If you’ve just wandered in off the internet, hi and welcome. 🙂 I do these posts every month, so if this post isn’t dated in the same month you’re in, click here to make sure you’re seeing the most recent one.
Markets with specific deadlines are listed first, “Until Filled” markets are at the bottom. There are usually more details on the original site; always click through and read the full guidelines before submitting. Note that some publishers list multiple antho guidelines on one page, so after you click through you might have to scroll a bit.
Non-erotica/romance writers: check out The Mothman Files, Mirror Shards, Machine of Death, At Second Glance, Warrior Wisewoman, the Fish-Themed Fantasy Antho, Horror Library, Mortis Operandi and the Fantastic Stories Anthology.
30 June 2011 — Taken By Force II — ed. Christopher Pierce, STARbooks Press
Return to the cutting edge of danger and desire! In this second volume of Taken by Force: Erotic Stories of Abduction and Captivity, I am asking writers to delve even deeper into their dark imaginations and come back with their hottest stories of men kidnapping other men!
Have you ever wanted a guy so badly that you’d do anything to have him, including abducting him? Have you ever seen a big bruiser and wished he’d just tie you up, throw you over his shoulder and kidnap you away from your dull, boring life? Have you ever plotted revenge against a guy that rejected you and wanted to rip him out of his safe, comfortable world and into one where you call the shots and his very survival depends on you?
Let these scenarios stir your imagination and start writing!
All characters must be men (gay or straight) over 18 years old. Stories can be from the point-of-view of the kidnapper or the kidnapped. Stories can have any setting and be any genre (regular stroke fiction, bondage/SM, comedy, romantic, action/adventure, science fiction, fantasy, horror) so follow your imagination into your darkest and raunchiest fantasiesâ€¦and be sure to bring your pen or your laptop!
Original work is preferred. There is no limit to the number of stories a single author can submit.
On the first page of your story include all contact information: Your name, your pen name (if using), your e-mail address, your physical address and your phone number. Also include a short bio.
Make sure your story has been edited and proofread. Stories that do not adhere to the guidelines will not be considered.
Send submissions as .doc files to: email@example.com with TBF2 and your STORY TITLE in the subject line.
Write to me with any questions: firstname.lastname@example.org
1 July 2011 — The Mothman Files — ed. Michael Knost, Woodland Press
Format: Trade Paperback.
Payment: five-cents per word (upon publication) plus contributor copy. No reprints.
Story length: Up to 3000 words. No multiple or simultaneous subs.
E-mail submissions to: themothmanfiles at yahoo dot com. We will accept .doc attachments only.
I am looking for fictional mothman stories. The setting is not limited to West Virginia or any other regional area known as mothman territory.
I want tales with a solid plot and good character development. Stories should grab the reader’s attention quickly and hold it until the end. I want powerful and emotional tales that are creepy, chilling, disturbing, and moody.
Although stories will mainly target an adult/young adult audience, we DO NOT want stories containing language or content unsuitable for children.
Formatting your manuscript:
Double-space. Use Times New Roman (12). Italicize what you want italicized. Single space after sentence-ending punctuation.
Be sure to include your name, address, email on manuscript.
1 July 2011 — The Touch of the Sea: Mermen & Selkies — ed. Steve Berman, Lethe Press
“The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.” â€” Kate Chopin
For The Touch of the the Sea, Lethe Press is seeking fantastical stories that feature mermen or selkies, doomed sailors, underwater ruins, the taste of salt on the lips and in the blood.
Have an idea? Written such a tale? The book will be editing by multiple Lambda Literary Award finalist Steve Berman.
— All submissions should feature gay male protagonists.
— Stories should be between 1,500 and 10,000 words in length.
— While some sexual situations are fine for inclusion, this is not an erotica anthology.
We have already accepted stories from such well-known writers as Jeff Mann and Adam Lowe.
Payment is 2 cents / word upon publication plus a contributor copy.
Email us at email@example.com. Stories should be sent as RTF files.
8 July 2011 — Mirror Shards: Exploring the Edges of Augmented Reality — ed. Thomas K. Carpenter, Black Moon Books
This anthology is a new yearly paying anthology that will be released by Black Moon Books early each fall as an eBook and POD.
Augmented reality holds the promise of great social change in both the near and far-flung futures. Itâ€™s also a wonderful medium for storytelling as information and graphics overlain eye-screens challenges the doors of perception and creates mixed-reality worlds to work and play. Black Moon Books is seeking stories between 3000 and 6000 words (soft edges) that utilize augmented reality as a way to explore the human condition. The stories can be set in any place, time, or genre, as long as the story cannot exist bereft of augmented reality. Feel free to explore the edges of the technology.
The anthology will pay from $0.02/word to $0.05/word. A few slots will be offered to established professionals, but at least one pro paying slot will be given through the slush pile (Gold Prize). Minimum payment per word will be $0.02 for all accepted slush stories. Rights Iâ€™ll ask for include exclusivity for 4 months, First Electronic & First English-Language Book Rights. One copy will be provided for each author in the anthology.
Stories should be emailed to mirrorshards2011 (at) blackmoonbooks (dot) com and should follow standard manuscript formatting (courier new, 12 point, double spaced, etc.) The file should be attached as an .doc or .rtf (not .docx). Multiple submissions are welcome, though your best bet is to pick your best story and send only that one.
A brief cover letter listing current publication credits would be helpful in the body of the email. If you have received an honorable mention or above in the Writers of the Future contest, please note that.
The submission period for the anthology will be from April 8, 2011 to July 8, 2011. Stories will be selected by July 20, 2011. Payment will be on acceptance and will be either mailed as a check or sent through PayPal. Publication date will be in the month of September. Accepted authors will also be required to provide a brief bio for the anthology. Authors are also encouraged to put their stories up online once the rights have reverted and will be requested (optional) to put a note in their stories linking back to the anthology to help each other (ie â€“ if you liked this story, please check out other authors writing AR stories in…)
I will try to notify quickly for rejections. I will also notify authors of those stories Iâ€™m holding as a “maybe”. The latest possible date for all notifications, acceptance or rejection, will be July 20, 2011.
For those that are interested in entering the anthology but have no experience with augmented reality, I suggest visiting the websites: Games Alfresco, The Future Digital Life, or reading the Hugo award winning Rainbowâ€™s End by Vernor Vinge any books or short stories by Thomas K. Carpenter.
15 July 2011 — Machine of Death 2 — ed. Ryan North, Matthew Bennardo and David Malki
[Note: I’m making some assumptions here. North, Bennardo and Malki edited the first MOD antho. I didn’t find anything on the site (with the caveat that I didn’t feel like going through every single page) saying who was editing MOD 2, so I just put the three names from the first book on this one. If I’m wrong, I’m sure someone will correct me.
[The premise of the book is here, in the shaded box. Essenthially, there’s a machine that can take a blood sample and tell you how you’re going to die. It’s not terribly precise, and doesn’t give a date.]
Submissions will be accepted from May 1 â€“ July 15, 2011. We expect to make our final selections by October 31, 2011.
We pay $200 (US) upon acceptance.
Stories can be any length, but we recommend a length of 1,500 â€“ 7,500 words. We will almost certainly be printing stories longer or shorter than these limits, but we expect most stories in the book will fall into this range.
We buy the following rights:
— World anthology rights in English and translation
— Audio and ebook anthology rights
— Film rights, with an additional bonus payout of $4,000 if your story is substantially used in any commercial movie or TV adaptation of Machine of Death
World anthology rights and audio/ebook anthology rights are specific to anthologies. These are non-exclusive licenses allowing us to use your story in an anthology only. Specifying â€œin translationâ€ allows us to request that your work be included in any potential foreign editions as well.
You retain all other print rights. So youâ€™re free to also sell your story to magazines, or websites, or podcasts, or as an individual short story (say, on Kindle), or in a collection of your own work, or even sell it to another anthology after our book has been out for a while. Itâ€™s your story, and you keep it â€” we just want to be the first to print it.
Film rights allow us to include your story in any conversations we have about adapting the general Machine of Death concept into a film or TV show. Buying the rights upfront means that if any producer is interested in an MoD movie, we can instantly say â€œYes! Make it happen!â€ without unresolved rights issues scaring anybody off. (Plenty of movies donâ€™t get made for lesser reasons.) We donâ€™t know if there will ever be an MoD movie or show, but weâ€™d love for there to be! And having the rights ready just in case increases the odds that it could actually happen.
Additionally, we expect to release a Creative Commons edition of the next book, just as we did with the first one. Most of the authors in the first book elected to release their stories under Creative Commons, but itâ€™s not strictly required. If you have strong feeling about this either way, please let us know upfront so we can take it into account when reading your story.
We only accept email submissions. You can either paste your story into the body of your email message or send an attachment. If you are attaching, please use Microsoft Word (DOC), Rich Text Format (RTF), or Plain Text (TXT) formats only. Any word processor should be able to save a file as at least one of those formats. Weâ€™re not sticklers for things like double-spacing and paragraph indentation and point size. Just submit a file that is as readable as possible.
HOW TO SUBMIT
Send your story to submit at machineofdeath dot net. Please use the following subject line when submittingâ€¦
[MOD2] STORY TITLE â€“ Your Name
So if your name is Sherwood Anderson and if your story is called â€œSWALLOWING A TOOTHPICKâ€ then the subject line of your email should readâ€¦
[MOD2] SWALLOWING A TOOTHPICK â€“ Sherwood Anderson
This is in case we get two stories with the same title, so we can tell which one is yours. Please follow this format, so your submission does not get overlooked!
Next, in the body of your email, please include the following informationâ€¦
â€¢ Title: The title of your story
â€¢ Pen name: How you would want your name to appear in print
â€¢ Word count: Approximately how many words are in your story
â€¢ Real name: Your real name (not a pseudonym or handle â€” this is the name that will go on the contract)
â€¢ Email address
â€¢ Phone number
â€¢ Short biography: This is optional, but weâ€™d be happy to read a short paragraph or two about your previous writing experience, where youâ€™re from, or any personal information that has a bearing on your story. No other cover letter is necessary.
All of this information is REQUIRED (except the short biography). Donâ€™t ask us if you can omit one or more pieces of information because the answer is “NO”. However, we wonâ€™t share any of your personal information with ANYBODY, and we will only use your contact information to tell you whether your story was accepted, and then once to tell you when the book is finished. We will always try to contact you via email first â€” the phone number will only be used if we need to get in touch with you and email isnâ€™t working.
If your story is accepted weâ€™ll ask you to confirm all your information, and youâ€™ll also have the chance at that time to write a new short biography for publication in the book.
Finally, we ask that each writer submit no more than 3 stories. Please send only previously unpublished work, and no simultaneous submissions. Otherwise, have fun! We canâ€™t wait to read all your stories!
[There’s a LOT more on the web site; definitely click through on this one if you’re interested.]
31 July 2011 — At Second Glance: Gay City Anthology Vol. 4 — ed. Eric Andrews-Katz & Vincent Kovar
Gay Cityâ€™s Mission is to promote the health of gay/bisexual men and prevent HIV transmission by building community, fostering communication, and nurturing self-esteem. This year, our anthology series continues with volume 4: At Second Glance.
There are always at least two viewpoints of every story and yet, we usually only hear one side. In the tradition of WICKED, The Red Tent and The Mists of Avalon, a different perspective can provide an entirely different story than the commonly known tale; the other side of the looking glass, so to speak. You are encouraged to experiment with sexual and cultural norms, technology and historical events. Sensuality is fine, but please no erotica.
== How could gay influences have changed the outcome of the Russian revolution?
== Was Mrs. Anna really there to tutor the King of Siamâ€™s children, or was she a lesbian secret agent?
== Did â€˜Jackâ€™ kill the giant out of self-defense, or was their relationship somehow more complex?
At Second Glance is seeking previously unpublished stories that tell a tale from another viewpoint. Either historical or fictional characters are acceptable and feel free to take creative liberties. Be serious, funny, romantic, scaryâ€¦ just be original and unique. Submissions are open to ALL genders and orientations but must appeal to a gay male audience. Multiple submissions accepted, but please let the editors know.
All submissions must be postmarked by July 31, 2011
No electronic submissions
GUIDELINES FOR WRITERS:
Plotlines, time periods and settings are all up to you. Genres (such as steampunk, horror, science fiction, westernâ€¦) are completely open, just please, no erotica.
== Word count: maximum 7K
== Double space, standard font in .doc, .rtf or compatible format.
== Include title, authorâ€™s name, and address on cover only.
== Title and page number must appear on all pages.
== Include a SASE.
Payment for accepted work includes two printed copies and $75 at time of publication. A $50.00 prize for Editorâ€™s pick will be awarded in each category. Winners of Editorâ€™s pick will be announced after the work is formally launched.
Send submissions to:
511 East Pike,
Seattle WA 98122-3617
For questions: firstname.lastname@example.org
31 July 2011 — Warrior Wisewoman 4 — ed. Roby James, Norilana Press
Warrior Wisewoman is an annual anthology series of science fiction featuring powerful and remarkable women, edited by Roby James.
The first volume was published by Norilana Books in June 2008, the second volume in June 2009, and the third volume in August 2010.
The anthology was conceived as a sister volume to the classic Sword and Sorceress fantasy series originally edited by Marion Zimmer Bradley, with the main difference being that the story themes will involve science fiction instead of fantasy, and they will be intended for a more mature audience, allowing a mixture of serious contemporary issues and reasonable sexual content (but no erotica) in addition to action and adventure. The stories will have a stronger focus on the interface between scientific exploration and our sense of wonder.
Editor Roby James says:
“I am looking for stories that shed light on the truth of what it means to be female, that illuminate the wisdom and the strength of a woman, but not in clichï¿½ ‘goddess’ stories. I love action and adventure, grand space opera, thrilling discovery, and intelligent protagonists. Make the story thoughtful, wise, and surprising. In addition, the stories in the anthology should appeal to genuine emotions, suspense, fear, sorrow, delight, wonder. The science can be part of the background and the characters foremost, or the science can be central to the story, as long as the characters are realistic and appealing. It is strongly recommended you read the previous volumes to get an idea of what kind of material we’re looking for.
“This is science fiction, but I also welcome stories of spiritual exploration, looking at the bond between the scientific and the divine. I want to see how a woman survives tragedy and disaster, overcomes impossible odds, achieves her true potential, or goes on to thrive in a marvelous universe of so many possibilities, using what is inside her, as well as what she finds in the laboratory, the alien planet, or space itself.
“The stories should contain the question of ‘what if’ on some level. And they should have a woman answer it.”
Read the editorial Introduction to Volume One.
Guidelines for Volume #4 of the Anthology:
RIGHTS PURCHASED: First English Language Rights and non-exclusive electronic rights. The anthology will be published by Norilana Books in a trade paperback edition in June 2012, to be followed by an electronic edition to be produced later.
PAYMENT: $0.02 a word on acceptance, and a pro rata share of royalties, plus a contributor copy.
WORD LENGTH: Up to 10,000 words, with longer stories having to be exceptional.
DEADLINE: July 31, 2011.
HOW TO SUBMIT: Submissions are electronic only. Please submit your story as a Word (.doc or .rtf) attachment to your e-mail. The subject line of your e-mail should say “Submission: Story Title, last name of author.” Also, include a brief cover letter. It should have your full name, address, e-mail address, title of story, number of words, and brief biographical information in case we don’t know you, with most recent publishing credits, if applicable. We are open to new writers and seasoned veterans alike.
EDITORIAL ADDRESS: roby dot james at comcast dot net
We look forward to reading your most inspired work.
31 August 2011 — To-Be-Named Fish-Themed Fantasy Anthology — Dagan Books
Our next open anthology will begin accepting submissions on June 1, 2011, and we will take stories until August 30, 2011. The theme of this anthology is â€œFishâ€. We want your mythic adventures and modern retellings. We want Dagan, not of Lovecraft but of the Phillistines. We want Ku-ula, of Hawaii, and Hatmehyt, and Nereus with his bounty. We want magic koi in ancient ponds and the street shaman with his fishy avatar, stalking the streets in some odd future. We want sharks, hunting far out at sea. We want carnival goldfish with short-lived secrets.
Send us something beautiful.
Submit stories of up to 4,000 words (flash of under 1000 is also encouraged) to:
Stories must be sent as a .doc attachment. Do not double space after the end of sentences. Do use paragraphs and tab indents. Do not add an extra line after each paragraph.
Subject heading must have: [FISH] Story Title, Author Last Name
This project pays 1 cent per word plus 1% royalty, paid quarterly, for the first two years of the bookâ€™s life.
Cover art by Galen Dara will be available June 1, 2011.
1 September 2011 — Super Hero Anthology — ed. Hailey Edwards, Samhain Publishing
Itâ€™s up, up and away we go, to a world of superheroes and supervillains, where heroes and/or heroines with special abilities and crime-fighting prowess protect the publicâ€¦and fall in love.
Iâ€™m very happy to announce an open call for submissions for a new, yet-to-be-titled spring 2012 superhero romance anthology. For more information on what Iâ€™m looking for when I ask for superhero stories, check out these entries on wikipedia.
Iâ€™m open to M/F, M/M, F/F, or multiples thereof, any sexual heat level, and the romance must end happily ever after or happy for now.
The novellas must range between 25,000 to 30,000 words in length, no more, no lessâ€”please note, only manuscripts that fall in this word count will be considered for this anthologyâ€”and will be released individually as ebooks in spring 2012 and in print approximately one year later.
Submissions are open to all authors, published with Samhain or aspiring to be published with Samhain. All submissions must be new materialâ€”previously published submissions will not be considered. Additionally, manuscripts previously submitted, whether individually or for past anthologies, will not be considered either. Be aware that manuscripts submitted to this anthology cannot be resubmitted at a later date unless by invitation from an editor.
Please note: fanfiction of popular, trademarked and copyrighted superheroes will not be considered. Only original works please.
To submit a manuscript for consideration, please include:
The full manuscript (of 25,000 to 30,000 words) with a comprehensive 2-5 page synopsis. Also include a letter of introduction/query letter. Full manuscripts are required for this as it is a special project.
As well, when you send your manuscript, be sure to use the naming convention Superhero_Title_MS and Superhero_Title_Synopsis. This will ensure that your submission doesnâ€™t get missed in the many submissions we receive, and makes it easy for me to find in my e-reader.
Submissions are open until September 1, 2011. No submissions will be accepted after this dateâ€”no exceptions. A final decision will be made by October 1, 2011. Send your submission to email@example.com and include Superhero Anthology in the subject line. Questions and queries can be addressed to Sasha Knight (firstname.lastname@example.org) though do your due diligence and read this anthology call completely and check the Samhain Submission FAQ page before emailing.
UNTIL FILLED — Horror Library, Vol. 5 — Cutting Block Press
Cutting Block Press is pleased to announce an open submissions period for the 4th Volume of its Horror Anthology Series, +Horror Library+, to be published in trade paperback during 2011.
We’re looking for the highest quality examples of all forms of Dark Fiction, running the gamut from traditional horror, supernatural, speculative, psychological thriller, dark satire, including every point between and especially beyond. No Fantasy or Sci-fi unless the horror elements are dominant. Read +Horror Library+ Volumes 1-3 to see what’s already pleased us. Special consideration will be given those pieces that we find profoundly disturbing, though blood and violence on their own won’t cut it. While we will consider tales of vampires, ghosts and zombies, we tend to roll our eyes at ordinary ones. They’re just too plentiful. Your best bet is to surprise us with something that is different, while well conceived and tightly executed.
Guidelines: Stories will range between 1,000 and 6,000 words, though we’ll look at longer works of exceptional merit. In that case, query before submission. Buying 1st worldwide anthology rights. No reprints. Paying 1.5 cents per word, plus one contributors copy. For established authors, rates may be negotiable. Response time: six months or sooner. Deadline: We will accept submissions until filled. All Queries to email@example.com.
Manuscript format: 12 point courier font, standard margins, left side of header: name, contact info, right side of header: word count, top of first page: title, author
Variances from traditional manuscript format: single space, NO INDENTS, ONE EXTRA space between paragraphs, use bold, italics and underline as they are to appear in story
Subject box: Short Story submission – title of story
Attach story in MS Word Document or RTF (only). Please paste your cover letter in the body of the e-mail. Send submissions to firstname.lastname@example.org.
[See the web page for a special offer on copies of Horror Library Vol. 1 for writers doing market research.]
UNTIL FILLED — Mortis Operandi — ed. Kfir Luzzatto and Dru Pagliassotti, The Harrow Press
MORTIS OPERANDI is looking for stories that revolve around the investigation of a crime and in which the supernatural plays a central role. While weâ€™re expecting a fair share of murders, we strongly encourage stories that revolve around OTHER kinds of crime â€” for example, arson, assault, blackmail, bullying, burglary, dowry death, embezzlement, fraud, kidnapping, larceny, libel, piracy, product liability, slavery, smuggling, terrorism, treason, and toxic pollution are all fair game.
By “supernatural” we mean magic, monsters, and/or miracles, but we donâ€™t consider psychic abilities (although the inclusion of a minor character possessing them will not in itself disqualify a story), extraterrestrial life, or UFOs to be supernatural.
Types of stories may include whodunits, police procedurals, hardboiled fiction, and courtroom dramas. All genres and treatments are welcome, including ecclesiastic, fantasy, humor, horror, historical, military, romance, and parody. Settings outside the U.S. and U.K. are welcome. Settings on other worlds arenâ€™t.
We want well-written stories that demonstrate originality of concept and plot. Zombies, vampires, and werewolves will be a hard sell, and romantically inclined vampires will be staked on sight. Think outside of the coffin.
Stories will be judged exclusively on the basis of their literary merit; a history of prior publication is not necessary.
Get more information about our thoughts on this antho at Market Scoop.
Submissions & Queries: anthology [[ at ]] theharrowpress.com
==No simultaneous submissions. One submission at a time.
==Please attach your stories to your email in Microsoft Word, RTF, or text-only format. Stories pasted in the body of an email will not be read.
==Please include the words â€œSubmission: Mortis Operandiâ€ in the Subject line of your e-mail.
Length: 3,000-6,000 words. Please include an approximate word count in your e-mail submission.
Payment: US $50/story, upon publication, and a free copy of the book
Rights: Exclusive English anthology print and electronic (e-book) rights. Please read our Sample Contract (pdf) for full details.
Submission period: Opens 1.1.11 — Closes when filled.
Publication Date: 2012
UNTIL FILLED — Fantastic Stories Anthology — ed. Warren Lapine, Wilder Publications
Fantastic Stories of the Imagination is a yearly anthology. Edited by Warren Lapine, Wilder Publications Box 10641, Blacksburg, VA 24063
Iâ€™m looking for stories that cover the entire science fiction, fantasy, and horror spectrum. I love magic realism (think Tim Powers and Neil Gaiman) and hard sf. I want a story to surprise me and to take me to unexpected places. I love word play, and would like to see stories with a literary bent, though decidedly not a pretentious bent. I could spend some time telling you what I donâ€™t want, but Iâ€™ve found that good stories can make me buy them regardless of how many of my rules they violate. Let your imagination run wild, push and blur the limits of genre, or send me something traditional. I want it to see it all. My experience as an editor tells me that over time Iâ€™ll develop preferences and that the anthology will take on its own personality. When that happens Iâ€™ll change the guidelines to be more specific, but for now Iâ€™m going to explore whatâ€™s out there before I decide what direction to go in.
Payment: 10 cents per word on acceptance for original stories (maximum of $250.00) or 2 cents per word for reprints (maximum of $100.00). A check will accompany the contract so no simultaneous submissions please. I am purchasing First English Language Book Rights and non-exclusive electronic rights.
Story length, I have no limit on story length but the longer the story is the better it will have to be.
Sorry no e-mail submissions. Why is this? Donâ€™t you know that e-mail submissions is the future? Yes I do know that, but itâ€™s not the way I want to do this. For me the best part of being an editor is having people over to have slush parties and interacting with them during the reading process. Editing on a screen is a thing devoid of fun or joy, I edit for the fun and joy of it.
[Note: definitely click through on this one; there’s some very useful info in the comments.]