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Markets with specific deadlines are listed first, “Until Filled” markets (if any) are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.
30 April 2017 — SNAFU Judgement Day — ed. Amanda J Spedding and Geoff Brown; Cohesion Press
Post-apocalyptic military horror.
The end of the world as we know it.
What we want: Invading space aliens, demonic invasion as in Doom, DNA-grafted dinosaurs taking over the planet, manmade viral infections that nearly wipe out humanity, or artificial intelligence like in Terminatorâ€¦ anything you can think of that would bring about the end of the world. And SOLDIERS!
Tell us about what happens during the worst of the fall of humanity or afterwards.
No zombies. Thatâ€™s already taken care of.
Full action. Nothing less.
Payment: AUD4c/word and one contributor copy in each format released.
Wordcount range: 2,000 â€“ 10,000 words (query for shorter or longer)
No selections will be made until after the period closes.
Projected publication date: Late 2017
We will have some solicited authors alongside the open call, with the first being Jonathan Maberry.
Please follow these guidelines when submitting to us:
== Please put your full contact details on the first page of the manuscript top left, with word count top right.
== Standard submission format, with minimal document formatting.
== Courier or Times New Roman set at 12pt. Italics as they will appear. No underlining.
== Double spaced.
== Please donâ€™t use TAB or space bar to indent lines. Use â€˜stylesâ€™ only. If unsure or using a program that has no styles, DO NOT indent at all. Thatâ€™s still cool.
== NO SPACE between paragraphs unless a line-break is required. ONE SPACE after full stops.
== Please put full contact details on the first page of the manuscript (yes, I said this twiceâ€¦ itâ€™s important).
== Send your submission to Geoff Brown at firstname.lastname@example.org as an attachment (.doc/.rtf only)
== In the subject line of your email, please put JudgementDay: [STORY TITLE] (Replace [STORY TITLE] with your actual story title. Yes, unfortunately I do need to state this)
NO MULTIPLE SUBMISSIONS
NO SIMULTANEOUS SUBMISSIONS
Please include a brief â€˜hello, this is who I amâ€™ in your email body as a cover letter.
Blank emails with attachments will be deleted.
For a guide to standard submission format, see: http://www.shunn.net/format/story.html
The only variations to this format are that italics MUST appear as they will be used â€“ no underlining â€“ and again, only one space after a full stop.
Anyone that fails to follow these guidelines will likely see their story shredded by zombie mutant creatures.
30 April 2017 — Unidentified Funny Objects 6 — ed. Alex Shvartsman
Unidentified Funny Objects is an annual anthology of humorous SF/F. Past headliners include George R. R. Martin, Neil Gaiman, Esther Friesner, David Gerrold, Laura Resnick, Mike Resnick, Piers Anthony, Kevin J. Anderson, etc.
For UFO6 weâ€™re seeking all style and sub-genres of speculative humor.
LENGTH: 500-5000 words.
PAYMENT: $0.10 per word + contributor copy. Payment will be made upon acceptance. Our preferred method of payment is via PayPal, but you may request a check.
FORMAT: RTF or DOC. Standard Manuscript Format or something close to. (We wonâ€™t take points off if you prefer Courier over Times New Roman or some such).
SEND TO: Upload your stories via this submissions link.
Limit of 1 submission per author â€” even if you receive a response before the submission window closes please do not send another story unless directly invited to do so.
Please do not respond to rejections. The email address associated with submissions is not monitored. If you wish to query for any reason, please use the contact form or e-mail us: ufopublishing at gmail dot com.
RIGHTS SOUGHT: First Worldwide print and electronic English Language rights. Exclusivity for 90 days from date of release. Non-exclusive print, e-book, and audio rights afterward. Preview sample contract.
POLICIES & RESPONSE TIME: No reprints, multiple or simultaneous submissions please. Do not send any stories we already considered for a previous UFO volume or any other anthology edited by Alex Shvartsman. You may query after 30 days. Please send only one submission per author unless directly invited to send more.
WHAT WE WANT:
Weâ€™re looking for speculative stories with a strong humor element. Think Resnick and Sheckley, Fredric Brown and Douglas Adams. We welcome quality flash fiction and non-traditional narratives. Take chances, try something new, just make sure that your story is funny.
Puns and stories that are little more than vehicles for delivering a punch line at the end arenâ€™t likely to win us over. The best way to learn what we like in general is to read a previous volume.
WHAT WE DONâ€™T WANT:
These are the tropes we see entirely too much of in the slush pile. You will improve your odds if you steer clear of these:
* Deals with the Devil / Djinn in a bottle variants
* Stereotypical aliens probing people, abducting cattle, and doing other stereotypical alien things.
1 May 2017 — Blood in the Rain 4 — ed. Cecilia DuValle and Mary Trepanier
For the vampire erotica anthology Blood in the Rain 3, available October 2017, we seek short stories of 2000â€“7000 words with both a vampire and an erotic elementâ€”anything from a sexy tease to hardcore porn (we lean toward porn!) We encourage stories nonstereotypically including people of color, people who are LGBTQIA, and people over 18.
Most of all, we want compelling characters having hot sex, with a story that draws us in. And a vampire. Make us horny!
We pay within 30 days of publication: $75 plus two contributorâ€™s copies.
== Send your story as a .doc, or .docx file to email@example.com, with SUBMISSION and the story title in your subject line (for example, SUBMISSION: My Sexy Vampire Story).
== Use traditional manuscript format for your story. If you donâ€™t know what that is, see this handy guide. And for the love of the gods, proofread before sending.
== Give us a short cover note, ideally with an author bio.
== Let us know if your storyâ€™s a reprint. We might take the perfect reprint, but original work is preferred.
== Send as many submissions as you want, but weâ€™re not likely to pick more than one story from any writer.
== Weâ€™re buying first North American serial rights, first North American audio publishing rights, first world online rights, and archival rights (that is, to potentially archive your story on our website).
14 May 2017 — Sword and Sorceress 32 — ed. Elisabeth Waters
[NOTE: Do Not Submit before 24 April]
Stories should be the type generally referred to as “sword and sorcery” and must have a strong female protagonist whom the reader will care about. See past volumes of Sword and Sorceress for examples. We do not want stories with explicit sex, gratuitous violence, or profanity. We are NOT a market for poetry. We are willing to consider stories set in modern times (urban fantasy), but we don’t buy more than one or two of those for the anthology. We always want something short and funny for the last story.
No reprints. No simultaneous submissions.
With regard to multiple submissions, do not submit more than one story at a time. If we’ve rejected your first one, you may send one more, as long as it’s before the deadline. We have occasionally bought someone’s second submission. We have never bought a third, fourth, fifth, sixth, seventh, or eighth submission. If you send us two stories, and we don’t hold either of them, wait until next year to try again. Please do not re-submit stories we have already rejected (including stories rejected in previous years).
If you have not previously sold to Sword & Sorceress, please read What is a Short Story? and Why Did my Story Get Rejected? before submitting to us.
Reading period: Monday, April 24 to Sunday, May 14, 2017. Stories received before or after this period will be deleted unread.
Response time is expected to follow MZB’s traditional standards: you should hear within a week if we’re holding your story for the final line-up or rejecting it.
Length: up to 9,000 words, with preference given to shorter stories. The longer a story is, the better it has to be. Long stories should be submitted early in the reading period.
Cover Letter/e-mail: We don’t actually need a cover letter, but our e-mail program does. This year it started putting any e-mail with no body in the spam folder. So…
Please do not explain or describe your story in the e-mail. If your story can’t stand on its own, fix the story. The e-mail should be brief. For example:
Dear Miss Waters,
Attached is my story “The Dark Intruder” for consideration for Sword and Sorceress 32.
A bio and/or list of previous sales is optional at this point. If you put one in, it should be no longer than one short paragraph (up to 5 lines long).
(Ms.) Marion Bradley
If your name could be either male or female, please indicate the gender, so we can address you properly when we reply.
Formatting and Submission:
Format with one-inch margins on all four sides of page.
Please do not use a header or footer.
Your legal name, full mailing address, and email address must be in the upper left corner, single spaced.
Skip two lines, center the text, then put the title, with your name (or byline) on the next line. We’re not as rigid as MZB was about pen names, but we expect them to be reasonable, rather than cute.
The rest of the manuscript should be single-spaced, with the first line of each paragraph indented 1/2 inch.
If you need to indicate a break, put “#” on a line by itself, centered.
Do not underline; use italics instead. Do not use bold face. We prefer Courier New font, size 12.
Word count will be determined by our word processor; that way it will be the same for everyone.
Save your document as an .rtf file (rich text format or interchange format, depending on what your computer calls it). E-mail as it as an attachment to mzbworks at gmail dot com. The subject line should be “SS32, your last name, story title” (e.g.: SS32, Bradley, Dark Intruder) — we don’t want submissions caught in the spam filter. Remember that a computer is sorting this, so follow the format exactly. Use commas, not slashes, hyphens, etc. Do not change SS32 to something similiar (e.g.: S&S 32). We do our best to find stories that have not been sorted properly, but we don’t guarantee success.
Rights purchased: first rights, non-exclusive eBook and audio book rights.
Payment: 6 cents per word as an advance against a pro rata share of royalties and foreign or other sales.
30 May 2017 [or until filled; see note at bottom] — Dark Luminous Wings — Pole to Pole Publishing
Pole to Pole Publishing is seeking short, original fiction for its upcoming anthology, Dark Luminous Wings, to be published October 2017. The volume draws inspiration from Richard Henry Stoddardâ€™s poem, Mors et Vita, particularly stanza two:
Under the awful wings
Which brood over land and sea,
And whose shadows nor lift nor fleeâ€”
This is the order of things,
And hath been from of old:
And last destruction;
So the pendulum swings,
While cradles are rocked and bells are tolled.
Send us your stories about angels and demons, dragons and fairies, airplanes and ornathoptersâ€”and more. Let your imaginations soar, but let your stories be found in the darkest of places.
Stories should be 3,000-5,000 words (firm). Wingsâ€”of some sortâ€”must be central to the theme of the story.
Profane and vulgar language. Because we market to both adult and YA readers, if you use an F-Bomb, and we accept your story, weâ€™ll probably ask you to change it.
First person and Present Tense. Weâ€™ve published both: when the stories were very, very good. We want to let you know up front that weâ€™re going to reject this most of the time. Itâ€™s just not our preference.
Excessive Gore and/or violence. Blood and guts are fineâ€”as long as theyâ€™re part of the story and not the story itself.
Sex. See above about marketing to a wider audience.
Edition and Rights:
Dark Luminous Wings will be published in electronic and trade paperback in English. We are asking for exclusive, worldwide rights to your work for both electronic and print for six months only, and a non-exclusive right to keep your story in the anthology after that.
Payment: Payment is 2Â¢ per word, paid at publication, via PayPal only.
If you do not have a PayPal account, please do not submit your work.
Authors will also receive one copy of both the electronic and paperback versions of the anthology. (Authors can buy additional books at a discount.)
Bonus Royalties Multiplier:
If the anthology earns out, that is, recoups all up-front costs to produce within the first year, authors will also receive a royalty-share payment based on word-length of their story, at one-year from the date of publication.
What We Donâ€™t Want:
No rape, torture, etc. of children. No animal abuse. No stories with characters from a copyrighted world that belongs to someone else.
Submit stories through the Submittable.
All stories should be in standard manuscript form and in rich text format (.rtf) only.
No tabs. Please format the document with a first line indent.
Curly quotes, pleaseâ€”no straight quotes.
Only one story from each author will be considered.
If youâ€™re not sure if your story is suitable, donâ€™t query; just go ahead and submit, and let our editors decide.
Deadline: May 30, 2017, or until filled. Be aware that our 2016 anthology filled before the deadline, so donâ€™t wait until the last minute to submit.
31 May 2017 — Chiral Mad 4 — ed. Lucy A. Snyder and Michael Bailey
While previous volumes of Chiral Mad focused more on psychological horror, with most stories having some sort of chiral aspect in plot or character development or structure, Chiral Mad 4 will be open to just about anything, as long as the story has some sort of dark or speculative element. The only required chirality is with the collaboration itself â€¦ multiple minds working as one, in other words, to create something entirely new. We want this anthology to be as diverse as humanly possible, and will be looking for stories that bend and blend genres, stories that experiment with structure, and most importantly, stories that are not dependent upon common tropes.
Unlike past Written Backwards projects, this fourth volume in the critically-acclaimed series of anthologies will be a completely collaborative effort of originality, collecting 4 short stories, 4 novelettes, 4 novellas, and 4 graphic adaptations (to celebrate this 4th book), all co-authored and/or co-created. And the anthology itself will also be co-edited!
The goal of Chiral Mad 4 is to help bring our creative community together, to make us stronger, to strengthen relationships already in place, and to help create new relationships entirely. Itâ€™s time for all of us to play nice, to get along, and to do what we do best: create somethings out of nothingsâ€¦ and weâ€™re going to create these beautiful somethings together. Have a specific writer/artist youâ€™ve always admired? Well, nowâ€™s your chance. Reach out. Ask! Thatâ€™s all it takes to get started. Find a partner, or two, or three, and start collaborating! The more unique the collaboration, the better the chances you have of making it into Chiral Mad 4. The more diverse the collaborations, the better the chances you have of making it into Chiral Mad 4. Now, hereâ€™s the hard part: knowing whether or not someone is already collaboratingâ€¦ Email CM4@nettirw.com if you have any questions or concerns about this, or to simply email your submission.
While half the anthology will be filled with commissioned works (the book is nearly half-filled already, with a few of the early acceptances announced below), the rest of the anthology is open for submissions for a short period of time. The submission window for non-commissioned contributors closes May 31st, 2017. So get to it! This is a very short window of opportunity.
Acceptances for non-commissioned work will not be announced until after June 30th, 2017, so we ask that we hold onto your work exclusively until then, as each submission will be carefully considered and agreed upon by both editors of this anthology. No simultaneous submissions, please.
What are we looking for?
== 4 short stories (5,000 words max)
== 4 novelettes (10,000 words max)
== 4 novellas (20,000 words max)
== 4 graphic adaptations (1,500 words max, or 10 pages)
Payment will be $.06 per word, capped at the max word counts listed above, split evenly between contributors. Two contributors writing a 5,000-word short story, for example, would split $300, or $150 each. Contributors writing a 10,000-word novelette would evenly split $600. Contributors writing a 20,000-word novella would evenly split $1,200. Graphic adaptations will be determined by the publisher/creators prior to acceptance; these are unique collaborations and payments for such are not as simple to calculate. In fact, 3 of the 4 slots for graphic adaptations are already filled, so please query CM4@nettirw.com before submitting. And, as always, contributor copies of each edition are part of the deal. Written Backwards has worked with many illustrators and artists in the past, so if you have a script but not an illustrator/artist lined-up, please let us know and we can arrange one for your story if we fall in love with your script.
So, hopefully all of this gets you excited, gets you eager to reach out to others in our creative community. Chiral Mad 4 is the most ambitious project ever imagined by Written Backwards. Please, be a part of it. Send your work to CM4@nettirw.com.
1 June 2017 — Corporate Cthulhu — Pickman’s Press
Of all bureaucracies, corporations are the most powerful, seeming to have a life and will of their own. They’re privately held with a multi-national reach, seemingly bottomless resources, and armies of lawyers jealously guarding their trade secrets. Anything and everything is justified by the bottom line. Who needs a Cthulhu Cult when you’ve got Cthulhu, Inc.?
Into this insidious world are thrust our heroesâ€”the curious, the puzzled, and the frustrated. Defying authority, seeking answers they’d be better off not knowing, the secrets they discover threaten their sanity and their lives. Will they become the next whistleblower media hero? Or disappear, leaving nothing behind but an empty desk and whispered rumors in the break room? Remember: it’s nothing personalâ€”just business.
Corporate Cthulhu is a Lovecraftian horror anthology about the intersection of the Cthulhu Mythos and corporations or other large bureaucracies.
This is an OPEN call for submissionsâ€”anyone and everyone is free to submit a short story to the slush pile. Feel free to share this with other writers you think might be interested.
What We’re Looking For
== Short stories up to 7000 words.
== Original, previously unpublished fiction.
== We’re particularly interested in submissions from writers traditionally underrepresented in sci-fi, fantasy, and horror fiction. This includes racial, ethnic, and religious minorities, women, LGBTQ+ individuals, and people living with disabilities.
== Stories must include at least a passing connection to the Cthulhu Mythos and/or Lovecraft’s other work. The stronger the connection, the more likely the story is to be accepted.
== Stories that make skillful use of Lovecraftian horror themes: insanity, helplessness and hopelessness, inherited guilt, old isolated locations, books of forbidden knowledge, ancient extraterrestrial influences on humanity, the risks of runaway science, civilization vs. barbarism, humanity’s insignificance on the cosmic scale of space and time, unanswered questions about what lurks behind the curtain of reality, etc.
== Although we’re expecting a lot of stories where management is a cult in disguise (and that’s fine!), we encourage writers to think outside the box. Other elements of the business cycle include labor (a union strikes over a bizarre demand) and customers (how far will a struggling company go to meet their biggest customer’s increasingly strange requests?).
== Although the primary focus is on corporate bureaucracies, ANY large private-sector bureaucracy is fair game. This could include (among others) charities, nonprofits, NGOs, private universities, for-profit hospitals, labor unions, large churches, fraternal organizations, youth groups, etc.
== Stories set in any time period during the modern industrial capitalist era (roughly 1800 on up). Query first for stories set in other time periods.
== Comedies, parodies, and/or satires are acceptable.
What We’re NOT Looking For
== Romances or erotica.
== Stories under 2000 words or over 7000 words.
== Stories taking place in governmental or other public-sector bureaucracies. As much fun as it may be to have Cthulhu running the IRS, save those ideas for a later Political Cthulhu anthology.
If selected, authors will receive $0.03 cents per word for original, previously unpublished fiction. Original fiction strongly preferred; query first for reprints. In the unlikely event that we do accept a reprint, payment will be $0.01 cent per word. Publication is dependent on a successful Kickstarter campaign to fund the project. There will be no kill fees.
Exclusive global English first print and digital rights for one year, and nonexclusive print and digital rights for term of copyright. All other rights are reserved to the author.
Stories should follow the format laid out in the submission guidelines; if not, it may be automatically rejected. Submissions should be emailed to firstname.lastname@example.org with the story included as an attachment in .doc, .docx, or .rtf format, and must be received no later than midnight, Central Standard Time, June 1st, 2017. The email subject should read [Submissions: Story Title by Author Name]. If accepted, minor edits and revisions may be requested. The Kickstarter campaign will begin after the stories have been selected.