Anthology Markets

If you’ve just wandered in off the internet, hi and welcome. :) I do these posts every month, so if this post isn’t dated in the same month you’re in, click here to make sure you’re seeing the most recent one.

Markets with specific deadlines are listed first, “Until Filled” markets are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple antho guidelines on one page, so after you click through you might have to scroll a bit.

Non-erotica/romance writers: check out Mark of the Beast, Mirror Shards, Sword and Sorceress, Bloodstones, Classical Horror, the Professor Challenger Anthology, Dark Trails, Extreme Planets, or A Killer Among Demons.

Note that Mortis Operandi has been filled.

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1 May 2012 — Mark of the Beast — ed. Scott David Aniolowski, Chaosium, Inc.

Author and Editor Scott David Aniolowski is now accepting submissions for MARK OF THE BEAST; New Legends of the Werewolf, an anthology of werewolf tales to be published in late 2012 by Chaosium, Inc.

Werewolves have recently become very big in pop culture, thanks to the popularity of certain young adult novels and their movie adaptations. Unfortunately, our lycanthropic friends are now being portrayed as pouty, angsty, shirtless hunky teens, instead of savage, bestial figures from folklore and nightmares. It is my goal to assemble stories that put the horror back into the werewolf.

There are countless variations on the werewolf legend from around the world and throughout history. The more common causes for lycanthropy include being bitten by a wolf or werewolf, cursed by a Gypsy or witch, a family curse, donning an enchanted pelt, imbibing potions or poisons, selling your soul to the devil, falling from religious grace, etc. Some werewolves change from human to giant wolf – some to hybrid wolf-men. And the infliction strikes at various times, depending upon the legend: during a full moon, while under great emotional stress, when the pelt is worn or potion drank – or even at will – etc. Some werewolves are aware of their condition and remember everything when they change – others have no knowledge whatsoever, or experience memories as “nightmares”. Some are solitary – others live in packs. Silver kills some werewolves but not all. Clinical Lycanthropy is a real mental disorder wherein the sufferer believes he or she is a werewolf. And so on….

I want authors to explore different legends and aspects of the werewolf stories, and just about any genre is acceptable (Gothic horror, quiet horror, sci-fi, cyberpunk, splatter, psychological, Victorian London, the old west, folklore/urban legend, etc. — NO HUMOR — SERIOUS HORROR STORIES ONLY!) as long as the underlying theme is HORROR! Pop culture has turned the werewolf into dreamy poster boys and romance novel figures (don’t believe me? Browse Amazon.com and see for yourself how many werewolf romance novels there are!). I want to give the werewolf his balls back! I want to make him a figure of terror and nightmares again.

HERE’S THE IMPORTANT PART: Send submissions in MS Word doc. or rtf. files. Basic formatting: single spaced, aligned left, no tabs (double space between paragraphs ONLY), no page numbering, no headers or footers, etc. Considering short-shorts/flash fiction up to 8,000ish words. Poetry is okay, as well. Reprints will be considered only if they have previously appeared in very limited run publications (indicate previous publication along with date and approximate circulation). Payment is 3 cents a word for new works (possibly less for reprints), and 5 contributor copies of the published book. Publication will be in trade paperback format with an estimated release of late 2012. Deadline for submissions is May 1, 2012. DO NOT SEND ME RUN-OF-THE-MILL, STANDARD OR TYPICAL WEREWOLF STORIES. I WANT TO SEE SOMETHING NEW AND FRESH AND EXCITING!

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5 May 2012 — Mirror Shards, Vol. 2 — Black Moon Books

Augmented reality holds the promise of great social change in both the near and far-flung futures. It’s also a wonderful medium for storytelling as information and graphics overlain eye-screens challenges the doors of perception and creates mixed-reality worlds to work and play. Black Moon Books is seeking stories between 3000 and 9000 words (soft edges) that utilize augmented reality as a way to explore the human condition. The stories can be set in any place, time, or genre, as long as the story cannot exist bereft of augmented reality. Feel free to explore the edges of the technology.

The anthology will pay from $0.02/word to $0.05/word. Minimum payment per word will be $0.02 for all accepted slush stories, but one pro paying slot ($0.05/word) will be given for the best story (Gold Prize.) Rights I’ll ask for include exclusivity for 3 months, First Electronic & First English-Language Book Rights. One copy will be provided for each author in the anthology.

Stories should be emailed to mirrorshards2012 (at) blackmoonbooks (dot) com and should follow standard manuscript formatting (courier new, 12 point, double spaced, etc.) The file should be attached as an .doc or .rtf (not .docx). Multiple submissions are welcome, though your best bet is to pick your best story and send only that one.

A brief cover letter listing current publication credits would be helpful in the body of the email. If you have received an honorable mention or above in the Writers of the Future contest, please note that.

The submission period for the anthology will be from February 11, 2012 to May 5, 2012. All story selections will be complete by May 10, 2012. Payment will be on acceptance and will be either mailed as a check or sent through PayPal. Publication date will be in early August. Accepted authors will also be required to provide a brief bio for the anthology. Authors are also encouraged to put their stories up online once the rights have reverted and will be requested (optional) to put a note in their stories linking back to the anthology to help each other (ie – if you liked this story, please check out other authors writing AR stories in…)

I will try to notify quickly for rejections. I will also notify authors of those stories I’m holding as a “maybe”. The latest possible date for all notifications, acceptance or rejection, will be May 10, 2012.

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12 May 2012 — Sword and Sorceress 27 — ed. Elizabeth Waters

Stories should be the type generally referred to as “sword and sorcery” and must have a strong female protagonist whom the reader will care about. See Sword & Sorceress 22, Sword & Sorceress 23, Sword & Sorceress 24, and Sword & Sorceress 25, and Sword & Sorceress 26 (or S&S 1-20) for examples. We do not want stories with explicit sex, gratuitous violence, or profanity. We are NOT a market for poetry. We are willing to consider stories set in modern times (urban fantasy), but we won’t buy more than one or two of those for the anthology. We always want something short and funny for the last story.

No reprints. No simultaneous submissions.

With regard to multiple submissions, do not submit more than one story at a time. If we’ve rejected your first one, you may send one more as long as it’s before the deadline. We have occasionally bought someone’s second sumbmission. We have never bought a third, fourth, fifth, sixth, seventh, or eighth submission. If you send us two stories, and we don’t hold either of them, wait until next year to try again. Please do not re-submit stories we have already rejected (including stories rejected in previous years).

If you have not previously sold to Sword & Sorceress, please read What is a Short Story? and Why Did my Story Get Rejected? before submitting to us.

Please do not explain or describe your story in the e-mail (cover letter). If your story can’t stand on its own, fix the story.

Reading period: Saturday, April 14 to Friday, May 12, 2012. Stories received before or after this period will be deleted unread.

Response time is expected to follow MZB’s traditional standards: you should hear within a week if we’re holding your story for the final line-up or rejecting it.

Deadline: May 12, 2012.

Length: up to 9,000 words, with preference given to shorter stories. The longer a story is, the better it has to be. Long stories should be submitted early in the reading period.

Formatting and Submission:

Format with one-inch margins on all four sides of page.

Please do not use a header or footer.

Your name, full mailing address, and email address must be in the upper left corner, single spaced.

Skip two lines, center the text, then put the title, with your name (or byline) on the next line. We’re not going to be as rigid as MZB was about pen names, but we expect them to be reasonable, rather than cute.

The rest of the manuscript should be single-spaced, with the first line of each paragraph indented 1/2 inch.

If you need to indicate a break, put “#” on a line by itself, centered.

Do not underline; use italics instead. Do not use bold face. We prefer Courier New font, size 12.

Word count will be determined by our word processor; that way it will be the same for everyone.

Save your document as an .rtf file (rich text format or interchange format, depending on what your computer calls it). E-mail as it as an attachment to mzbworks at yahoo dot com. The subject line should be “SS27, your last name, story title” (e.g.: SS27, Bradley, Dark Intruder) — we don’t want submissions caught in the spam filter.

Rights purchased: first rights, non-exclusive eBook and audio book rights.

Payment: 5 cents per word as an advance against a pro rata share of royalties and foreign or other sales.

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15 May 2012 — Bloodstones — ed. Amanda Pillar, Ticonderoga Publications

This is the first in a series of anthologies from Ticonderoga Publications that will focus on non-traditional horror. I want stories that are horrific, but that also fit within other genres—let’s look beyond the borders. This year’s anthology will focus on non-traditional urban fantasy. This means that I don’t want stories that feature vampires, witches or werewolves; if you send one, it probably won’t make it through to the final cut.

Give me tales of Sirens, Harpies, Bunyips, goblins, djinns, Mesopotamian demons, deposed gods…characters that spill from mythology and into modern suburbia.

Any stories involving cultural borrowing from indigenous cultures should be respectful of the beliefs of the traditional owners.

Romantic elements are acceptable, as long as the story is dark and has horrific themes/elements.

The story must be set on contemporary Earth, but it can take place in a fictional city.

The anthology will be published by Ticonderoga Publications in late 2012.

Submission Guidelines:

Send me your best dark urban fantasy story.

== Story length 1,000 to 7,500 words. (Longer stories may be accepted, although payment is capped at 7,500).
== Original stories only: no reprints, multiple, or simultaneous submissions.
== Stories may be submitted via email at bloodstones@ticonderogapublications.com
== Manuscript format: double spaced, large margins, Times New Roman font, Australian English spelling.
== The editor reserve the right to use their discretion in selecting stories.
== Submission period: 1 February to 15 May, 2012
== Payment: 2 copies of anthology and Aus 2 cents/word (GST inc., maximum payment $150) on publication.

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30 May 2012 — Classical Horror — ed. DF Lewis, Megazanthus Press

DF Lewis is intending to publish a Horror anthology book with the above title in 2012. (Horror stories, Weird Literature or Ghost Fiction.)

Each story must feature in some way Classical Music, i.e. from Bach to Britten.

Stories between 2000 and 10,000 words.

One-off payment upon publication: 1p (£0.01) per word

Submissions (not simultaneous or multiple) as a Word attachment to dflewis48@hotmail.com. (Please expect a simple acknowledgement within a few days of your submission. Otherwise please send it again.)

Stories must be previously unpublished.

As with the HA of HA, DF Lewis will edit, publish, design, typeset and print (via Lulu) this book. It will be distributed under an ISBN system.

NOTES:

I may need to keep your story for the whole reading-period but may not be able eventually to accept it depending on the timing of other acceptable stories being submitted to me over the period.

Some of my favourite composers: Brahms, Mahler, Beethoven, Shostakovich, Sibelius, Schubert…. And particularly interested in Chamber Music. Having said that, whatever the particular Classical Music chosen to feature in the story will not weigh in the balance as much as HOW it features.

Please see the HA of HA, for the type of story I favour.

As a paying market for writers, MEGAZANTHUS PRESS / NEMONYMOUS (2001 – 2011) has previously published 184 original stories by various authors. ‘Classical Horror’ follows in this tradition.

…Wagner (Parsifal), Glass (Akhnaten), Mozart (Requiem), Faure, Franck, Debussy, Ravel, Szymanowski, Penderecki, Anton Webern, Alban Berg, Schmidt, Ades, Null Immortalis etc etc

PS: I am keen to get horror stories about characters interacting in some way with classical music. Not necessarily horror stories about the plots of operas or the lives of composers.

PPS: IF THERE IS SOME OBSCURE PIECE OF CLASSICAL MUSIC YOU WOULD LIKE TO REQUEST AS INSPIRATION FOR A STORY, I MAY BE ABLE TO SEND IT TO YOU AS AN ADDRESS TO AN ON-LINE FILE.

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31 May 2012 — Professor Challenger Anthology — ed. J.R. Campbell and Charles Prepolec, Edge Science Fiction and Fantasy Publishing

WHAT WE’RE AFTER:

A broad range of new and original stories built around Sir Arthur Conan Doyle’s LOST WORLD character Professor George Edward Challenger. Stories derived from the aftermath of events in the Lost World are welcome however simply revisiting or rehashing the Lost World without good cause is not. Challenger is a man of science first and foremost, not an explorer. Mash-ups or crossovers with public domain literary characters are welcome.

For inspiration think X-files, Quartermass, DR. Who, cryptozoology, aliens among us, supernatural occurrences, science gone awry in a Dr. Moreau, Invisible Man, Dr Jekyll vein, nature run amuck, monsters large and small, world threatening cataclysm, Lovecraft mythos, think H.G. Wells, Jules Verne, E.R. Burroghs, John Wyndham, Nigel Kneale, alternate history, new lost places, steampunk, whatever — Be creative.

Mine the potential for all it’s worth! Push it out there, get weird, play, have fun!

SUBMISSION DETAILS:

== The anthology is part invitation and part open submission. Priority will be given to invited authors but an invitation to submit is not a guarantee of acceptance. A minimum of two slots will be held for open submissions. Acceptance is based entirely on suitability of story and quality of writing.
== The maximum length for stories is 10,000 words, with shorter works preferred.
== Do not query before submitting.
== Email submissions to: Charles@bakerstreetdozen.com
== Emails MUST contain the word “submission” in the subject line, or they will be deleted automatically by the server. Please also include the story title in the subject line.
== Submissions MUST come in an attachment: Rich Text Format (.rtf) or Microsoft Word (.doc) are the only acceptable formats.
== Emails MUST contain a cover letter in the body of the email; for security reasons, email attachments with no cover letter will be deleted unread and unanswered.
== Cover letter: include your name, the title of your story, your full contact information (address, phone, email), and a brief bio. Do not describe or summarize the story.
== Reprints (stories having previously appeared in English in any format, print or electronic, including but not limited to any form of web publication) will NOT be considered.
== Submission format: no strange formatting, colour fonts, changing fonts, borders, backgrounds, etc. Leave italics in italics, NOT underlined. Put your full contact information on the first page (name, address, email address, phone). No headers, no footers, no page numbering. DO NOT leave a blank line between paragraphs. Indent paragraphs. ALWAYS put a # to indicate scene breaks (a blank line is NOT enough).
== ALWAYS include your full contact information (name/address/email/phone number) on the first page of the attached submission.
== This is a professional market paying up to 5 cents per word plus a single copy of the book. Full rate to 7,500 words, half rate for balance to 10,000 words.
== Rights: for original fiction, first World English publication, with a two-month exclusive from publication date; for all, non-exclusive anthology rights; all other rights remain with the author.
== Spelling: the editors will consider stories using British, Canadian and American spellings.
== Response time: initial responses (no / rewrite request / hold for further consideration) will be prompt, usually within fifteen days. Please query if you’ve not heard back within 30 days.
== We do not advise that you submit more than one story.
== Simultaneous submissions are not encouraged but are acceptable. Should you receive a “rewrite request” or “hold for further consideration” response, please indicate immediately whether your story is under consideration anywhere else.

Email submissions to: Charles@bakerstreetdozen.com

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1 June 2012 — Weird Science — Torquere Press

Who doesn’t love the idea of the mad scientist, working away in his lab, his sexy creature or lab assistant just waiting for him to notice them? Or what about the grad student who discovers just the potion that will make him the stud his oblivious roommate has always wanted…

That’s the idea behind the Weird Science anthology. We’re looking for sexy, romantic male/male stories about what happens when science gets wild and wonderful in the name of love. Make us laugh, make us fall in love, and make us happy at the end! We’re not looking for hard science fiction or horror for this anthology, but we do want fully realized stories with strong characters.

Stories should be between 5000 and 12000 words long, and should be submitted in full and include a synopsis and author biography in the cover letter. Please put your name or pseudonym in the manuscript as well as in your submission email.

Send submissions to submissions@torquerepress.com with Weird Science in the subject line. Payment is a $50.00 flat fee for first time electronic and print rights for three years, and a print copy of the book. No reprints, please. Deadline for submissions is June 1 2012 for an October 2012 publication.

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1 June 2012 — Dark Trails — ed. Michael Knost

Payment: Pro rate, plus percentage of shared royalties.

No reprints and no trunk stories

Story length: Up to 7,500 words.

No multiple or simultaneous subs

Deadline: Friday, June 1, 2012 (Do not inquire on story status until after September 1, 2012)

Mail submissions, queries, or questions to:

Michael Knost
Dark Trails Anthology
PO Box 12
Logan, WV 25601

NO EMAIL SUBMISSIONS ACCEPTED.

Stories should be set as a weird western or dark western. Regardless of your use of “weird” or “dark” in the story, the main focus must be with the fact that is it a western FIRST.

I AM NOT INTERESTED IN MODERN WESTERNS.

Format your manuscript according to: http://www.shunn.net/format/story.html

Be sure to include your name, address, and email on the manuscript. If this information is not on the manuscript, I will reject it without reading.

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30 June 2012 — Torn in Two — Storm Moon Press

Expected Release: November 9, 2012
Genres: Any
Pairings: Bisexual
HEA or HFN Ending Required? Yes

It is often said that bisexual men are ‘torn in two’ by the opposing expectations from society. They are often accused of being confused or riding the proverbial fence between gay and straight. To many others, their attraction to men makes them ‘not straight’, while their attraction to women makes them ‘not gay’. It is this conflict that sets them apart and often ostracizes them from both communities. At Storm Moon Press, we’re of the mind that bisexual men are often misrepresented in fiction, and in this anthology, we would love to see that change for the better.

Torn In Two is a collection of short stories highlighting bisexual men, including their relationships with both men and women. We recognize that different characters will have different levels of interest in their partners, but above all else, we want to see stories that celebrate that diversity. These submissions need to contain an HEA/HFN ending, as we want to portray bisexual men in a positive, hopeful, and respectful way.

Authors will receive royalties as well as an initial payment of $50 for their story. This payment is not an advance and does not have to be earned out before royalties are paid. Royalties on individual e-book releases will be 50% of cover price on direct sales through Storm Moon Press’ e-store, and 40% of cover price minus distribution costs for sales through third party vendors. In addition, authors will receive the same percentage royalty on sales of the anthology e-book divided equally among the authors, as well as 25% of cover price on direct sales of the print anthology through Storm Moon Press’ e-store, and 20% of cover price minus distribution costs for sales through third party vendors, also divided equally among all authors. All royalties will be paid quarterly.

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30 June 2012 — Extreme Planets Anthology — Chaosium Inc.

Chaosium is expanding into new lines of speculative fiction. Extreme Planets will be the first of these publications, with a science fiction anthology of short stories set on or about alien worlds that push the limits of what we believe is possible in a planetary environment.

These could be planets with gravities many times that of the Earth or orbiting neutron stars so their oceans are elongated into egg shapes. Carbon worlds or diamond worlds, iron worlds, or planets with extremely elliptical orbits. Worlds made of exotic elements or with bizarre atmospheres. Planets were time and space behaves strangely or against the laws of physics. Even artificially created worlds can find a home in this anthology, either transformed by bizarre technology or the creation of alien civilisations. Mostly, we hope you dazzle us with worlds we haven’t even thought about.

So how to people survive on these extreme planets? Do human’s adapt the environment to suit their needs, such as through terraforming, or do they change their own bodies to survive, such as through pantropy or cybernetic enhancement. Can humans manipulate the environment or the laws of the universe itself, such as by creating artificial gravity, to survive in these conditions? For a rounded story, these concepts need to be addressed, because there is no story that does not address the human condition.

This is a science fiction anthology—no fantasy or horror. Good characters, engaging plots and mind-blowing settings are important to us, and we also like a good sense of adventure and mystery. Literary style is fine, so long as there is a plot. Most of all we are looking for the staple requirement of the SF genre: a sense of wonder.

The anthology will be printed in both trade paperback and online e-reader formats.

Submission guidelines
== Send us your best science fiction extreme planet story.
== Story length 4,000 to 10,000 words (We may accept a couple of novellas up to 20,000 words from established authors – please query). Payment will be US 3 cents a word and 3 contributor copies. Further copies can be purchased from the publisher for half price.
== Original stories only: no reprints, multiple, or simultaneous submissions.
== Stories may be submitted via email: extremeplanets [at] gmail [dot] com with EXTREME PLANETS [Story Title] by [Author Name] in the header.
== Manuscript format: double spaced, large margins, left justified, Times New Roman or Courier New font, US English spelling. Double quotation marks for speech, not single. RTF preferred but will accept DOC files. Manuscript is to include author’s name and contact details on first page.
== The editors reserve the right to use their discretion in selecting stories.

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30 June 2012 — A Killer Among Demons — ed. Craig Bezant, Dark Prints Press

A Killer Among Demons aims to encapsulate the deep, intriguing, and twisted tales that arise from the wonderful combination of paranormal/supernatural crime.

We are going to leave the guidelines quite open for this one because, to be honest, we want to be surprised. Not sure? Think of a crime that can’t be solved through traditional methods; a murder committed by a mythical creature that, by all means shouldn’t exist; an on-the-seat-of-your-chair thriller of ghostly comeuppance; a Scooby-Doo-type pulpy crime where the gang tries to rip off the mask of a monster, only to find it’s its real face; and so on…

This title will be published as both a limited print edition and an eBook/digital edition.

We are looking for short fiction 3,000 to 10,000 words in length. If you have work outside this range, please query before sending. Please submit one story at a time.

Please submit via the standard methods you have already taken the time to research – eg. A readable font, 11 or 12pt, 1.5 to double line spacing, a header with the title and your name, and PAGE NUMBERS. You may include a cover letter/intro about yourself and, specifically, your writing.

Payment is a flat fee of AUD$75.00 per story (regardless of length) for both Australian print rights and International Digital rights, plus a contributor’s copy of the print edition.

The editor for this anthology is Craig Bezant.
You can submit via e-mail at: submissions@darkprintspress.com.au
or via post at: PO BOX 3079, Joondalup, Western Australia, 6027

Response time is ~8 weeks. Please feel free to query after this time.

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UNTIL FILLED — All Access Pass — ed. Amelia G, Blue Blood Books ** First Posted July 2011

Short version of what I’m looking for is: well-crafted fiction or memoir, cool erotica with music and/or music culture as a central theme, $50 first run + reprint rights, $25 reprints. More formal version below.

Call for Submissions: All Access Pass

Backstage Passes editor Amelia G is reading for a sequel to her anthology of rock and roll erotica, called All Access Pass. Below are general fiction guidelines for Blue Blood fiction projects. For this book in specific, music must play a central role in the story. Events could take place at a punk club or an outdoor festival, characters may be musicians, music may just really speak to a particular character, but it needs to be important. Stories ranging from balls-out memoir or entirely fantastical vampire sex are all fine, within the appropriate theme and quality standards.

When submitting electronically, please make the subject of your email ALL ACCESS PASS SUBMISSION.

Before sending anything over, please ask yourself if your work passes the Blue Blood litmus test: Is it intelligent? Is it sexy? Is it edgy/counterculture? Is it cool? Email electronic submissions to submit@blueblood.net For submissions of fiction or nonfiction text, please have your writing in a Word document with a .doc suffix (not .docx), RTF, TXT, InDesign, or Open Office format. It is preferred if you include an author bio or link to your website or online profiles.

The All Access Pass anthology is seeking erotic stories with a counterculture feel — Gothic, industrial, techno, rave, punk, metal, dyke, mystery, gangster, hard-boiled, science fiction, cyberpunk, steampunk, vampire, werewolf, medieval etc. At the moment, our needs are for stories primarily from a male or female heterosexual viewpoint, lesbian viewpoint, or female bisexual viewpoint. Often, we can also place male homosexual and gender bender stories in anthologies. We look for work between 2,000 and 7,500 words. Most accepted fiction is shorter than 4,000 words. Death and horror elements are acceptable so long as they do not prevent the piece from being sex-positive. Characters may die but not as part of the sexuality. Kinky is great — leathersex, bondage, vampirism etc. are all fine. Negative attitudes about sexuality are not fine. All sex must be consensual and arousing. PLEASE DO NOT SEND US STORIES PROMOTING NAZIS, RAPE, INCEST, OR THE SEXUALIZATION OF MURDER. NO SNUFF, RACISM, OR HOMOPHOBIA. If you can write genuinely arousing fiction which still works as a story, do contact us. Payment is net 60 on on-sale date and we generally purchase first worldwide rights (exclusive from acceptance to one year after publication) along with nonexclusive reprint rights.

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