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Markets with specific deadlines are listed first, “Until Filled” markets are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple antho guidelines on one page, so after you click through you might have to scroll a bit.
31 August 2013 — COFFEE: Caffeinated Tales of the Fantastic — ed. Alex Shvartsman; UFO Publishing
Each story must somehow involve coffee as a major plot element. Itâ€™s not enough if an unrelated story is set in a coffee shop. I will also consider a few tea stories as well. These stories must feature an element of the fantastic (fantasy, SF, light horror). No literary fiction please.
Send your submissions to: ufopublishing at gmail dot com
Please query if you didnâ€™t receive an initial response in 2 weeks.
Pay: $0.05 per word plus one contributor copy of trade paperback and ebook
Rights: First Rights with a 3-month period of exclusivity after publication. Non-exclusive English worldwide print and electronic publishing rights afterward.
Length: Up to 4000 words. Flash (500-1000 words) especially welcome.
Policies: Simultaneous and multiple submissions are both OK.
Pay: $0.01 per word plus one contributor copy of trade paperback and ebook
Rights: Non-exclusive English worldwide print and electronic publishing rights.
Length: Up to 4000 words. Flash (500-1000 words) especially welcome.
Policies: Simultaneous and multiple submissions are both OK. Please let me know in your cover letter where the story was originally printed and confirm that the rights have reverted to you.
1 September 2013 — Ether World — Diabolic Publications LLC
== All stories must be in doc., docx., or .rtf format.
== All stories must be up to 4000 words or less.
== Please use 12 point font, Times New Roman and double space your text.
== We are looking for original science fiction in which some facet of future science or technology is integral to the plot. The science needs to be physical, sociological or psychological. The technology can be any form such as electronic engineering, biogenetic engineering and so forth. All stories must be strong and realistic, with believable characters that may or may not be human.
== You will receive an email if your story has been accepted or rejected as soon as a decision has been made.
== NO SIMULTANEOUS SUBMISSIONS, NO MULTIPLE SUBMISSIONS, NO REPRINTS!
Submissions should be sent electronically as an attachment to: email@example.com
On the subject line of the email, include your name, the title of the work you are submitting, and the anthology you are submitting for , in this case the “Ether World”.
In the body of the email, include your contact information (Real Name or official pen name, not your online name), the word count of the work you are submitting, and a brief biography. Make certain to use an email address that you have access to all the time as correspondences from us come through email only!
We only accept electronic submissions at this time.
PAY: Made by Paypal only, if you don’t have a paypal account please get one.
We require a written and signed agreement which will be sent with an acceptance email.
Fiction: US$.03/word, payable upon electronic publication. Plus, one copy of the edition in which the work appears when edition is published as a paper copy.
Reprints: US$.01/word, payable upon print publication. Plus, one copy of the edition in which the work appears when edition is published as a paper copy.
RIGHTS: Exclusive First World English Rights for print, and First Electronic Rights for two years from date of publication. Rights are then no longer exclusive and revert back to the author after the two year period.
15 September 2013 — Upgraded — ed. Neil Clarke
An original science fiction anthology of cyborg stories edited by a cyborg.
Pay rate: Seven cents per word
Story Length: 1000-8000 words
Simultaneous Submissions: NO
Formatting: .doc or .rtf files in Standard Manuscript Format
Paper Submissions: NO
Electronic Submissions: clarkesworldmagazine.com/cyborg
Rights Purchased: First Print and Electronic Rights. Book will be published in print, ebook and (possibly) audio editions.
Deadline: Tentatively set for 9/15/2013. Will revise after first week of submissions.
Obvious Requirement: Cyborgs or cyborg-related issues must play a role in the story.
Feel free to explore this theme as widely as you like. Have fun with it and keep in mind that not all cyborgs need to be human.
== Zombie stories. Seriously. NO.
== Stories previously rejected by Clarkesworld. (Iâ€™ve seen it already.)
== Stories involving horrible things happening to children.
== Cyborgs that just escaped from Doctor Who, Star Trek, etc.
Authors already scheduled to appear in this anthology: Elizabeth Bear, Helena Bell, Tobias S. Buckell, Pat Cadigan, Greg Egan, Xia Jia, CaitlÃn R. Kiernan, Yoon Ha Lee, Ken Liu, Chen Qiufan, Robert Reed, E. Catherine Tobler, Genevieve Valentine, Peter Watts, E. Lily Yu.
30 September 2013 — Mars — Third Flatiron Anthologies
We like things Martian: the Red Planet, H.G. Wells, Bradbury, Robinson, Roman God of War, Marvin….
Third Flatiron Publishing is an e-publishing venture based in Boulder, Colorado. We are looking for submissions to our quarterly themed online anthologies. Our focus is on science fiction and fantasy and anthropological fiction. Weâ€™re looking for tightly plotted tales in out-of-the-ordinary scenarios.
Please send us short stories that revolve around age-old questions and have something illuminating to tell us as human beings. Fantastical situations and creatures, exciting dialog, irony, mild horror, and wry humor are all welcome. Stories should be between 1,500 and 3,000 words.
Role models for the type of fiction we want include Kurt Vonnegut, Arthur C. Clarke, Dan Simmons, Connie Willis, Vernor Vinge, and Ken Kesey. We want to showcase some of the best new shorts available today.
Click through to the “Submissions” tab for preferred formats, etc.
For each issue, we will also accept a few very short humor pieces on the order of the “Shouts and Murmurs” feature in The New Yorker Magazine (600 words or so). These can be written from a first-person perspective or can be mini-essays that tell people what they ought to do, how to do something better, or explain why something is like it is, humorously. An SF/Fantasy bent is preferred.
Your story must be original work, with the digital rights unencumbered. Beginning with the Summer 2013 issue, accepted stories will be paid at the flat rate of 3 cents per word (U.S.), in return for the digital rights to the story. All other rights will remain with the author. We no longer offer royalties, as we’re now into our second year.
30 September 2013 — Strange Bedfellows — Bundoran Press
Bundoran Press Publishing House is now accepting stories for Strange Bedfellows â€“ an original short story anthology of political science fiction ‘where ideology is a character.’ We are looking for well-written science fiction stories with strong plots and compelling, if not necessarily sympathetic, characters engaged in arguments with the world. We want political stories, immersed in science, that take on those arguments without polemic but with passion â€“ recognizing that causes have both effects and consequences. We donâ€™t care what your politics are; we just want you to tell a good story.
Similar to our novel guidelines, we are accepting any genre of science fiction, from space opera to near future to any of the ‘punk’ genres. Military SF is fine as long as the focus of the story is on internal conflicts not armed ones. No fantasy, even urban, and generally no horror unless it has a solid SF element. In all cases, political systems, political processes, or political solutions must be central to the story.
No reprints, unless specifically solicited by the editor. (Donâ€™t Query.)
We are considering stories in the 2000 to 7500 word range with a definite preference for 4-6000 words. Shorter and longer stores MAY be considered but no more than two stories shorter than 2000 words will make the book and no more than one over 7500 (hard maximum 12K).
Submissions open immediately and will close on September 30, 2013 at 11:59pm EST. Publication will be in April 2014 in trade paperback and digital editions.
Payment is 5.5 cents per word (Canadian funds) on publication, plus one contributor copy, for exclusive (12 month from date of publication) World English print and digital rights and non-exclusive rights thereafter. Exceptions made for Best of Year anthologies.
Submit story and separate cover letter in .rtf format only. Do not query. Response time is estimated at 4 weeks for rejection or request to hold. Final acceptances by November 15, 2013.
Email your attached rtf document to firstname.lastname@example.org
15 October 2013 — Kisses by Clockwork — ed. Liz Grzyb; Ticonderoga Publications
Ticonderoga Publications is opening the reading period for a new themed anthology. This anthology, with the working title Kisses by Clockwork, will combine the fun and irreverence of steampunk fiction with an element of romance. There might be stories of airships, gaslight romance, retro-futurism, post-apocalyptic steam-powered cities, analytical engines or neo-Victorian ladies and gentlemen.
The relationship/s in the stories should have an emphasis on romance rather than erotica, but well-placed steamy scenes necessary for the plot are of course, acceptable.
The anthology will be edited by Liz Grzyb (Scary Kisses, More Scary Kisses, Damnation & Dames, Dreaming of Djinn, The Yearâ€™s Best Australian Fantasy and Horror 2010 and 2011) and will be published by Ticonderoga Publications in 2014.
Send me your best romantic steampunk story.
== Story length 2,000 to 7,500 words. (Longer stories may be accepted, although payment is capped at 7,500).
== Original stories only: no reprints, multiple, or simultaneous submissions.
== Stories may be submitted via email at email@example.com in .doc or .rtf format.
== Manuscript format: double spaced, large margins, Times New Roman font, Australian English spelling.
== Submissions period open: 1 April-15 October 2013.
== Payment: 2 copies of anthology and Aus 2.5 cents/word (GST inc., maximum payment $187.50) on publication.
1 November 2013 — Of Devils and Deviants — ed. Adam Millard and Zoe-Ray Millard
Of Devils & Deviants will be a literary anthology, released as a hardcover book and a digital book, of around 90000 words with the theme of erotic horror. Your submission must contain elements of both to be considered. We want stories that will make us think, we want tales of the flesh, of the lengths people will go to for gratification. Think Cronenberg and Lars Von Trier; Clive Barker and HR Geiger. We want beautiful prose and originality. Most importantly, we want the darkest, creepiest story youâ€™ve ever conceived.
What We Donâ€™t Want:
We donâ€™t want slasher horror; a naked woman getting hacked to death will not be considered for this collection. We will reject any stories that contain rape, bestiality, and the abuse of minors. We will be looking for originality, so stories featuring well-worn tropes (vampires, zombies, werewolves) will almost certainly be rejected. We donâ€™t want gore for the sake of it, and we donâ€™t want something that could be used as a porn-film script.
== Submit your work in Standard Manuscript Format to firstname.lastname@example.org with Fiction Submission: Your Story Title in the subject line. Attach your story as a DOC, DOCX, or RTF file.
== Include a brief cover letter in the body of your email stating your name, story title with word count, byline, address, and any professional publication credits you think might interest us.
== We will accept works of 2000-7000 words. Please query if you intend to submit outside these guidelines. We may be able to help.
== No simultaneous submissions, please, and no multiple submissions (please wait to hear from us before sending another story for consideration).
Standard Manuscript Format refers to William Shunnâ€™s proper manuscript format, details of which can be found here: http://www.shunn.net/format/story.html The only variation on these guidelines is that italics MUST appear as they will be used; no underlining.
Reprints will be considered if they meet our requirements. Please let us know when submitting if your story has been previously published, including details of where it was published and when the rights reverted back to you.
We pay 1p (2Â¢) per word for all stories. Accepted authors will receive three hardcover copies of the anthology, and will also be able to purchase further copies at cost (not including shipping). Payment will be made within 30 days of publication.
We are seeking Worldwide English Language rights for 6 months in print and digital formats.
Submission Deadline and Publication Schedule:
We will remain open for submissions until November 1st 2013. Our tentative publication date has been set for February 1st 2014.
UNTIL FILLED — Membrane — Dreadful Cafe — First Listed May 2013
Unreal. Imaginative. Intense.
An escape from the safe.
These stories will propel the readerâ€”by wormhole or peepholeâ€”through the fantastic, the criminal, and the insane.
Sometimes strange, always original, the stories we publish are of the highest production standards, from thrilling premise all the way to professional editing.
We are now soliciting query letters for Membrane, our first anthology. All genres are eligible, but preference is given to stories that cross more than one and which reflect the flavor and theme described above.
Manuscripts must be between 2,000 and 30,000 words and not previously published by anyone but the author. Self-published works are accepted and encouraged!
Please refer to our Submission Guidelines.
Upon acceptance of your completed manuscript, Dreadful Cafe pays for non-exclusive, unlimited, 5-year publishing rights on the following schedule:
Short Stories (2,000-7,000 words) â€” $125
Novelettes (7,001-15,000 words) â€” $250
Novellas (15,001-30,000 words) â€” $500/Negotiable
It’s your work.
We are simply paying for the rights to publish, market, and sell your completed manuscript as part of this or any other Dreadful Cafe anthology. You are encouraged to continue marketing on your own.
However, you will be unable to enter into any exclusive arrangement with other parties once you have sold rights to us. Also, note that we may give your story away for free as part of our marketing efforts, and that we may use edited excerpts from your story for the same.
This applies to both electronic and print versions, both in the US and abroad.
We may, at our discretion, hire an editor (at our expense) to work with you on your manuscript. Payment follows final completion and acceptance of the edited manuscript.
Dreadful Cafe reserves the right to reject your manuscript at any time and for any reason, including elimination from future editions of the published anthology.
No royalties or warranties are given or implied.
Estimated Publication: Pre-holiday 2013
Query Submissions Open: April 1, 2013
Query Submissions Closed: TBD
The Dreadful Cafe is committed to socially responsible publishing. All after-cost proceeds from this anthology will go to support St. Jude’s Children’s Hospital, because life is too short not to have fun and too precious not to do good.
We encourage you to support the many local charities in your community.
UNTIL FILLED (November-ish 2013) — ChiralMad 2 — ed. Michael Bailey; Written Backwards — First Listed August 2013
Written Backwards is accepting submissions for Chiral Mad 2, an anthology of psychological horror. While the first two anthologies by Written Backwards were open to submissions following initial invites, Chiral Mad 2 is by viral invitation only.
What does that mean? Well, if you can read this, you are invited. Itâ€™s that simple.
Whatâ€™s acceptable? Fiction that disturbs the nonlinear fabric(s) of reality. Mindbenders in the range of 1,000 to 5,000 words that could not only be classified as horror, but as psychological horror with chirality as its backbone (please query for anything longer than 5K, but if your story pushes over 5K a bit, no worries). This anthology suits stories that push the limits of the human condition. The keyword being â€˜human.â€™ Strong character development is a must, and all stories must have some element of chirality, whether it is in character reflection, physical and/or mental symmetry, structure, or any other way you can manage.
Whatâ€™s the payment? For the first time ever, Written Backwards is paying pro rates. $0.05 US per word, up to 5,000 words, or $250 US max. If your story is a reprint and you were not personally invited to submit a reprint, please query first, but note that payment will be at $0.025 US per word.
Hereâ€™s what is needed. Send your work via e-mail as an attached .docx, .doc or .rtf. How you format the story is not an issue. You are a professional. Whatâ€™s really important is story. Send one to email@example.com with a brief introductory message if you feel one is necessary. If you have references, or referrals, use them. Nothing too wordy. Use â€œChiral Mad â€“ Submission Titleâ€ as your subject line and donâ€™t forget the attachment. Weâ€™ve all done itâ€¦
And in case you thought all of that was too much to read and scrolled to the end to get to the good stuff (or maybe you simply need a recap), here you go:
Deadline: November-ish, 2013, or until filled.
Release: Scheduled for a winter 2013 publication (or early spring 2014, depending on how this thing takes off). If thereâ€™s any indication from the first Chiral Mad, the book will fill up fast and publication will begin sooner than originally anticipated.
Format: Trade paperback.
Word count: 1,000 â€“ 5,000 words (longer work may be considered, but please query first).
Payment: $0.05 US per word, up to 5,000 words (upon acceptance) and one contributor copy (upon publication). All profit from this anthology will be donated to support Downs syndrome by Written Backwards. Copies will be available for cost as long as you donate profit received to a charity organization of your choice.
Reprints: $0.025 US per word, by invitation only, or if queried first and accepted.
Rights: one-time anthology rights for publication in the English language within the United States of America, with no publication elsewhere for 12 months, upon which time rights revert back to the author.
More information on chirality can be found here: Wikipedia article Chiral, or feel free to pick up a copy of Chiral Mad.
[NOTE: Click through for more info on the editor, the previous anthology, awards won, and charitable contributions being made.]