If you’ve just wandered in off the internet, hi and welcome. š I do these posts every month, so if this post isn’t dated in the same month you’re in, click here to make sure you’re seeing the most recent one.
Markets with specific deadlines are listed first, “Until Filled” markets are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple antho guidelines on one page, so after you click through you might have to scroll a bit.
Non-erotica/romance writers: check out Rocket Science, Borderlands 6, Damnation and Dames, Horror Library, Mortis Operandi, the Fantastic Stories Anthology, and the Wuxia Anthology.
Note that Panverse 4 has been cancelled.
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31 October 2011 — Rocket Science — ed. Ian Sales, Mutation Press
Science fiction does take place in a vacuum. Travel more than 100 kilometres vertically from where youāre standing, and youāll be in space. Where thereās no life-sustaining air; where the cold, and direct sunlight, can kill. Thereās no gravity, and background radiation will cause cancer in one in ten people. Yet the future of our species quite possibly lies up there, or somewhere that will require us to cross space to reach.
Too often, science fiction glosses over the difficulties associated with leaving a planetary surface, travelling billions of kilometres through space, or even living in a radiation-soaked vacuum. The laws of physics are side-stepped in the interests of drama. Yet thereās plenty of drama, plenty of science fiction drama, in overcoming the challenges space presents. Whether it is, for example, an alternate history take on the Apollo Lunar landings; the discovery of an alien artefact on a moon of Jupiter; or the story of a mission to the nearest star.
ROCKET SCIENCE is looking for original stories which realistically depict space travel and its hazards. The reader needs to know what it would be like to be there. This doesnāt mean stories must be set in interplanetary or interstellar space; but the technology and science involved must be present somewhere. It could be a story set in a spacecraft, on an asteroid or space station; or about a mission soon to leave Earthās surface. It could be a first contact, a rescue against the odds, or a study of some unusual space phenomenon. Whatever suits. Don’t be afraid to be literary.
But no space opera, definitely no space opera.
ROCKET SCIENCE will also feature relevant non-fiction ā history, science, technology, perhaps a study of notable books / films / tv. Feel free to submit.
Reading period 1 Aug 2011 to 31 Oct 2011. Do not send before.
Word limit 6k. Payment GBP10.00 per 1k words. No reprints.
Please stick to the theme.
ROCKET SCIENCE, edited by Ian Sales. To be published by Mutation Press in 2012. For more information: visit this page for updates or email rocketscience.editor@gmail.com
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31 October 2011 — Borderlands 6 — ed. Elizabeth E. & Thomas F. Monteleone, Borderlands Press
Manuscripts ONLY (14 pt, Double Spaced, Times New Roman, numbered & your name on EACH page)
Please no COVER LETTER. 1st page list your contact info. Let the story speak for itself.
Borderlands Press * PO Box 61* Benson MD 21018
Accepting: 15 to 20 stories
Response: via email (no SASE unless you want your ms. returned)
Editions: signed limited edition (250 numbered) plus an e-book
This a non-themed anthology which carries on the tradition and high standards established by the first five volumes in this series. It is the intention of the editors to publish new, original, short fiction, which pushes the limits of what is being done in darkly imaginative fiction. If you are published in Borderlands, you will be part of the expedition to open the gates to new literary territory, and you will help scorch a path through the jagged landscape of the imagination unbound . . . and all those other cool metaphors.
You donāt need to read a Borderlands story on a stormy dark night, with glowing embers banked in the fireplace, and a cruel wind howling across the moors. The stories we want can be read under the clear light of day and pure reason, and they will still knock you around and put a new rhythm in your head.
Which means: we are not looking for any of the traditional bug-bears and boogeymen. No ghosts or vampires need apply. No zombies, no werewolves, no mummies, succubi, or Hitchcockian spouses with plans to do in their mates.
In other words we donāt want stories employing any of the familiar symbols or icons which have defined the genre.
Having said all that, we believe youāll have a far better chance of selling us your story if you have sampled previous volumes of this anthology series.
Please check our website (www.borderlandspress.com) periodically for updates on the status of the anthologyās progress.
Simultaneous submissions okay (if you sell it before we get to it, itās our loss)
NO Reprints
Length: up to 5,000 words (unless by previous arrangement)
Payment: .05 cents per word for the limited edition; e-book royalties are based on 50% of retail e-book price and shared by all contributors on a pro-rata basis. Royalties will be calculated quarterly and payments disbursed when a contributor’s share exceeds $20 in any quarterly accounting. [I’m pretty sure they mean five cents per word here, not five hundredths of a cent, but that’s just me making a guess.]
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1 November 2011 — Damnation and Dames — ed. Amanda Pillar and Liz Grzyb, Ticonderoga Publications
We are looking for stories which show the paranormal and noir crime worlds colliding. You might find werewolf femme fatales, vampire hardboiled detectives, alcoholic psychic journalists, zombie bankrobbers, ghostly gendarmes, demonic insurance salesmen, down-on-their-luck djinns, double-crossing mummies, or even fae with a love for red herrings.
The anthology will be published by Ticonderoga Publications in 2012.
SUBMISSION GUIDELINES: Send us your best paranormal noir stories.
1. — Story length 1,000 to 7,500 words. (Longer stories may be accepted, although payment is capped at 7,500).
2. — Original stories only: no reprints, multiple, or simultaneous submissions.
3. — Stories may be submitted via email at paranormalnoir@ticonderogapublications.com.
4. — Manuscript format: double spaced, large margins, sensible font, Australian English spelling.
5. — The editors reserve the right to use their discretion in selecting stories.
6. — Deadline: 1st November, 2011.
7. — Payment: 2 copies of anthology and Aus 2 cents/word (GST inc., maximum payment $150) on publication.
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1 December 2011 — Eternal Love — Cool Well Press
Valentine’s Day was first celebrated in 496 A.D., and was done in remembrance of the martyrs who opposed Ancient Rome. They were known as Martyr Valentinus, which in Latin means those who are worthy, powerful, and strong. Over the centuries, Valentine’s Day has come to represent a time when intimate companions show their love and affection. It also serves to remind us of love that has been lost.
As far back as the misty ages go, men have always believed that there are immortals roaming the Earth. These immortals come in many forms, such as Vampires, Werewolves, Shapeshifters, Angels, and Faery. Because these creatures are supernaturally strong and powerful, and cannot die, they might be referred to as the true Valentinus. They experience profound love and profound loss, and while many are not worthy, many more are. We want stories about these beings that have lived and eternally loved.
COOL WELL PRESS is opening a call for submissions for their new young adult anthology, ETERNAL LOVE to be published in February 2012. Stories should be set in all eras and locals, and is targeted for 15 to 18 year old readers. No sexually explicit stories. These should have a paranormal flare and be 5,000 to 8,000 words. Deadline is December 1, 2011. Please follow the submission guidelines when preparing your manuscript. Send completed submission to denise@coolwellpress.com and mark the subject of the email as ETERNAL LOVE.
Authors whose stories are accepted will be sent a contract. Compensation will be a one-time payment at .10 per word and a copy of each format of the final anthology.
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15 December 2011 — Kingdoms of Desire: Erotic Tales of Fantasy — ed. Mitzi Szereto, Cleis Press
To be published by Cleis Press in autumn 2012.
Kingdoms of Desire: Erotic Tales of Fantasy is a place where lust and legend abound, and adventure, passion and danger entwine. Think mystical lands and creatures, kings and queens, knights and renegades, heroes and villains, warlords, maidens and princesses. Think battles and danger, honor and dishonor, good and evil. Most of all think hearts filled with passion and secret desire. This is a place where romantic chivalry is alive and well, but so too is romantic wickedness. This is a place where the good do not always win, and the bad are often more captivating and desirable than their altruistic counterparts. In these lush and timeless landscapes, the battle for flesh can be as important as the battle for power. Intrigue, sorcery, revenge, lawlessness, dark secrets and mysterious elixirs; entanglements with supernatural beings ā everything is possible in these magical mythical landscapes. Think Game of Thrones and you get the picture!
Word count: 3,000 to 6,000 words.
What Iām looking for: Well-developed story lines and well-crafted prose told in a unique voice and containing interesting characters and settings. Think atmosphere, passion, desire⦠imaginative steamy tales that transport the reader to fantastical realms. Stories from female and male writers are welcome, as are stories containing characters of any sexual orientation.
Note: Although sexually explicit content is acceptable as well as a more subtle approach, absolutely no stock sex scenes or formulaic writing/terminology. Please refer to my previous anthologies (especially Red Velvet and Absinthe: Paranormal Erotic Romance) to get an idea of the variety and style of content I look for. Even though the stories need to have a strong element of eroticism and sensuality to them, I do not want stories that are one-dimensional sex stories or smut. The erotic element is an important part of the story, but it should not be the sole basis for the story or a replacement for plot and character development. No reprints (be it print, digital, or online). Original fiction only.
Payment: One-time payment in the range of USD $50-70 (payable on publication) and 2 copies of the anthology.
Submission requirements:
Stories must be formatted as follows: double-spaced Arial 12-point black font Word or RTF document (sent as an attachment). Indent the first line of each paragraph by half an inch. Do not add extra lines between paragraphs or irregular spacing between words. American spelling and punctuation only (i.e. quote marks, etc). Include your legal name (and pseudonym if applicable), postal address, and a fifty-word maximum author bio written in the third person. Contract is for one-time, non-exclusive anthology rights with one yearās exclusivity from date of publication. (This may be waived if your story is selected for a āBest Ofā collection). No simultaneous submissions please.
In the subject line of your email, please state: Kingdoms of Desire
Send to: submissions @ mitziszereto.com
Submission deadline: December 15, 2011. (Stories will be read on an on-going basis, so early submissions are highly encouraged.) [I can’t swear to it, but phrasing it this way makes me think she’s going to be buying stories as good ones come in, which means a good story subbed near the deadline might be rejected because it’s too close to a similar story she bought a month earlier. Or maybe not, but that’s what this is saying to me.]
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UNTIL FILLED — Horror Library, Vol. 5 — Cutting Block Press
Cutting Block Press is pleased to announce an open submissions period for the 4th Volume of its Horror Anthology Series, +Horror Library+, to be published in trade paperback during 2011.
We’re looking for the highest quality examples of all forms of Dark Fiction, running the gamut from traditional horror, supernatural, speculative, psychological thriller, dark satire, including every point between and especially beyond. No Fantasy or Sci-fi unless the horror elements are dominant. Read +Horror Library+ Volumes 1-3 to see what’s already pleased us. Special consideration will be given those pieces that we find profoundly disturbing, though blood and violence on their own won’t cut it. While we will consider tales of vampires, ghosts and zombies, we tend to roll our eyes at ordinary ones. They’re just too plentiful. Your best bet is to surprise us with something that is different, while well conceived and tightly executed.
Guidelines: Stories will range between 1,000 and 6,000 words, though we’ll look at longer works of exceptional merit. In that case, query before submission. Buying 1st worldwide anthology rights. No reprints. Paying 1.5 cents per word, plus one contributors copy. For established authors, rates may be negotiable. Response time: six months or sooner. Deadline: We will accept submissions until filled. All Queries to horrorlibrarysubs@yahoo.com.
Manuscript format: 12 point courier font, standard margins, left side of header: name, contact info, right side of header: word count, top of first page: title, author
Variances from traditional manuscript format: single space, NO INDENTS, ONE EXTRA space between paragraphs, use bold, italics and underline as they are to appear in story
Subject box: Short Story submission – title of story
Attach story in MS Word Document or RTF (only). Please paste your cover letter in the body of the e-mail. Send submissions to horrorlibrarysubs@yahoo.com.
[See the web page for a special offer on copies of Horror Library Vol. 1 for writers doing market research.]
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UNTIL FILLED — Mortis Operandi — ed. Kfir Luzzatto and Dru Pagliassotti, The Harrow Press
MORTIS OPERANDI is looking for stories that revolve around the investigation of a crime and in which the supernatural plays a central role. While weāre expecting a fair share of murders, we strongly encourage stories that revolve around OTHER kinds of crime ā for example, arson, assault, blackmail, bullying, burglary, dowry death, embezzlement, fraud, kidnapping, larceny, libel, piracy, product liability, slavery, smuggling, terrorism, treason, and toxic pollution are all fair game.
By “supernatural” we mean magic, monsters, and/or miracles, but we donāt consider psychic abilities (although the inclusion of a minor character possessing them will not in itself disqualify a story), extraterrestrial life, or UFOs to be supernatural.
Types of stories may include whodunits, police procedurals, hardboiled fiction, and courtroom dramas. All genres and treatments are welcome, including ecclesiastic, fantasy, humor, horror, historical, military, romance, and parody. Settings outside the U.S. and U.K. are welcome. Settings on other worlds arenāt.
We want well-written stories that demonstrate originality of concept and plot. Zombies, vampires, and werewolves will be a hard sell, and romantically inclined vampires will be staked on sight. Think outside of the coffin.
Stories will be judged exclusively on the basis of their literary merit; a history of prior publication is not necessary.
Get more information about our thoughts on this antho at Market Scoop.
Submissions & Queries: anthology [[ at ]] theharrowpress.com
==No simultaneous submissions. One submission at a time.
==Please attach your stories to your email in Microsoft Word, RTF, or text-only format. Stories pasted in the body of an email will not be read.
==Please include the words āSubmission: Mortis Operandiā in the Subject line of your e-mail.
Length: 3,000-6,000 words. Please include an approximate word count in your e-mail submission.
Reprints: No
Language: English
Payment: US $50/story, upon publication, and a free copy of the book
Rights: Exclusive English anthology print and electronic (e-book) rights. Please read our Sample Contract (pdf) for full details.
Submission period: Opens 1.1.11 — Closes when filled.
Publication Date: 2012
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UNTIL FILLED — Fantastic Stories Anthology — ed. Warren Lapine, Wilder Publications
Fantastic Stories of the Imagination is a yearly anthology. Edited by Warren Lapine, Wilder Publications Box 10641, Blacksburg, VA 24063
Iām looking for stories that cover the entire science fiction, fantasy, and horror spectrum. I love magic realism (think Tim Powers and Neil Gaiman) and hard sf. I want a story to surprise me and to take me to unexpected places. I love word play, and would like to see stories with a literary bent, though decidedly not a pretentious bent. I could spend some time telling you what I donāt want, but Iāve found that good stories can make me buy them regardless of how many of my rules they violate. Let your imagination run wild, push and blur the limits of genre, or send me something traditional. I want it to see it all. My experience as an editor tells me that over time Iāll develop preferences and that the anthology will take on its own personality. When that happens Iāll change the guidelines to be more specific, but for now Iām going to explore whatās out there before I decide what direction to go in.
Payment: 10 cents per word on acceptance for original stories (maximum of $250.00) or 2 cents per word for reprints (maximum of $100.00). A check will accompany the contract so no simultaneous submissions please. I am purchasing First English Language Book Rights and non-exclusive electronic rights.
Story length, I have no limit on story length but the longer the story is the better it will have to be.
Sorry no e-mail submissions. Why is this? Donāt you know that e-mail submissions is the future? Yes I do know that, but itās not the way I want to do this. For me the best part of being an editor is having people over to have slush parties and interacting with them during the reading process. Editing on a screen is a thing devoid of fun or joy, I edit for the fun and joy of it.
[Note: definitely click through on this one; there’s some very useful info in the comments.]
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UNTIL FILLED — All Access Pass — ed. Amelia G, Blue Blood Books
Short version of what Iām looking for is: well-crafted fiction or memoir, cool erotica with music and/or music culture as a central theme, $50 first run + reprint rights, $25 reprints. More formal version below.
Call for Submissions: All Access Pass
Backstage Passes editor Amelia G is reading for a sequel to her anthology of rock and roll erotica, called All Access Pass. Below are general fiction guidelines for Blue Blood fiction projects. For this book in specific, music must play a central role in the story. Events could take place at a punk club or an outdoor festival, characters may be musicians, music may just really speak to a particular character, but it needs to be important. Stories ranging from balls-out memoir or entirely fantastical vampire sex are all fine, within the appropriate theme and quality standards.
When submitting electronically, please make the subject of your email ALL ACCESS PASS SUBMISSION.
Before sending anything over, please ask yourself if your work passes the Blue Blood litmus test: Is it intelligent? Is it sexy? Is it edgy/counterculture? Is it cool? Email electronic submissions to submit@blueblood.net For submissions of fiction or nonfiction text, please have your writing in a Word document with a .doc suffix (not .docx), RTF, TXT, InDesign, or Open Office format. It is preferred if you include an author bio or link to your website or online profiles.
The All Access Pass anthology is seeking erotic stories with a counterculture feel ā Gothic, industrial, techno, rave, punk, metal, dyke, mystery, gangster, hard-boiled, science fiction, cyberpunk, steampunk, vampire, werewolf, medieval etc. At the moment, our needs are for stories primarily from a male or female heterosexual viewpoint, lesbian viewpoint, or female bisexual viewpoint. Often, we can also place male homosexual and gender bender stories in anthologies. We look for work between 2,000 and 7,500 words. Most accepted fiction is shorter than 4,000 words. Death and horror elements are acceptable so long as they do not prevent the piece from being sex-positive. Characters may die but not as part of the sexuality. Kinky is great ā leathersex, bondage, vampirism etc. are all fine. Negative attitudes about sexuality are not fine. All sex must be consensual and arousing. PLEASE DO NOT SEND US STORIES PROMOTING NAZIS, RAPE, INCEST, OR THE SEXUALIZATION OF MURDER. NO SNUFF, RACISM, OR HOMOPHOBIA. If you can write genuinely arousing fiction which still works as a story, do contact us. Payment is net 60 on on-sale date and we generally purchase first worldwide rights (exclusive from acceptance to one year after publication) along with nonexclusive reprint rights.
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UNTIL FILLED — Unnamed Wuxia Anthology — ed. John Dishon, Genreverse Books
What are you looking for?
Youāve probably guessed it: wuxia. I want wuxia stories. If your story isnāt wuxia, then submitting it here wonāt do you any good. Even if your story is really good, the focus of this anthology is the wuxia genre. The anthology is intended for those who have never heard of or read wuxia before, and for those who have. So for the noobs I want to introduce the genre to them properly, and the veterans will know if I havenāt done that. And since the whole point of this project is to promote the wuxia, then Iām going to have to insist that your story be an example of said genre. If it is, then please submit it below. If not, youāre better off submitting it elsewhere.
If youāre not sure what wuxia is, you can read about it here.
Yeah, itās wuxia. But is it your kind of wuxia?
Yes, it is. Because I donāt have any specific kind of wuxia Iām going for. It can be old school or new school, it can be proto-wuxia, such as some of the chuanqi of the Tang era (an example of that would be āThe Kunlun Slaveā or āThe Curly Bearded Strangerā), or anything else. Maybe you have your own unique style youād like to try out. Let me have it. I donāt want a book full of Jin Yong rip-offs. Some stories in that vein are fine, and I would like to see some, but I want some variety as well. With the English language we have the opportunity to take the genre in new and unexpected territories, and to use different techniques to tell our stories. We neednāt try to copy Chinese writers. What exactly I mean by that will be left up to the writers. If a standard Jin Yong or Gu Long kind of story is your thing, then send it in. But if youāre trying something new or different, then I want to see that too. The most important consideration is that it is a good story, which means it should have compelling characters put in interesting situations. Your story should have that regardless of the genre.
So I am open to stories set in modern settings as well. The essence of wuxia lies in the values expressed by the two characters that make up the word, ę¦ and äæ , not the time period the story takes place in. Again, feel free to experiment.
I think itās wuxia.
Great. Send it in. If your story is a borderline case, or youāre not quite sure if itās wuxia, then send it in anyway. The worst that can happen is it gets rejected. You donāt need to query first. Make sure you look at the āWhat is Wuxia?ā page linked to above before making your final decision, though. There is some leeway. āMartial arts fictionā is how wuxia is often translated into English, and while that is an over-simplified translation, itās a good guide. However, the xia part of wuxia deserves attention to. I believe it is possible to have a wuxia story that does not have any fighting in it at all, but there must be a lot of xia in that case. Iāll stop there before I complicate the issue too much. It is a tough genre to define.
How do you want it?
As stated above, all submissions must be made through Hey Publisher. The form is below. The form will accept .doc, .rtf, and .txt files. It will not accept the new .docx format for some reason, so if you are using a newer version of Word, make sure to save it as .doc instead of .docx. Sign up is easy on the form. You can go through one of various social network services, or just create an account with Hey Publisher. Either way, it only takes a few seconds. Do not email me your submission. All email submissions will be deleted without being read, no exceptions.
For proper manuscript formatting, see William Shunnās Proper Manuscript Format. If youāve ever submitted a story to a magazine before, then youāre probably already familiar with these formatting guidelines. You donāt need to include your mailing address, if you donāt want to. Make sure you have a valid email address on there, though. One that you regularly check.
How long should it be?
2,000-30,000 words. Anywhere in between there is fine. That means no flash fiction, and no novels. Also, no novel excerpts will be considered. No excerpts of any kind will be considered, actually. I want a complete, self-contained story.
Simultaneous submissions are accepted. I anticipate the submission process to be a long one, so I donāt mind if you submit to more than one place at once. Just make sure the other place(s) you submit your story to feel the same way.
Multiple submissions are accepted. If you only have one story to send, thatās fine. If you have three stories you would like to be considered, thatās fine too. Iām looking for the best wuxia stories I can find, so let me see all of them (well, all the good ones. Donāt submit the bad ones). You can have more than one story published in the anthology.
Previously published stories are accepted. The best stories might not be the newest stories. If your story has been published before, such as in a magazine or on a blog, then you can still send it to me. If itās a great wuxia story then I want to showcase it to the English-reading world in this anthology. It would be silly to say no just because another magazine had published it already.
What will the submission process be like?
First, write a great story. Edit/rewrite/revise that great story. Make sure someone besides you reads it, so you can be sure itās good. Then submit it to me, via the form below. Your story will then be sent to me. When I open your submission to read your story you will receive an email saying so. At this point, wait for a bit. How long the wait will be is unknown. If I immediately am not interested in the story, then you will receive a rejection notice pretty soon, probably no more than a week after I start reading it.
If I like your story, then prepare to wait longer. If your story is a āmaybeā then I will put it under consideration and you will receive an email saying so. This will likely be the longest wait period, and I canāt begin to say how long that could be. I want to find the best stories, but that could take a while. Iām sure some of the best stories havenāt been written yet as I type this. So hang tight. Thatās why simultaneous submissions are allowed. I will update this website frequently to let everyone know how the selection process is going, so you can keep up with my progress that way.
Eventually, I will either accept your story or reject it. If your story is rejected, you will get an email saying so. If it is accepted, you will get an email saying your story has been accepted.
How much does this thing pay?
1-5 cents per word, depending on how much money I raise for the project. I would like to be able to pay everyone 5 cents a word, but that means I would have to raise $5,550 USD. Hereās hoping. But for the purposes of deciding if you want to submit a story to me, plan on 1 cent per word. Thatās probably the most realistic guess. Tell everyone you know about this project and ask them to donate so there will be more money to pay the writers.
What rights are you seeking?
Anthology rights. That means Iām buying your story for the purpose of publishing it in an anthology. The anthology will be printed, and it will also be available in electronic format. This anthology will be published globally, so I will be seeking permission to publish it everywhere. However, aside from the print and online versions of the anthology, I donāt want anything else from you. You are and will remain free to publish your story anywhere else you want. You retain the rights to your story; youāre just giving me permission to publish it in my anthology and sell it globally in print and in electronic formats.
Iām not seeking First-anything rights. Even if this anthology is the first place your story will be published.
Wait, there is one more thing I want. I want the exclusive right to publish your story. Meaning that your story canāt be published at the same time as my anthology is published. Obviously, if itās already been published then thatās fine, but you can publish it anywhere else new while Iām publishing it in my anthology. I am seeking exclusive rights to publish your story for three months after the publication of the anthology. So once the anthology has been out for three months, you can publish your story anywhere you please.