiction. We want fictional stories with a plot and a well defined story arc. While we are interested in hearing about your own personal experience, or that of your friend or family member, this is not the book for that.
New Monsters. While we appreciate your creativity, we are looking for stories which feature creatures that readers will have at least a passing knowledge of. Give us your giant cats, dogboys, and lake creatures, but please do not create your own creature.
[Note: There are plenty of website which describe various cryptids. A brief list appears here.]
Stories where nothing happens. Keep the creatures in the shadows if you like, but give us something. There’s a reason that we don’t watch that show where they look for but never actually find Bigfoot.
Retreads of established stories. This is going to be a little tougher. We do want stories based on “actual encounters.” Feel free to incorporate material from real life sightings. Sprinkle the history of the creature in your prose. Do not simply give us a fictionalized version of a story that you read in another book or saw on the big or little screen.
We don’t like being sued.
Aliens. Yes, there is some overlap between the study of some cryptids (e.g., el chupacabra) and extraterrestrial beings, we are not looking for stories that exclusively feature visitors from other worlds. Maybe in a future anthology, but not this one.
Important Note: We are going for cryptozoological diversity. Towards this end, we will only accept ONE story featuring each cryptid. Authors may consider focusing on a lesser known cryptid, or getting their submissions in early.
The Specifics: We are looking for short fiction up to 6,000 words. While we prefer original material, we will consider reprints. Please query before submitting reprints. Naturally, we will only consider stories which you retain the rights to. Please provide original publication information for all reprints. Fan Fiction, Slash Fiction, and any other material containing characters or setting which you did not create, are not acceptable (so no returning to Boggy Creek). Submissions should follow standard format. For an example of what we are looking for in terms of formatting, please visit Shunn’s website. The only addendum to this is that the editor prefers Times New Roman.
Please edit your material carefully. Common spelling errors (they’re/their/there, your/you’re) may be acceptable in social media posts, but not in works submitted for publication.
Word (.doc/.docx) format is preferred, but we will also accept submissions in Open Office (.odt), and Pages (pages). Send your stories to firstname.lastname@example.org. In the subject line of your e-mail list “Hidden Animals,” the title of your story, and your last name. For example:
Hidden Animals / Really Awesome Story / I. M. Ayeti
E-mails which do not follow this format will be deleted unread.
Provide a short (500 words or less) biography in the body of your e-mail. Also, feel free to provide a brief description of the cryptozoological being which appears in your story along with links and/or citations.
We are looking for North American Print and Digital Rights. Rights revert back to the author upon publication. Submissions accepted until 31 Aug 2017 or until filled. Our previous anthologies have each closed to submissions a month or more before the deadline. For this book, we are only looking for 13 – 15 stories (instead of the 21 – 30 stories of our previous anthologies) Don’t delay, start writing today!
Please wait four weeks before querying.
Direct queries to email@example.com.
Multiple submissions are OK, but please wait until you have received a response on your first piece before submitting your second. Simultaneous submissions: no.
Estimated publication date Winter 2017 via Create Space and Smashwords.
At this time payment is three cents per word ($0.03/word) plus one contributor’s copy and one digital version in the format of the author’s choosing. We will be running a crowd sourcing campaign with the goal of providing higher monetary recompense to our authors. As with our previous anthologies, this is a charity anthology to raise money for the canine rescue organization Last Day Dog Rescue.
Note to New Authors: Most publications seek First North American Rights. While you may be able to sell your story again as a reprint, publication in this anthology may limit your story’s future marketability and may affect the amount of money you will be able to receive from other markets. Please take this into consideration before submitting.
1 September 2017 — The Beauty of Death 2 — Death by Water — ed. Alessandro Manzetti and Jodi Renee Lester; Independent Legions Publishing
Independent Legions Publishing is seeking original horror stories in English for the new anthology The Beauty of Death 2 — Death by Water, edited by Alessandro Manzetti and Jodi Renée Lester, to be published October 2017 in print and digital editions.
We’re looking for stories that fit the theme: Death by Water. All types of horror are welcome. Sex or violence in a story should be artistically justified; no excessive gore. No stories about child abuse of any kind. We welcome all subgenres and forms of speculative fiction.
Word Count: We are open to stories of 4000-5000 words.
Deadline: September 1, 2017
Pay Rate: We pay (via PayPal) $100 for each original story.
We buy first exclusive English-language rights for three years.
We do not accept multiple or simultaneous submissions, nor do we accept unsolicited reprints.
Submissions should follow standard manuscript format (12 pt Times New Roman or Courier fonts, 1” margins all around, line spacing 1½ or 2 spaces). It must be in .doc or .docx format or it will not be considered. Your name and contact information must be at the top of the first page of the story. Page numbers with author’s last name and/or partial story name on subsequent pages would be appreciated.
Cover letter is optional, but if you do include one, please add a short bio (up to 200 words).
Response time is currently within four weeks. After that, if you haven’t heard from us, please query. We will not be sending confirmations of receipt.
To submit a story, go to our story submission form below. To submit your story via email, put “SUBMISSION – TBOD2” in the subject line and send to: firstname.lastname@example.org.