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Markets with specific deadlines are listed first, “Until Filled” markets (if any) are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple guidelines on one page, so after you click through you might have to scroll a bit.
31 January 2017 — A Breath from the Sky — Martian Migraine Press
The full title of this book will be A Breath from the Sky: Unusual Stories of Possession. As long-time readers and authors involved with MMP know, our annual anthology project takes a seed story or concept from the history of Weird Fiction and allows that seed to grow in strange and interesting new ways. We encourage our authors to unshackle themselves from the standard tropes that can weigh down the imagination and move into truly authentic dimensions of fear, awe, and cosmic wonder. We want to see the Weird move with confidence into the 21st Century, and want our authors to share that commitment.
For A Breath from the Sky: Unusual Stories of Possession, the seed story will be H P Lovecraftâ€™s classic “The Colour Out of Space.” This is easily one of his best works, and will be included in the anthology. “Colour” presents many interesting entry points into our theme of unusual possession: the titular entity â€” an unknown, sentient being from beyond the stars that manifests as an unearthly, unplaceable hue â€” is released from a fallen meteorite and proceeds to infect and alter everything around it. The earth, plants, animals, and humans within its sphere of malign influence change and suffer. The Colour pollutes the ground water like a common toxic spill, yet also spreads like radiation. It appears to be a brute force of nature, affecting its surroundings on the molecular and genetic levels, but can also attack specific individuals with something approaching intelligence, inhabiting their minds and reducing them to shambling wrecks both physically and mentally.
A Breath from the Sky: Unusual Stories of Possession will offer the reader just that: tales that subvert and challenge the common ideas of what it means to be “taken over” by something that is not yourself. We do not want to see the standard Judeo-Christian “demon possession/exorcism” narrative. We want to see stories that ask “what does it mean to be conscious and aware?” Stories that speculate on the very nature of intelligence, life, and control: of our minds, our bodies, our means of perceiving and arranging the world. We want stories that explore the horror of possession, true, but also stories that focus on the ecstasy of it, the benefits (if any), and the costs and rewards of merging with something outside of oneself, whether by force or by choice.
And when we say something, we want to see a broad range of what that thing could be. Is it possible to become possessed by a song? a language? a meme? Are the possessing entities singular, or multiple? More than multiple? An entire species in one person? What would it feel like to be possessed by a machine or a man-made Artificial Intelligence â€” and has that already happened? Possession on the molecular level, possession by designer drugs, possession by thoughtforms other than demons, possession by other people. Possession by ourselves? Are you even sure that â€œyouâ€ are you? With Lovecraftâ€™s “Colour” as the seed, we of course expect to see Lovecraftian and Cthulhu Mythos stories, but please, move beyond the easy targets (tentacles bursting out all over) and give us stories that are truly Other in scope: we want to see effects that defy the body, logic, and the laws of physics! For inspiration beyond Lovecraft, we suggest reading Murakami, Borges, William S. Burroughs, and the like. Surprise and delight us, make us question our sanity and loosen our hold on concensus reality.
Final story count for the anthology will be determined based on quality and number of submissions. A Breath from the Sky: Unusual Tales of Possession will be released as a softcover paperback and as an electronic book in multiple formats.
Submission period closes JANUARY 31, 2017. The anthology will be released in early August of 2017, with a possible launch party at NecronomiCon Providence later that month.
Please use Standard Manuscript format when submitting. Thatâ€™s double spaced, left justified, Times New Roman or Courier or something at least readable, a header on the first page (at least) with your author info and word count andâ€¦ well, you know the drill. RTF or DOC files preferred, but DOCx and text files also accepted. Obviously, you could send us something thatâ€™s not in Standard Manuscript format, but it will lower your chances of it being looked at seriously.
We will look at both original work and REPRINTS.
To submit a story to A Breath from the Sky: Unusual Stories of Possession send an e-mail (with the story file attached, not in the body of the email) to: firstname.lastname@example.org, with subject line: BREATH, title of your story, and your name.
Length and Genre
For short fiction, weâ€™d like to see anything from 1,500 to 7,000 words.
FLASH FICTION: got something under 1500 words? Send it in. However, the following still appliesâ€¦
All accepted submissions will be paid .03CAD per word, via Paypal, as well as two contributor copies (paperback) of the anthology, and copies in all electronic formats (mobi, EPUB, and PDF). Authors are also entitled to electronic copies of three additional Martian Migraine Press titles of their choosing.
Replies and Queries
We will try to acknowledge receipt of your submission within a week of its arrival in our inbox. The submission period itself will close on January 31, 2017 and we should be responding to all submissions, yes or no, throughout the submission period and no later than February 2017. We do our best to ensure that all submissions are contacted and kept up-to-date, but sometimes items fall through cracks, so, if you havenâ€™t heard from us by March 15 2017, please query.
31 January 2017 — 2018 Young Explorer’s Adventure Guide — ed. Corie and Sean Weaver; Dreaming Robot Press
Weâ€™re looking for stories that:
== Have a main character that a middle grade reader (ages 8-12) can identify with;
== Show a diverse set of real characters;
== Are well written, fun to read and encourage a love of reading science fiction;
== Tell of adventure, space, science. Give us rockets, robots and alien encounters, and weâ€™re pretty happy. Steampunk, time travel, weird west and alternate history are all fine.
== To be super clear â€“ weâ€™re looking science fiction, in all itâ€™s variants. While we love fantasy as well, please donâ€™t submit fantasy stories for this anthology.
== Are between 3,000 and 6,000 words.
Weâ€™re especially looking for stories:
== Of adventure! We love a good dystopia as much as the next robot, but remember â€“ this is the young explorerâ€™s adventure guide.
== Where the main character is of a population that has traditionally been under-represented in science fiction, e.g. girls, people of color, differently abled people;
== Where the main character has agency, exercises it, and isnâ€™t just along for the ride.
We are strong supporters of both the #weneeddiversebooks and #ownvoices movements.
Weâ€™re not interested in:
== Stories where the female characters primarily exist to be rescued or as a prize for the males;
== Stories where the primary plot or subplot is romantic in nature;
== Stories with graphic violence or any form of sexual activity;
== Stories with any violence towards animals;
== Stories about the first girl to do X, surprising everyone;
== Stories that depict any ethnicity or gender as universally bad or stupid.
Please note: although weâ€™re aware kids have a wide and varied vocabulary, weâ€™d prefer not to have swearing in the stories. If your story has swearing, please rephrase before submitting.
Submission deadline, mechanics and planned schedule
== Anthology will be open for submissions from September 1, 2016 â€“ January 31, 2017, with a reading period of February and March 2017.
== While we prefer original stories, if you have something perfect that had a limited run elsewhere, query us and weâ€™ll talk;
== Acceptance notices will be sent by May 31, 2017;
== In August we will launch a crowd-funding campaign to help with pre-publication costs. Regardless of results of crowd-funding campaign, we are committed to publishing the anthology. Weâ€™ve successfully funded the previous two anthologies this way, chances are favorable.
Rights and Payments
== Authors will be provided with a complete Anthology Contract for review and consideration with the notice of accepted submissions.
== In keeping with SWFAâ€™s guidelines, we pay $0.06/word on final edited word count for one-year exclusive worldwide English rights and nonexclusive right to republish, print, or reprint the complete anthology in any language or format after the first year, print and electronic, and two contributor copies. Payment upon final edit.
== If the crowd-funding fails, please note that we are still committed to this anthology, and will find other ways to fund the project. However, there may be delays. If authors feel the need to withdraw their submission due to delays, we understand.
== We will provide professional editing, primarily for issues of grammar and spelling.
== If authors have other questions about rights or payments, please contact us before submission. We want to make sure all concerns are addressed.
31 January 2017 — C.H.U.D Tribute Anthology — ed. Eric S. Brown; Crystal Lake Publishing
Submissions open December 1st and close January 31st.
Story length: between 3,000 and 10,000 words.
Pay is 3 cents (US) a word paid within a week of publication via PayPal.
Only one submission per author, even after a rejection has been sent out.
I want the language toned down. No taking the Lordâ€™s name in vain. One of the reasons being that we’re challenging authors to create unique characters. Remember Annie Wilkes?
If you have sex in your stories, keep it off-screen or mild. Gore and violence? Well, go wild, but remember the strengths of C.H.U.D. as a film are its character development and suspense.
Stories may be set before the movie, leading up to it, but they cannot do anything that would change or alter the events of the movie. Stories may even be set after the movie. Think C.H.U.D. running loose in the streets.
Any questions, please run them by me (email@example.com).
I want this book to really honor the film and pay respect to it.
You can submit your stories to (firstname.lastname@example.org). Be sure to place the word SUBMISSION in the subject line of the email. Manuscripts should be attached to the email, and be formatted in standard manuscript format. Any stories NOT adhering to the standard manuscript format will be rejected. Here is a great link to standard manuscript format: http://www.shunn.net/format/story.html. We will accept only two file formats: .DOCâ€”Microsoft Wordâ€”and .RTF. You should also include a short bio.
31 January 2017 — Ride the Star Wind — Broken Eye Books
Our next release is Ride the Star Wind: Cthulhu, Space Opera, and the Cosmic Weird, presenting tales that combine space opera with cosmic weird horror, either set within the Cthulhu Mythos or inspired by it. It is now open to submissions.
Send us into space, away from earth, and bring the weird! Give us adventure and wonder, spaceships and monsters, tentacles and insanity, determined struggle and starborne terror. Whether sprawling in scope or tightly focused and personal, make sure to give us a taste of the greater universe of your story, such as the culture and politics. Make us long to know more of your universe.
We want diverse stories with modern sensibilities from many different voices that show the immense and diverging possibilities ahead for weird horror. We want to forge ahead and explore the new and the strange. We are actively seeking submissions from writers from underrepresented populations. (This includes, but is not limited to, writers of any race, gender, sexual orientation, religion, nationality, class, and physical or mental ability.)
== We want stories that mesh space opera with cosmic weird horror.
== For the elements of space opera, modern touchstones include James SA Corey (Expanse series), Ann Leckie (Imperial Radch series), Iain Banks (Culture series), Nnedi Okorafor (Binti), David Brin (Uplift trilogy), and Becky Chambers (Wayfarers series). For mixing elements of space opera and cosmic weird horror, the short story “Boojum” by Elizabeth Bear and Sarah Monette is a great touchstone. The technology level for submissions can fall anywhere in the soft- to hard-science range.
== Stories should also be set within or be inspired by the Cthulhu Mythos. We want to see the Mythos continue to grow and evolve, to expand as a shared literary world and not be tied to outdated and limiting sensibilities. We are not interested in stories with bigoted, unbalanced views on race and gender.
== Subversive or experimental stories are welcome.
== No pastiches of previous eras for either the space opera elements or the weird horror elements.
== Original, previously unpublished short stories (3,000-6,000 words) and flash fiction (1,000 words or less).
== Pay rate of 8 c/w for first rights to digital, audio, and print formats in English.
== Simultaneous submissions are welcome, but please, let us know as soon as possible if your submission has become unavailable before you hear back from us.
== Only one submission per author.
== We seek both rich characters and grandiose ideas. We seek diverse characters.
Submit your story in standard manuscript format as an attachment to submissions(at)brokeneyebooks(dot)com with a subject line of the following: [RTSW] “Your Story Title”.
Submission window open from October 31, 2016 to January 31, 2017. The published anthology will be a mix of stories both from invited authors and from slush pile submissions. Donâ€™t self-reject. If in doubt, submit.
1 February 2017 — Tales From The Lake: Volume 4 — ed. Ben Eads; Crystal Lake Publishing
What we are looking for:
== Non-themed short horror stories that arrests readers and leave them haunted for months to come. Stories must be original. Stories must be original. Only one submission per author, even after a rejection has been sent out. We are not accepting reprints.
Since horror is the only genre of fiction defined by an emotion, your story must have the following:
== Believable, three-dimensional characters just as real as your friends and neighbors. A real worldâ€”hitting all the sensesâ€”these characters inhabit.
== Originality is just as importantâ€”we donâ€™t want your version of someone elseâ€™s story from yesteryear.
== Although our arms are wide open, weâ€™re more interested in fiction that reflects the modern. Joe Hill, and Mercedes M. Yardley are prime examples of current dark fiction writers encapsulating the above in their work.
== Quality of the work must be top notch! The following authors have appeared in previous Tales from The Lake anthologies: Jack Ketchum, Ramsey Campbell, Rena Mason, Graham Masterton, Lisa Morton, Tim Lebbon, and Tim Waggoner. Thatâ€™s the high-water mark you must strive for.
== If you want to write a story about vampires, werewolves or ghosts, then your story needs to evolve that trope. You must have a unique premise. I cannot stress that enough.
== If you wish to submit an â€œextreme horrorâ€ or â€œsplatterpunkâ€ story, thatâ€™s fine with us. However, youâ€™ll have to make sure that your emotional foundations are solid, and your characters actually have an arch. We will not accept stories that just go for the gore and offer nothing more.
What we are not looking for:
== Stories that are not short horror stories.
== Novels or novellas.
== Stories bereft of characters that readers can believe in and root for. The only exception to this rule would be the â€œterror tale,â€ which is best kept as short as possible. Think a thousand words or less.
== Stories with flat worlds.
== Trunk stories.
== Stories about serial killers. Itâ€™s too clichÃ©, and our readers demand more than a trend that has been beaten to death.
== Speaking of trends, if you wish to write a â€œzombie story,â€ then it must be one of the most unique zombie stories ever written. This is possible, and we look forward to it.
== To avoid too many writers writing about lakes, please keep in mind this is a non-themed anthology.
== Any explicit abuse toward children or animals is expressly forbidden. So is any sexual abuse. This can be mentioned or remembered by your main character, but be subtle.
Submissions open November 1st, 2016, and end February 1st, 2017. Please email your submission to: Lake4subs@gmail.com. Be sure to place the word SUBMISSION in the subject line of the email. We will accept simultaneous submissions. We will NOT accept multiple submissions.
Manuscripts should be attached to the email, and be formatted in standard manuscript format. Any stories NOT adhering to the standard manuscript format will be rejected. Here is a great link to standard manuscript format: http://www.shunn.net/format/story.html We will accept only two file formats: .DOCâ€”Microsoft Wordâ€”and .RTF. You should also include a short bio.
Stories should be no longer than 7,000 words. However, we prefer stories that are at or around 4,000 words. Payment is $0.03 USD a word via PayPal.
14 February 2017 — 49th Parallels: Alternative Canadian Histories and Futures — ed. Hayden Trenholm; Bundoran Press
49th Parallels: Alternative Canadian Histories and Futures
We will open for submissions to a new science fiction short story anthology on December 15th, 2016 (Close â€“ February 14, 2017 at 11:59p.m EST)
Please do not submit prior to the opening date â€“ stories will be deleted without reading.
In honour of Canadaâ€™s 150th birthday, Bundoran Press Publishing House will publish an anthology of short science fiction, entitled 49th Parallels: Alternative Canadian Histories and Futures. Stories will be sought from across Canada and around the world exploring what might have been â€“ or what might yet be. The anthology will be edited by two-time Aurora winning editor, Hayden Trenholm. Publication is planned for October 2017.
As always, 49th Parallels only seeks science fiction (no supernatural creatures or events of any kind) but for this anthology, it might include steam or diesel punk. Stories must be set in Canada or involve Canada and Canadians as the principal subject operating in the larger world (or beyond). Stories may be historical (back to 1867) or futuristic, but whatever creates the alternative past or possible future must take place prior to 2017. The causal factor may be scientific, technological or as a result of major political or social change. We look forward to seeing how both Canadian and non-Canadian writers explore this question.
We are seeking original English language stories (first world rights – print and digital) between 1500 and 7000 words. Reprints will ONLY be considered for English translations of stories originally published in FRENCH. A limited number of short poems (less than 100 lines) may be accepted.We are particularly interested in indigenous and multi-cultural voices. Payment rates will be five cents (Canadian) per word for original short stories and poems (minimum $10 per poem). Reprints will be paid a flat rate of $100. Payment on publication.
Please submit in .rtf, .doc or .docx format. In the title line of e-mail put: SUBMISSION 49th:”Title of your story.” Include a brief cover letter in the body of your e-mail giving us the title and word length of your story and any writing credits you wish to share with us. Do not summarize your story.
Email your attached document to: email@example.com.
28 February 2017 — Triangulation: Appetites — Parsec Ink
Triangulation is open for submissions This yearâ€™s theme: “Appetites.” We are Parsec Inkâ€™s Speculative fiction annual, now in our thirteenth year. Weâ€™re looking for outstanding speculative fiction from new and established writers. Take the theme and run with it. Tell us a story we wonâ€™t forget.
Word Count: We will consider fiction up to 6,000 words. (Our sweet spot is 3,000) There is no minimum word count.
Genre: We accept science fiction, fantasy, and horror, and intelligent blends of the three. Do not send stories without a speculative element.
Compensation: Pay is semi-pro, 2 cents a word. Authors will receive an e-book and print version of the anthology and wholesale pricing for additional print copies (typically 50% of cover price).
Rights: We purchase North American Serial Rights, and Electronic Rights for downloadable version(s). All subsidiary rights released upon publication.
Submissions: We are a meritocracy. New authors are as welcome as those with a laundry list of accomplishments. Itâ€™s the story that will win us over. Pull us in with the first line and keep us entertained until that last paragraph ends things perfectly.
Yes, “Appetites” is our theme but try to go beyond the dinner table. Give us your longing for wonder. Lust for power. Thirst for vengeance. What do your protagonists hunger for? What hungers for them? One more thing: We all know that Soylent Green is people (spoiler!). So if your story hinges on cannibalism it better be the best-damned cannibal story weâ€™ve ever read.
We do not accept reprints, multiple submissions, or simultaneous submissions. If we reject a story before the end of the reading period, feel free to send another.
We love creative interpretations of our themes, but we do require that stories fit the current theme.
We will run mature content if we like the story and find the mature content integral to it.
We will not accept fanfic, even if itâ€™s based in a fictional universe that has passed into public domain.
How To Submit: Electronic submissions make our lives easier. Please upload your story via Submittable. If this is your first time using Submittable, you will need to create an account with them. Donâ€™t worry Itâ€™s free.
Manuscript Format: Please useindustry standard manuscript format. Weâ€™re not testing you to see if you can adhere to every niggling requirement, but we do want a manuscript that is easy for us to read.
We accept manuscripts in the following formats:
== .doc or .docx (MS Word)
== .rtf (Rich Text Format â€” generic document format that most word processors can create)
Editorial Process: We will aim to read submissions as they are received. If a story doesnâ€™t work for us, weâ€™ll reject it. If we think the story has great potential but isnâ€™t quite there yet, we request a rewrite. The ones we love the most weâ€™ll hold onto for further consideration (youâ€™ll get an email). These stories will fight it out amongst themselves until we have our final lineup. At which time the final acceptances will be sent out. Sort of like Enter the Dragon, but for short stories. After a story is accepted, the only changes that we will make will typically be very minor and or cosmetic.
Response: Final decisions will be made by March 31st.
Eligibility: All writers, including those who are known or even related to the editorial staff, are permitted to submit to the Triangulation anthology. That doesnâ€™t mean theyâ€™ll automatically get published, but we will consider their work.
31 March 2017 — This Side of the Divide — Baobab Press
Baobab Press and the University of Nevada, Reno MFA Program in Creative Writing are partnering to publish This Side of the Divide, an anthology of short fiction by emerging and established authors exploring the United States West.
This exciting project will speak to the Westâ€™s newness, vastness, sense of territoriality and transience, spanning from untouched wilderness to hyper-urban settings. Weâ€™re seeking fresh, original views of the western U.S. Our aim is to capture this regionâ€™s unique essence in all of its cultural and geographic diversity.
All submissions will be reviewed, and accepted works will be edited by a committee of readers from Baobab Press and the UNR MFA Program in Creative Writing. Selected writers will receive a complimentary copy of the book and a payment of $100. Submitted stories should be around 3,000 to 5,000 words, and will need to be submitted for review no later than March 31st, 2017. Please send your story and a brief cover letter to firstname.lastname@example.org.
31 March 2017 — A Fool for You — Less Than Three Press
A Fool for You â€” LGBTQIA â€” Clowns. Pick pockets. Magicians. Jesters. Witches. Demons. Even gods. Tales of Tricksters abound in every culture, sometimes as fools, sometimes as sly schemers too smart for anyoneâ€™s good. They are often known as shape shifters and gender fluidâ€”and they are always up to something. Sometimes for good, sometimes for evil, sometimes simply to see what happensâ€¦
Less Than Three Press invites you to submit stories of tricksters and all the mischief they can manageâ€”and what happens when they meet their match.
== Put SUBMISSIONS: A FOOL FOR YOU in the subject line.
== Stories should be at least 10,000 words and should not exceed approx 20,000 words in length.
== Stories must revolve around the theme of tricksters.
== Stories must have a happily ever after (HEA) or happy for now (HFN) end.
== Any sub-genre is gladly accepted: sci-fi, mystery, contemporary, steampunk, etc.
== All usual LT3 submission guidelines apply.
A Fool For You is a general release anthology, which means authors will receive a flat payment of $200.00 once LT3 has a signed contract. Authors will receive one copy each of the ebook formats LT3 produces and two copies of the paperback compilation.
Stories should be complete before submitting, and as edited as possible â€” do not submit a first draft. They can be submitted in any format (doc, docx, rtf, odt, etc) preferably single spaced in an easy to read font (Times, Calibri, Arial) with no special formatting (no elaborate section separation, special fonts, etc). Additional formatting guidelines can be found here.
Questions should be directed to the Editor in Chief, Samantha M. Derr, at email@example.com (or you can ping her on twitter @rykaine). Submissions should be sent to firstname.lastname@example.org.
1 April 2017 — Would But Time Await — ed. S.J. Bagley; Orford Parish Books
[NOTE: The guidelines say “until April,” without giving an actual date. I’m listing this as 1 April, but be aware this is a guess on my part. Also, note that these folks want a query first and won’t read manuscripts unless they get a query ahead of time. So query first, and while you’re asking, find out when they actually want the story by.]
In 2017, Orford Parish Books will be releasing WOULD BUT TIME AWAIT: AN ANTHOLOGY OF NEW ENGLAND FOLK HORROR (edited by s.j. bagley, editor [and interrogator] of THINKING HORROR: A JOURNAL OF HORROR PHILOSOPHY.)
Please read and the guidelines before submitting a query and direct all queries to email@example.com with the subject header â€˜FOLK HORROR QUERY.â€™
(All stories sent without a prior query will be deleted, unread.) [Bolding mine.]
WHAT WE DEFINE AS FOLK HORROR AND WHAT WEâ€™RE LOOKING FOR.
For the purposes of this project, we are defining folk horror as horror literature in which the present (which can be a year/decade of the authorâ€™s choosing) collides with the history, folklore, traditions, and psychogeography of a region and where that collision has a significant impact on the present (as defined in the work.)
We are looking for work that uses the physical, historical, and social landscapes of New England as a focal point (rather than a story that could be set anywhere else but just happens to be set in New England.)
There is a long and rich history of horrific and strange folklore in New England but that doesnâ€™t mean a writer needs to restrict themselves to it and writers are perfectly welcome to invent their own folklore, traditions, and fictional New England locations.
We should also stress that, while Folk Horror has largely been a rural construct, we by no means consider a rural location to be necessary to any working definition of the term.
A few examples of what we consider Folk Horror in literature:
[Click through for an extensive list of examples.]
WHO CAN SUBMIT.
We are open to submissions from writers from every global region and every walk of life and, while each story needs to focus (in some manner) on the geographic region of New England (which consists of Connecticut, Rhode Island, Massachusetts, Maine, New Hampshire, and Vermont) we certainly donâ€™t require that every author needs to be from that region.
We expect and encourage diversity in regard to the voices involved in this project.
DEADLINES AND SCHEDULE.
Submissions will be open until April 2017, at which point we will no longer be accepting submissions or queries.
Publication date is summer 2017 (with a more firm date to come.)
We will be paying a flat rate of $75USD upon acceptance for first rights in print and digital.
Length: 2,000-10,000 words.
Each story MUST either be set in New England or contain elements of New England folklore and history.
Each story MUST be folk horror (which we fully and happily acknowledge as being a broad and diverse term but we are defining as stated above.)
No simultaneous submissions.
SOME THINGS TO KEEP IN MIND BEFORE SUBMITTING:
New England is an ethnically diverse region of the United States with a long (and often sordid) history so please keep the contemporary effects of that history in mind when submitting and avoid work that portrays the indigenous people and tribes of New England in a racist, bigoted, or stereotypical sense and please avoid stereotypes of the poor, and economically disenfranchised, all races, genders, sexes, sexualities, (dis)abilities, faiths, and anything that targets marginalized people.
In general, we are looking to avoid depictions of sexual violence (unless written with extreme care, an actual point beyond the simple violence of it, and, above all, empathy toward victims of sexual violence.)